NEWS: Lora Unger named CEO of Pasadena Symphony Association

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
Los Angeles Newspaper Group

UngerJust when we thoughts things had settled down at the The Pasadena Symphony Association the wheel turns again. The association, which, operates the Pasadena Symphony and POPS, today announced that it has tapped Lora Unger Z(right) as its new Chief Executive Officer, effective November 1. Read the Pasadena Star-News story HERE.

Unger replaces Paul Jan Zdunek, who has been named Chief Capital Development Officer with Singpoli Capital Corp. in Pasadena. For the past several years, Singpoli has sponsored the Pasadena Symphony’s indoor classics series.

Zdunek took over the association in December 2008 in the midst of a major financial crisis that resulted in part from financial losses incurred in the recession. One of his first moves was to hire Unger and together the two have worked with others to steer the PSA back to financial and artistic health.

Among the changes were moving the Pasadena Symphony’s indoor season from the cavernous Pasadena Civic Auditorium into the more intimate Ambassador Auditorium, one of the world’s acoustic gems, in 2010. Two years later the Pops shifted into its summer home, the Los Angeles County Arboretum. The PSO also presents a holiday concert at All Saints Church, Pasadena.

Other changes were messier. Long-time PSO Music Director Jorge Mester left in acrimony and Pops leader Rachael Worby also stepped down. Eventually Zdunek and the association hired Marvin Hamlisch as the Pops’ principal conductors only to have him die suddenly in 2012. Despite the grief from Hamlisch’s death, Zdunek and the board took a gamble by hiring entertainer and historian Michael Feinstein to replace Hamlisch, a toss of the dice that has paid off well both artistically and financially.

The Pasadena Symphony’s music director, David Lockington, will lead his first concert in his new role on Nov. 1 at Ambassador Auditorium (LINK). Noted British conductor Nicholas McGegan will assume his new role as the symphony’s principal guest conductor January 17 (LINK).

In a media release, Lockington said he is “thrilled for Paul and absolutely delighted that Lora will be assuming the role of CEO of the Pasadena Symphony Association.” Lockington pointed out that he has “worked with Lora for over four years. She is visionary, smart and an astute strategist. Her style is a stimulating blend of seriousness and humor which makes for a creative working environment.”

Unger, who is a trained violist, holds a BA in Music with a Minor in Business Administration from the University of Louisville, and received her MA in Arts Administration from the Cincinnati College-Conservatory of Music and Cincinnati College of Business Administration.

Prior to coming to Pasadena she worked with the Santa Fe Chamber Music Festival, as well as the Cincinnati, Modesto, and Jacksonville Symphony Orchestras in public relations, marketing and artistic operations. She was a League of American Orchestras’ Orchestra Management Fellow with residencies at the Aspen Music Festival, New Jersey Symphony Orchestra, Los Angeles Chamber Orchestra and San Francisco Symphony. She is a member of the Association of California Symphony Orchestras and a presenter at their conferences

“Given the enormous contributions to our success that Lora has made for us, we’re delighted to elevate her to the position of CEO, following thoughtful deliberation by the Board,” said Kay Kochenderfer, president of the PSA Board of Directors, in the media release. “Over the past five years, we’ve seen a 20 percent increase in Classics Series ticket sales, an astonishing 200% increase in POPS sales, and an 85% subscription retention rate.

Read the full media release HERE.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Notes on today’s column

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Read today’s column on the Los Angeles Master Chorale opening concert and “dueling” orchestral organ programs HERE.

Following is what I would have added into the print version of the column if I had the space.

LOS ANGELES MASTER CHORALE CONCERT
Joan-of_Arc_PosterCarl Dreyer’s 1928 film, The Passion of Joan of Arc, was based on the actual 15th century transcripts of St. Joan’s trial for heresy, portrays her trial and execution. Dressed as a boy, she led French troops in a defeat against British occupiers during the “Hundred Years’ War.” She was later captured, tried by French clergy loyal to the British, and condemned to death by burning at the stake for her belief that she was spurred to action by religious visions.

There’s a great deal of information about Voices of Light on Einhorn’s Web site HERE. The Master Chorale Web site (LINK) has two video clips of the movie.

LOS ANGELES PHILHARMONIC CONCERT NOTES
Disney Halls organThe Los Angeles Philharmonic is in the midst of celebrating the 10th anniversary of the Walt Disney Concert Hall organ, nicknamed by organist and composer Terry Riley “Hurricane Mama.” On Oct. 24, 25 and 26, the Phil will present the U.S. premiere of Kaija Saariaho’s Maan varjot (Earth Shadows), a work for orchestra and organ with Olivier Latry, titular organist at Notre Dame de Paris, as soloist. (Click HERE for a Financial Times article that is both an explanation and a review of the London performance. The world premiere was for the dedication of the new hall in Montreal’s symphony hall).

The Disney Hall organ —- 6,145 pipes (72 stops, 109 ranks), ranging in size from a pencil to a telephone pole —- is one of the larger and most impressive instruments in Southern California. Frank Gehry, the Disney Hall architect, and organ builder Manuel Rosales, Jr. collaborated on the unusual visual design, including the curved wood façade pipes made of Douglas fir — I liken their look to an overturned bag of French fries. Rosales and Glatter-Götz Orgelbau of Germany built the mechanical design, construction, tuning and voicing. Behind the façade are three levels of pipes, including metal pipes made of tin and lead alloys and wood pipes made of Norwegian pine. (More info HERE)

CONCERT INFORMATION: www.laphil.com

PACIFIC SYMPHONY NOTES:
Gillespie organIn the Pacific Symphony concert, “Cathedrals of Sound” on Oct. 23, 24 and 25 at the Renée and Henry Segerstrom Concert Hall in Costa Mesa, Paul Jacobs, one of the nation’s premiere organists, will be playing the William J. Gillespie Concert Organ in Segerstrom Concert Hall. At 4,322 pipes (57 voices, 75 ranks), this instrument — built by C.B. Fisk, Inc. of Gloucester, Mass. — is smaller than the Disney Hall organ and has a much brighter sound than its L.A. counterpart. The Gillespie organ uses tracker action from a four-manual keyboard mounted on the wall underneath the distinctive aluminum-leafed or polished tin pipes. (More info HERE).

Duruflé created three different versions of his Requiem. The Pacific Symphony will use the full version with orchestra, which was written in memory of the composer’s father 1947 under a commission from his publisher. Concurrent with the full version, Duruflé also wrote an edition for organ accompaniment alone, and in 1961 created a version for organ, 3 trumpets, timpani, harp and strings.

Information: www.pacificsymphony.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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REVIEW: L.A. Philharmonic open 2014-2015 season with scintillating Mahler

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Los Angeles Philharmonic; Gustavo Dudamel, conductor
Oct. 2 at Walt Disney Concert Hall
Lang: man made; Sō Percussion, soloists
Mahler: Symphony No. 5
Next performances: Tomorrow at 8 p.m. Sunday at 2 p.m.
Information: www.laphil.com
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My review of the Los Angeles Philharmonic’s season-opening concert is online at our papers’ Web site HERE.

Following are some of my additional thoughts on the concert:
• Taking bows continues to be an art form for Dudamel at Disney Hall, but each concert is different. Last night he waded into the orchestra and shook Neil’s hand first. In a later bow, he asked Hooten, Bain and other principals to stand, then sections — even some of the string sections were singled out (an unusual touch). Of course, Dudamel and the orchestra turned to those in seats behind the stage; the audience always loves that.

• Mark Swed’s review in the Los Angeles Times is HERE and Timothy Mangan’s take in the Orange County Register is HERE. Obviously they liked David Lang’s piece more than I did. That’s the fun of reading multiple reviews.

• Dudamel will lead the second week of concerts on Oct. 9, 10, 11 and 12 in a program of John Adams’ Harmonium, along with Beethoven’s Choral Fantasy and Piano Concerto No. 5 (Emperor). Pianist Leif Ove Andsnes and the Los Angeles Master Chorale will be the soloists. INFORMATION: www.laphil.com

• Following those concerts Dudamel, who had an extremely busy summer, apparently will take a vacation from conducting for a month before returning to lead the Phil Nov. 20-23 (His Web site lists no concerts between the LAPO programs). INFO
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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PREVIEW: There’s more to orchestras than the L.A. Phil

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Somewhat overshadowed by the Los Angeles Philharmonic’s opening this week (LINK) are a handful of other openings that should be noted.

The Long Beach Symphony opens its 80th anniversary season Saturday night at 8 p.m. in Long Beach’s Terrace Theatre. Richard Guzman’s preview article on our papers’ Web site is HERE.

The orchestra’s board announced today that it has extended Kelly Ruggirello’s contract as the LBSO executive director through the 2017. Ruggirello took over the post 18 months ago and this announcement means, presumably, that she will be leading the orchestra through its music director transition. Enrique Arturo Diemecke resigned abruptly last season after 13 years as the LBSO’s music director.

Concert information: www.lbso.org

The London Philharmonic Orchestra will make a stop at California State Northridge’s Valley Performing Arts Center on Oct. 10 at 8 p.m. Principal Conductor Vladimir Jurowski will lead the program of Dvorak’s The Noonday Witch, Tchaikovsky’s Symphony No. 6 (“Pathetique”) and Prokofiev’s Piano Concerto No. 3, with Jean-Efflam Bavouzet as soloist. Incidentally, the LPO announced yesterday that Jurowski’s contract has been extended through at least 2018 (LINK).

Information: www.valleyperformingartscenter.org

The following day, the LPO moves down the 405 Freeway to the Renée and Henry Segerstrom Concert Hall in Costa Mesa when it opens the Philharmonic Society of Orange County’s 2014-2015 season on Oct. 11 at 8 p.m. with the same program and performers as at VPAC. Information: www.philharmonicsociety.org

If you’re so inclined, you can comparison performances of the concerto because Behzod Abduraimov will be the soloist when the Los Angeles Philharmonic pairs Prokofiev’s third concerto with Dvorak’s Symphony No. 7 in a “Casual Friday” concert on Oct. 17. Basque conductor Juanjo Mena will conduct. The concerts on Oct. 18 and 19 add Prokofiev’s “Classical” Symphony to the aforementioned two. Information: www.laphil.com
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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