By Robert D. Thomas
Southern California News Group
There’s so much to digest in the Los Angeles Philharmonic’s 2017-2018 season that it will probably take me at least two Blog posts to unpack even most of it — three if you count the “Calendar Alert” post I put up earlier this morning (LINK). Bottom line: the orchestra’s 99th season is the most exciting, interesting collection of programs that I can ever remember from an orchestra.
Some of this comes through the flowering of several initiatives that have been planted during the past few seasons — e.g., inSIGHT, Casual Fridays, the Oscars. Others are the continuing maturation of projects that are the envy of many ensembles around the country, especially the “Green Umbrella” series.
Moreover, there are conductor relationships that the Phil has been nurturing for decades, beginning with Music and Artistic Director Gustavo Dudamel who will conduct 12 weeks next season, his ninth heading the orchestra, plus the annual opening gala concert.
Dudamel will also lead the Phil on a tour to the east coast, London and Paris next spring. In addition to the Phil, members of YOLA (Youth Orchestra of Los Angeles) will journey to London to work with young musicians from Great Britain as part of a national youth orchestra conference.
Meanwhile, Susanna Mälkki, the orchestra’s new principal guest conductor, will lead three weeks of subscription concerts, including two consecutive weeks early in the season. The guest conductor list also includes two former LAPO music directors, Zubin Mehta and Esa-Pekka Salonen (but not, regrettably, André Previn, who will conduct the Pacific Symphony in Costa Mesa.). Mehta’s program will conclude with Bruckner’s Symphony No. 9.
The Phil’s maestros next season also include current associate conductor, Mirga Gražinytė-Tyla, two former associate conductors, Lionel Bringuier and Miguel Harth-Bedoya; and several guest favorites, including (but not limited to) Charles Dutoit and James Conlon.
Incidentally, four of the season’s conductors will be women — Mälkki, Gražinytė-Tyla, Emmanuelle Haïm and Xian Zhang — which may be a record for the Phil and is light years ahead of most U.S. orchestras.
The soloist list is headed by violinist Gidon Kremer playing Moisey Weinberg’s Violin Concerto with Gražinytė-Tyla conducting; and pianist Mitsuko Uchida playing Schumann’s Piano Concerto as part of a three-week Schumann festival to conclude the season.
The season will also include three top-flight visiting orchestras, the first two making their Disney Hall debuts: the Chicago Symphony on Oct. 22, with Ricardo Muti leading Brahms’ second and third symphonies; the Marinsky Orchestra on Nov. 1, with Valery Gergiev conducting music by Shostakovich, Prokofiev and Scriabin; and Michael Tilson Thomas and the San Francisco Symphony on March 27, playing Mahler’s Symphony No. 5 and Berg’s Violin Concerto, with Gil Shaham as soloist.
What about programming, you ask? That’s for my next post, but here’s a teaser: although there’s a healthy sampling of music for traditionalists, Lisa Hirsch writes on her Blog, “Iron Tongue of Midnight,” that among the 81 composers on the schedule for the various components of the Phil’s season, 31 of them are alive and at least 17 others were composing in the 20th century. The Phil’s media release lists 23 commissions, 22 world premieres, six U.S. premieres and two west coast premieres during next season.
More on all of that in my next post (probably tomorrow).
The complete 2017-2018 media kit is HERE.
The chronological listing of programs is HERE.
(c) Copyright 2017, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.