OVERNIGHT REVIEW: Broadway with a twist from Pasadena Pops

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

What if an orchestra presented a summertime Broadway-themed concert and Rodgers and Hammerstein didn’t show up? That’s what the Pasadena Pops almost did last night at the Los Angeles County Arboretum.

Of the nearly three-dozen songs on the program, only one was by the iconic duo. Instead, the Pops spotlighted four beautiful and talented Broadway female vocalists and one hunky (and talented) male. Along with delivering a first-rate program, they emphatically demonstrated that there’s been a lot of life on The Great White Way since R&H left the scene more than half a century ago.

The Pops’ resident conductor, Larry Blank, presided over a well-paced program and the orchestra provided stylish accompaniment throughout. The ensemble also got its moments in the spotlight with renditions of Song on the Sand from La Cage Aux Folles and Leonard Bernstein’s Candide Overture.

However, the spotlight was on the vocalists: Susan Egan, Valeri Perri, Christina Saffran, Lisa Vroman and David Burnham.

There were several touching moments and a surprise during the evening. Egan, Perri and Saffran (with some well-time peacocks counterpoint) offered a poignant rendition of At the Ballet from A Chorus Line by the Pops’ late principal conductor, Marvin Hamlisch. Later in the second half, Vroman delivered an operatic performance of If I Loved You from Rodgers and Hammerstein’s Carousel, just two days after Richard’s daughter, Mary, died at the age of 83. In dedicating the performance to Mary Rodgers, Blank noted that she was involved in the R&H Foundation, which owns and licensed much of the music on the program.

The surprise was Egan’s powerful rendition of the world premiere of Every Time We Touch from an unproduced musical by Richard Kagan and Michael Jay. Kagan had been friends with Hamlisch for 48 years and was with him when Hamlisch died suddenly on August 6, 2012 at the age of 68.

As Blank related, Kagan had harbored thoughts of becoming a composer but after he heard Hamlisch play, Kagan recalls, “it changed my life. I was overwhelmed by his talent. I knew for me it was time to go into the insurance business.” For the next four decades, Kagan ran a successful life insurance business in L.A. but apparently he has had second thoughts about the musical theatre.

Burnham and Vroman provided one of the evening’s highlights with their heartfelt rendition of All I Ask of You from Andrew Lloyd Webber’s Phantom of the Opera. Perri brought great emotion to Don’t Cry for Me, Argentina from Evita, while Saffran displayed a gorgeous voice in I Dreamed a Dream from Les Miserables.

Although Judy Garland didn’t have a Broadway stage career, she figured prominently in the evening’s proceedings. Perri sang an arrangement written for Garland of Almost Like Being in Love from Brigadoon, while later Egan brought her unique touch to a medley of Garland songs from the movies, concluding with (what else?) Over the Rainbow.

• Now in its third season at the Arboretum, the Pops continues to settle in nicely. The video screens on either side of the stage seem to have much sharper definition this year and the camera work was, for the most part, quite satisfactory. The only oddity was that Perri’s purple gown showed up bright blue on the video, although the other ladies’ gowns seemed to translate well on screen.
• One major problem from previous years, a lack of lighting on the pathway leading to the south exit after the concert, has been rectified thanks to dozens of young volunteers armed with flashlights.
• Although not many people seemed to realize it, the Pops has “gone green” by publishing its playlists on its Web site (www.pasadenasymphony-pops.org) and on a free app downloadable for tablets and smart phones. A limited number of paper copies were available last night.
• Fortunately last night was the only concert this summer where the Pops goes head to head with the California Philharmonic at nearby Santa Anita Racetrack. At least one patron got on the wrong shuttle and ended up at the Arboretum instead of the other location.
• Last night was also the only concert of the summer that didn’t invite Principal Pops Conductor Michael Feinstein, who returns on July 19 to sing music by George and Ira Gershwin with Blank again on the podium (LINK). Feinstein will conduct the final two concerts of the summer on Aug. 16 and Sept. 6.

(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Cal Phil, Pasadena Pops perform Saturday in Arcadia

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
This column was published today in the above papers.

Summertime … and the classical music season warms up along with the temperatures. Arcadia is the place to be on Saturday as the California Philharmonic begins its 2014 summer season at Santa Anita Racetrack, while a few hundred yards away at the Los Angeles County Arboretum the Pasadena Pops continues its summer schedule.

• Music by John Williams headlines the Cal Phil’s opening concert, as Victor Vener leads his ensemble in the first of five concerts at the performing space in the infield of the famed racetrack. Among the selections will be a violin/cello arrangement of the theme from Schindler’s List, with father and son duo Dennis Karmazyn on cello and Max Karmazyn on violin as soloists. The program will also include Tchaikovsky’s 1812 Overture and Orff’s Carmina Burana, with the Cal Phil Chorale assisting in the latter.

Other 2014 concerts are:
July 12 — “Copland and Cowboys”
July 26 — “Music, Fantasy and Adventure”
Aug. 9 — “Movie Masterpieces
Aug. 23 — “Broadway and Bolero”
As usual, each outdoor program is repeated the following afternoon in Walt Disney Concert Hall. Information: www.calphil.com

• Broadway is on the Pasadena Pops agenda Saturday night, as resident conductor Larry Blank leads the orchestra in a potpourri of selections from famous Broadway shows. Soloists include vocalists Susan Egan, Valerie Perri, Christina Saffran, Lisa Vroman, and David Burnham. Among the shows featured will be Cabaret, Evita, Les Misérables, Phantom of the Opera, A Chorus Line, The Music Man, Wicked and West Side Story.

This is the only concert of the five-event Pops season that will go head-to-head with the Cal Phil, but as is usual when that happens, traffic issues can arise. This is also the only Pops concert of the season where Principal Conductor Michael Feinstein will not appear. Information: www.pasadenasymphony-pops.org

Got a bunch of money? If you hurry you can still find an orchestra that will put your name on its music director position. The Chicago Symphony was the latest to join the naming craze when a gift of $17 million from the Zell Family Foundation bought perpetual naming rights to the orchestra’s music director position, currently held by Riccardo Muti.

If the name “Zell” sounds familiar, it’s because Sam Zell bought The Tribune Co. (including the Los Angeles Times) in April 2007 and then took it into Chapter 11 bankruptcy 20 months later.

The CSO joins the Los Angeles Philharmonic, where Gustavo Dudamel holds the title of “Music Director, Walt and Lily Disney Chair” (which is amusing since Dudamel only sits on a chair during rehearsal), and Los Angeles Opera, where James Conlon is the “Richard Seaver Music Director.” Upon checking their Web sites, it appears that both the Pasadena Symphony and Los Angeles Chamber Orchestra are still open.

(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Indoor, outdoor concerts clash in first weekend of June

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Style: "p25+-Ipro"
Michael Feinstein will open his second season as the Pasadena Pops’ principal conductor on June 7 at the Los Angeles County Arboretum.

We’re at that odd time of the year for classical music when seasons collide. In June we’re wrapping up indoor seasons and beginning the outdoor concerts that are so much a part of Southern California life and, unfortunately, they all collide next weekend.

On the indoor scene:
• The Pasadena-based Angeles Chorale will conclude its 2013-2014 season at UCLA’s Royce Hall on June 7 at 8 p.m. when long-time artistic director and now resident guest conductor Donald Neuen makes his final appearance with the Angeles Chorale. The ensemble will be joined by the UCLA Chorale, UCLA Philharmonia and piano soloist Neal Stulberg in an all-Beethoven program: Mass in C Major, Choral Fantasy and the “Hallelujah” chorus from Christ on the Mount of Olives. Soloists for the mass will be soprano Sarah Grandpre, alto Sarah Anderson, tenor Daniel Suk, and bass Michael Dean. Information: www.angeleschorale.org

• The Pasadena Master Chorale’s final concert this year will feature Carl Orff’s ever-popular Carmina Burana on June 7 at 7:30 p.m. at First Congregational Church, Pasadena. Artistic Director Jeffrey Bernstein will conduct the work’s two-piano chamber version. Soprano Krystle Casey and Baritone Ryan Thorn will be the soloists. Information: www.pasadenamasterchorale.org

• On June 8, Pasadena Pro Musica concludes its 50th season at 4 p.m. at Pasadena’s Neighborhood Church as Artistic Director Stephen Grimm leads a program of music by Mozart. Soloists include soprano Paula Rasmussen, who sang with PPM as a young chorister and has since gone on to an international opera career. Information: www.pasadenapromusica.org

• The Los Angeles Master Chorale wraps up its 50th season on June 8 at 7 p.m. at Walt Disney Concert Hall as Artistic Director Grant Gershon leads world premieres of pieces by the Los Angeles Philharmonic’s Conductor Laurate Esa-Pekka Salonen, David Lang, and the Chorale’s composer-in-residence, Shawn Kirschner, along with music by Gabriela Lena Frank and Francisco Nuñez. Gershon’s new title came with welcome news that he is extending his contract with LAMC through 2019-2020. Information: www.lamc.org

On the outdoor front, Michael Feinstein returns for his second season as the Pasadena Pops’ principal conductor, leading the group’s opening concert on June 7 at 7:30 p.m. at the Los Angeles County Arboretum. The program will include a treasure trove of lost works that Feinstein has unearthed in places ranging from libraries to garages as he continues to build “The Great American Songbook.” Feinstein will conduct three of this summer’s concerts and sing in a fourth. Information: www.pasadenasymphony-pops.org

(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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