MUSIC NOTES: On Feinstein, classic movies, and “Tchaikovsky Spectaculars”

By Robert D. Thomas
Music Critic
Southern California News Group

• IF YOU’RE A FAN of Turner Classic Movies (as I am), you may have been surprised to see the guest host of TCM’s “Summer Under the Stars” series at 5 p.m. (PDT) this month: Michael Feinstein, principal conductor of the Pasadena Pops orchestra, who introduces a different star each night (Wednesday is Bing Crosby). INFO

• FRIDAY AND SATURDAY nights mark the 48th edition of the Los Angeles Philharmonic’s “Tchaikovsky Spectacular” at the Hollywood Bowl. Actually, there have been more than 48. In 1931, Artur Rodzinski led the Phil in a program that was entitled “An All Tchaikovsky Concert.” The program back then was the Polonaise from Eugene Onegin, Symphony No. 6, Variations on a Rococo Theme, with Nicolai Ochi-Albi as soloist, and the 1812 Overture.

Fast forward to 1969 when Zubin Mehta led the first Bowl concert to be termed a “Tchaikovsky Spectacular.” The program was Marche Slave, Opus 31, the Romeo and Juliet Fantasy-Overture, Piano Concerto No. 1, with Mischa Dichter as soloist, and — of course — the 1812 Overture, with the 562nd California Air National Guard Band.

This year’s program — to be led by current LAPO Music and Artistic Director Gustavo Dudamel — features the Capriccio Italien, orchestral selections and two dance sequences fron Swan Lake, and the 1812, with the USC Trojan Marching Band joining forces with the Phil. One thing hasn’t changed in 48 years: the firework pyrotechnics are by the same firm, now called Souza.

BTW: This is the third program this week that relies on dance, following Tuesday night’s “Tango” program and Thursday’s concert featuring Stravinsky’s The Firebird. These are also Dudamel’s last Bowl programs for the season. INFO

(c) Copyright 2016, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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