ORCHESTRA NEWS: Rattle to London Symphony

By Robert D. Thomas
Music Critic
Los Angeles Newspaper Group

Scratch one major orchestra off of the leader search list. Sir Simon Rattle has been appointed music director of the London Symphony Orchestra, effective Sept. 2017, the year before he will step down from a similar position with the Berlin Philharmonic. Read the LSO media release HERE.

Note that Rattle’s title is music director, not principal conductor as has been the case with previous LSO musical leaders, including the incumbent, Valery Gergiev. The releases states, “As Music Director [Rattle] will be involved in every aspect of the LSO’s work as well as championing the importance of music and music education.” Michael Cooper in the New York Times (LINK) says that Claudio Abbado held the music director title from 1984-87.

Lisa Hirsch, in her Blog “Iron Tongue of Midnight,” has a list of orchestras looking for new musical leadership HERE, a group that includes another of Rattle’s former ensembles, the City of Birmingham (England, not Alabama) Symphony Orchestra but doesn’t list the Los Angeles Chamber Orchestra nor the Long Beach Symphony.
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(c) Copyright 2015, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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Season schedules — Part 1: Pasadena Symphony and Hollywood Bowl

By Robert D. Thomas
Music Critic
Los Angeles Newspaper Group
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

It’s that time of the year when schedules for 2015 and 2016 begin to appear in mailboxes (electronic and USPS). Read my story about the 2015-2016 PASADENA SYMPHONY season published in the above papers HERE.

Among other schedules that have popped up:

HAVING ESTABLISHED A PATTERN that seems to provide maximum variety and healthy income to the Los Angeles Philharmonic, Hollywood Bowl’s 2015 summer schedule offers more of the same for the season that begins June 13 and extends through September 27.

The bulk of the season features popular and movie fare but the 10-week classical season, with concerts on Tuesday and Thursday, features a number of interesting programs. Among those that caught my eye:
• Composer/conductor Tan Dun conducts a program of his own “Martial Arts Trilogy” on Aug. 13, including his Crouching Tiger concerto and his Triple Concerto, which had its West Coast premiere last week at Walt Disney Concert Hall The Bowl concerts will include film clips.

• Now Music Director of the Tonhalle Orchestra Zurich, Lionel Bringuier returns to conduct the L.A. Phil (where he served for six years in various conducting capacities) to open the 2015 Bowl classical season. The July 7 concert will include Yuja Wang as soloist in Prokofiev’s second concerto, while Thursday’s program will pair Tchaikovsky’s and Prokofiev’s takes on Romeo and Juliet themes along with Tchaikovsky’s Rococo Variations, with Narek Hakhnazaryan — gold medalist in the 2011 Tchaikovsky International Competition — as cello soloist.

• LAPO Music Director Gustavo Dudamel has several program scheduled. On July 21 and 23, he conducts the orchestra, L.A. Master Chorale, L.A. Children’s Chorus and three soloists in performances of Carl Orff’s Carmina Burana and music by Eric Whitacre.

On that weekend, Dudamel leads the annual “Tchaikovsky Spectacular” for the first time. The program will include Tchaikovsky’s Symphony No. 5, Swan Lake excerpts and, of course, the 1812 Overture, with fireworks, cannon shots and the USC Marching Band in accompaniment. The 5th Symphony was the vehicle with which Dudamel made an electrifying Bowl and L.A. Phil debut in September 2005 (see this review by the late, great critic Alan Rich HERE).

The following week Dudamel leads an all-Mendelssohn program on July 28 and an all-Mozart program on July 30.

• Other guest conductors are James Gaffigan; Joshua Bell, also soloing on the violin; Daniel Harding; Nicholas McGegan leading a program with Cameron Carpenter soloing in the Poulenc Organ Concerto on Carpenter’s International Touring Organ INFO); Bramwell Tovey; Lahav Shani; and Pablo Heras-Casado. LAPO Assistant Conductor Mirga Gražinytė-Tyla will also lead a program.

http://www.sgvtribune.com/arts-and-entertainment/20141114/organist-cameron-carpenter-la-philharmonic-to-celebrate-walt-disney-concert-hall-pipe-organ

• The “Sing-Along Sound of Music” program on June 26 will celebrate the movie’s 50th anniversary. Other programs with either the L.A. Phil accompanying films and/or film clips are Back to the Future on June 30 (this year is BTF’s 30th anniversary), the 25th anniversary of Bugs Bunny at the Movies on Aug. 14 and 15. 2001: A Space Odyssey on Aug. 18, and E.T. the Extra-Terrestrial on Sept. 4, 5 and 6.

Live performances of Monte Python’s Spamalot will take place July 31, August 1 and 2, while — for something completely different — the annual opera night will be Verdi’s La Traviata on Aug. 9 when Daniel Harding leads the L.A. Phil and an as-yet-unnamed cast.

Information: www.hollywoodbowl.com
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(c) Copyright 2015, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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L.A. Phil to spotlight Chinese New Year with Disney Hall concerts

By Robert D. Thomas
Music Critic
Los Angeles Newspaper Group

One of the advantages of living in Southern California’s multicultural society is the chance to sample a wider range of holidays than folks in other, more homogenous societies. Case in point: Chinese New Year, which begins tomorrow and runs for 15 days. This is the Year of the Sheep,

zhangcolorThe Los Angeles Philharmonic will celebrate the festival for the first time with concerts on Feb. 19, 20 and 21 at Walt Disney Concert Hall. Rising conductor star Xian Zhang leads a program that mixes music by Chopin, Saint-Säens and Tchaikovsky with selections by Li Huanzhi and Tan Dun.

The latter is represented by the West Coast premiere of Dun’s The Triple Resurrection, the fourth installment in Dun’s “Martial Arts Cycle,” a set of concertos based on his famous film scores. The work uses themes and musical characters (violin, cello, and piano) from Crouching Tiger, Hidden Dragon, Hero and The Banquet. Soloists will include Jin Wang, cello, Ning Feng, violin, and Haochen Zhang, piano, gold medalist in the 2009 Van Cliburn International Piano Competition.

The Triple Resurrection will also be presented at Hollywood Bowl on August 13 when the composer will conduct his own works accompanied by film clips.

The Disney Hall concerts are part of the Phil’s $20 ticket offer and traditional Chinese New Year celebrations will follow each concert.

Information: www.laphil.com
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(c) Copyright 2015, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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NEWS: Another American orchestra looks for a music director

By Robert D. Thomas
Music Critic
Los Angeles Newspaper Group

Another major American symphony orchestra is looking for a music director, following today’s announcement that the National Symphony Orchestra in Washington, D.C. will not renew Christoph Eschenbach’s contract when it expires following the 2016-2017 season. He become Conductor Laureate for three years.

The NSO joins the New York Philharmonic on the lookout; the NYPO’s music director, Alan Gilbert, will leave after at the same time as Eschenbach (LINK).

Anne Midgette in the Washington Post has the news on Eschenbach’s departure HERE and Tim Smith (Baltimore Sun) chimes in HERE.
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(c) Copyright 2015, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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L.A. Chamber Orchestra plumbs Mozart’s Requiem; L.A. Phil takes on “Alice in Wonderland”

By Robert D. Thomas
Music Critic
Los Angeles Newspaper Group

• When Jeffrey Kahane began his “Discover” series of one-off concerts with the Los Angeles Chamber Orchestra at Ambassador Auditorium several years ago, it was to examine Beethoven symphonies in depth. Having exhausted most of those works (at least the familiar ones), Kahane & Co. turn to Mozart’s Requiem in D Minor on Thursday at 8 p.m. for the next installment.

There are plenty of opportunities for examination. Mozart left the piece unfinished and most conductors have used an ending supposedly finished by the composer’s friend, Franz Süssmayr. However in the 1990s, fortepianist and Mozart scholar Robert Levin published his own completion and this is the edition Kahane will use when he conducts the orchestra, Los Angeles Master Chorale and soloists in the second half of the program.

In the first half, actors John Sloan and JD Cullum from The Antaeus Company will join with Kahane to tell the Requiem’s story.

Single tickets are $25-$115. BTW: check the Web site for parking instructions, which are different than for Pasadena Symphony concerts.

Information: www.laco.org

• While Los Angeles Opera remains immersed in its “Figaro Trilogy” — The Ghost of Versailles continues its run through March 1, The Barber of Seville opens Feb. 28 and The Marriage of Figaro begins March 21 — the Los Angeles Philharmonic jumps into the operatic fray on Feb. 27 and 28 in Walt Disney Concert Hall with West Coast-premiere performances of Alice in Wonderland by Korean composer Unsuk Chin.

This is a new production by video artist Netia Jones who, in addition to being director, also designed the costumes and sets. She will use illustrations by Ralph Steadman (Fear and Loathing in Las Vegas) and combine those with live action and interactive animated projections.

There’s a cast of 12 in the opera — many playing multiple roles — along with members of the L.A. Master Chorale and L.A. Children’s Chorus. The performances will be conducted by rising Finnish star Susanna Mälkki, who was recently named chief conductor of the Helsinki Philharmonic Orchestra and has made a strong impression in previous L.A. Phil concerts.

Incidentally, LA Opera is listed as a “collaborator” on this production although the company has made no mention of this on its Web site or publicity materials. LAO reportedly has been miffed about the Phil invading its turf with opera productions at Disney Hall in recent years so perhaps this “collaboration” was a way to mollify hurt feelings.

Information: www.laphil.com

If Chin’s contemporary take on Lewis Carroll’s classic isn’t your cup of tea, another young woman conductor with a growing rep, Mirga Gražinytė-Tyla — the Phil’s new assistant conductor — will lead a program of Mozart’s The Abduction from the Seraglio overture, Stravinsky’s Petrushka and Beethoven’s Symphony No. 7 on March 1 at Disney Hall.

Information: www.laphil.com
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(c) Copyright 2015, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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