AROUND/MUSIC: SW Chamber opens Huntington season on another “clash Saturday”

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
This article was first published today in the above papers.

As if you couldn’t tell from last week’s heat wave, summer is really upon us and our burgeoning music season reflects the seasonal change.

Southwest Chamber Music begins its 20th season in the Loggia of the Huntington Library in San Marino next Saturday and Sunday. The music begins at 7:30 p.m. Preconcert, three-course dinners are available by prior reservation from the Huntington’s Tea Room or you can bring your own picnic and enjoy it on the lawn. As a bonus, sections of the library are open to ticketholders prior to the concert and at intermission.

This weekend’s programs include Hums and Songs of Winnie the Pooh by English composer Oliver Knussen, Stravinsky’s Octet for Winds and Mozart’s Serenade, K. 361. Other programs are July 27 and 28, August 10 and 11 and August 24 and 25. Information: 800/7236-7147; www.swmusic.org

Saturday is one of this summer’s “clash nights.” In addition to Southwest Chamber Music, both the Pasadena Pops and California Philharmonic are performing in their Arcadia locations (thus creating some traffic issues).

Michael Feinstein, the Pasadena Pops’ new principal conductor, returns to the Los Angeles County Arboretum to lead a program celebrating the musical legacy of MGM movies, including Singing in the Rain, Harvey Girls, Gigi, Meet Me in St. Louis, The Wizard of Oz and others. Vocalists Christine Ebersole and Ron Raines will join the festivities. Information: 626/793-7172; www.pasadenasymphony-pops.org.

Meanwhile, the Cal Phil returns to Santa Anita Racetrack on Saturday for one of Music Director Victor Vener’s perennial programming favorites: “Andrew Lloyd Webber Meets Puccini.” Singers Lori Stinson, Christine Campbell and Cedric Berry and the Cal Phil Chorale will join the orchestra for music by two of the world’s best-known composers. The program repeats July 14 at 2 p.m. indoors at Walt Disney Concert Hall. Information: 626/300-8200; www.calphil.org

Although Hollywood Bowl has presented several pops concerts during the last month, the Los Angeles Philharmonic opens its 10-week classical season at the iconic Cahuenga Pass amphitheater Tuesday night. Michael Tilson Thomas, music director of the San Francisco Symphony, returns home to lead the Phil, Los Angeles Master Chorale and soloists Kiera Duffy and Sasha Cooke in a performance of Mahler’s Symphony No. 2 (Resurrection).

On Thursday, Thomas leads the orchestra in Tchaikovsky’s Symphony No. 4 and Rimsky-Korsakov’s Dubinushka, along with Sibelius’ Violin Concerto, with Gil Shaham as soloist.

Next week, Bramwell Tovey returns to the Bowl stage on July 16 to lead the Phil in a Britten-Elgar-Sibelius program. On July 18, Tovey conducts a program that concludes with Berlioz’s Symphonie Fantastique.

Information: 323/850-2000; www.hollywoodbowl.com.

_______________________

(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Crunch Time

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
This article was first published today in the above papers.

Every classical music indoor season brings two or three dates when crunches pop up as seemingly every organization decides to schedule an event on that particular day. Summertime has largely escaped these conflicts but this year — specifically Sat., June 29 — will force folks in the San Gabriel Valley to make a choice among three different orchestras.

The California Philharmonic will open its second season at Santa Anita Racetrack in Arcadia on Jan. 29 as Music Director Victor Vener leads his band in a program entitled “Beatles, Beethoven and the Beach Boys.”

On the same date — indeed, at the same time (7:30 p.m.) — a quarter-mile away at the Los Angeles County Arboretum, the Pasadena Pops will be playing its second concert of the season with Broadway star Bernadette Peters as the centerpiece. Larry Blank returns to conduct the orchestra.

Finally, on the same day and time at Caltech’s Beckman Mall in Pasadena, Rachael Worby and her ensemble, Muse-ique, will begin its three-concert summer season with a program that features vocalist Patti Austin.

Pasadena Pops management, which announced its season several weeks ago, said that June 29 was the date chosen by Peters. A spokesperson for Muse-ique said, “Clearly each organization draws different audiences,” which sounds somewhat dubious to me but, hey, what does a lowly music critic know? The Cal Phil noted that each of its five concerts during the summer repeat Sunday afternoon at 2 p.m. indoors at Walt Disney Concert Hall.

Last year the Pops and Cal Phil scheduled their concerts on non-competing weekends but that has changed this year. The two organizations will have programs on July 13. The Pops plays the second of three programs being led by its new principal conductor, Michael Feinstein, this summer, while Cal Phil counters with one of Vener’s favorite programming concepts, “Andrew Lloyd Webber meets Puccini.” On Aug. 10, the Cal Phil’s “Rodgers and Hammerstein and Gershwin” evening will go up against the Pops’ own Beatles-oriented program.

Meanwhile, on July 27, Muse-ique comes up with a program of movie music featuring cellist Matt Haimovitz as soloist, which the Cal Phil offers “Dance Fever.”

One of the potential problems when the Pops and Cal Phil perform on the same night is traffic. Although those attending Cal Phil concerts enter on the northeast side of the park, which is quite a ways from the Arboretum, traffic for both concerts coming from the west exits the 210 Freeway at Baldwin Ave.

Hollywood Bowl has concerts on each of the above weekends but the crossover issue seems less likely based on the Bowl’s programming as none of the Bowl’s programs involves orchestras.

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(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Cleaning out the inbox

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

A shorter version of this article was first published today in the above papers.

 

THE PASADENA POPS AND THE LOS ANGELES COUNTY ARBORETUM have finalized a contract for the orchestra to appear at the Arcadia facility beginning next summer. The three-year agreement with an "evergreen" clause will also see the Pops become the Arboretum's presenting partner. Dates for the Pops' concerts in 2012 are June 26, July 21, August 18 and September 8. Happily for fans of both the Pops and the California Philharmonic -- which shifts from the Arboretum to next-door Santa Anita Racetrack next summer -- that means the two organizations will not conflict on dates, a good thing from a parking and traffic point of view. The Pops also envisions "family concerts, outdoor theatre, silent films, as well as Asian-influenced performances, to name a few," according to Paul Jan Zdunek, CEO of the Pasadena Symphony Association; programming details will follow in the coming weeks. MORE

 

MUSE-IQUE, the new ensemble headed by former Pops music director Rachael Worby, will appear in a free concert of American music on the steps of Pasadena's City Hall at 6 p.m. on Sept. 11 commemorating the 10th anniversary of the 9/11 terrorist attacks.

 

THE LOS ANGELES PHILHARMONIC has promoted outgoing associate conductor Lionel Bringuier to the new post of resident conductor through the 2012/2013 season. MORE

 

GUSTAVO DUDAMEL, music director of the Los Angeles Philharmonic, will be featured on a new DGG box set of CDs next month conducting the Gothenburg Symphony Orchestra of Sweden (one of three orchestras he currently helms) in Bruckner's Symphony No. 9, Sibelius's Symphony No. 2 and Nielsen's Symphonies No. 5 and. 4 (The Inextinguishable).

 

Gramophone Magazine (which is published in England) devotes its cover story for the August 2011 issue to Dudamel and this new recording. It's an interesting article but not easy to find. The print edition costs $10 (U.S.) and the only way to find it online at this point is to subscribe ($63.14 per year or $16.21 for three months). Like other digital magazines, you get the full pages and have to scroll through them (i.e., they're not converted to easily readable text). However, the publication does offer a 30-day money-back guarantee if you're not satisfied.

 

Los Angeles Times Music Critic Mark Swed dwells on Dudamel's upcoming DGG release, which Dudamel recorded at the beginning of his tenure with the Swedish orchestra (he became that ensemble's music director in 2007; next season will be his sixth and last in that capacity, although he will continue to work with the ensemble as its "honorary conductor").

 

Two things make this upcoming recording intriguing, as Swed points out in the article. First, the works are pieces that Dudamel has yet to conduct in Los Angeles. Second, the performances show him at a very young age (he was 26 when he came to Sweden) and he talks with Swed about how his concepts have changed -- and are changing -- even in just a few years. The article shows us a different side of Dudamel than we've seen so far in L.A. BTW: there's a great photo of young Gustavo -- wearing glasses and with short hair. You might not recognize him without the caption!

 

THE L.A. PHIL has announced the 2011-2012 participants in the Dudamel Fellowship Program: Joshua Dos Santos of Venezuela, Mihaela Cesa-Goje of Romania (the first woman ever selected for the fellowship), Courtney Lewis of Northern Ireland and Boston, and Santtu Rouvali of Finland.

 

Each of the four conductors spends 4-6 weeks working with Dudamel, Phil musicians and with students in LAPO education programs. During their time (Santos, Lewis and Rouvali will have two time blocks), the fellows will both observe and gain hands-on experience. The Dudamel Fellowship was instituted in 2009. One of the inaugural class, Perry So, is leading Tchaikovsky's Serenade for Strings on Tuesday's Hollywood Bowl program and a member of last year's class, Joshua Weilerstein, was recently named as one of two assistant conductors at the New York Philharmonic (MORE). Details on the new class are HERE.

 

JOANN FALLETTA, who once headed up the Long Beach Symphony, has renewed her contracts with the Buffalo Philharmonic and Virginia Symphony and been named principal conductor of the Ulster Orchestra in Belfast, Northern Ireland.

 

The Buffalo Philharmonic contract takes her through the 2015-2016 season; she was the first woman to head a major orchestra when she took over that position in 1999 at the age of 45. The Virginia Symphony contract is for another three years with an option for an additional two years. She becomes the first American and first woman to serve with the Ulster Orchestra.

 

Violinist JOSHUA BELL, who is appearing with the Los Angeles Philharmonic next week at Hollywood Bowl (DETAILS), has been named music director of the

Academy of St.-Martin-in-the-Fields in London. According to Gramophone, Bell will conduct performances from the violin chair as opposed to standing on a podium (at the Bowl he will lead the Phil in Vivaldi's The Four Seasons while playing the solo parts). Kenneth Sillito remains as the ASMF artistic director and will also conduct. Pianist Murray Perahia has been the group's principal guest conductor for several years.

 

THE L.A. PHIL has announced the 2011-2012 participants in the Dudamel Fellowship Program: Joshua Dos Santos of Venezuela, Mihaela Cesa-Goje of Romania, Courtney Lewis of Northern Ireland and Boston, and Santtu Rouvali of Finland.

 

Each of the four conductors spends 4-6 weeks working with Dudamel, Phil musicians and with students in LAPO education programs. During their time (Santos, Lewis and Rouvali will have two time blocks), the fellows will both observe and gain hands-on experience. The Dudamel Fellowship was instituted in 2009. One of the inaugural class, Perry So, is leading Tchaikovsky's Serenade for Strings on Tuesday's Hollywood Bowl program and a member of last year's class, Joshua Weilerstein, was recently named as one of two assistant conductors at the New York Philharmonic (MORE). Details on the new class are HERE.

 

UPCOMING NOTABLE CONCERTS: The Cal Phil plays today at 2 p.m. in Walt Disney Concert Hall and concludes its 2011 summer season on Aug. 21 at the Los Angeles County Arboretum and 22 at Disney Hall (DETAILS)

 

Southwest Chamber Music concludes its summer festival at The Huntington Library tonight at 7:30 p.m. and August 20-21, also at 7:30 p.m. (DETAILS)

 

John Mauceri returns to conduct the Hollywood Bowl Orchestra, which he founded 20 years ago, on Aug. 19, 20 and 21, playing the score to Walt Disney's 1940 movie classic "Fantasia" while the movie is shown on the Bowl's large screens. (DETAILS). This is one of my "don't miss" concerts of the Bowl season.

_____________________

 

(c) Copyright 2011, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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NEWS AND LINKS: 9/11 Concerts beginning to appear on schedule

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

 

The question about how classical music will commemorate the
10th anniversary of 9/11 terrorist attacks isn’t really “how” but “how many?” Because
9/11 falls on a Sunday this year, most churches will likely pay tribute in
their worship services. However, details of special musical events are also
beginning to emerge.

 

The Pasadena Master
Chorale
will honor the day with a performance of Faur’s Requiem at 4 p.m.
at La Crescenta Presbyterian Church. Artistic Director Jeffrey Bernstein will
lead the concert, which will open with four a cappella American works: a
traditional setting of Psalm 137, By The
Waters of Babylon;
Virgil Thompson’s My
Shepherd Will Supply My Need
; Words
To Be Spoken
, by Ross Lee Finney; and Bernstein’s own arrangement of America the Beautiful.

 

The Faur Requiem is a logical choice for this type of
concert. As Bernstein notes, “Perhaps the lightest of the well-known Requiem
settings, Faure’s Requiem is tuneful and direct, ending with music of ethereal
beauty and promise.” Soprano Krystle Casey and Baritone Cedric Berry will be
the soloists in the Requiem, which will be accompanied by Edward Murray on the
church’s pipe organ. DETAILS

 

Incidentally, the PMC will present a summer concert entitled
“My Spirit Sang All Day” on Aug. 14 at 4 p.m. at La Crescenta Pres. Bernstein
will conduct music ranging from Purcell, Elgar, William Billings and Ralph
Vaughan Williams to Ernst Krenek and Matthew Harris. DETAILS

 

The first group out of the block on 9/11 commemorations
was the Los Angeles Philharmonic,
which will use its Hollywood Bowl concert on Tuesday, Sept. 13, as a tribute to
those who died in the attack. The program will include the other “most obvious”
musical choice — Mozart’s Requiem — and pair it with Leonard Bernstein’s Chichester Psalms. Bramwell Tovey, who
for the past two seasons was the Phil’s principal guest conductor at the Bowl,
will lead the orchestra, Los Angeles Master Chorale and soloists Heidi Stober, soprano;
Kate Lindsey, mezzo-soprano; Nicholas Phan, tenor; and Matthew
Rose, bass-baritone. Chichester
Psalms
calls for a boy treble but he hasn’t been named yet (at least the
name isn’t on the Web site). DETAILS

 

BTW: the Bowl’s concert on 9/11 will be a rock concert
featuring The National;

Neko Case,
with special guest T Bone Burnett
; and Sharon Van
Etten
in what the HB Web site describes as “an evening of
triumphant, powerful and poetic American rock music [celebrating] our spirit
and resolve under the stars of the summer sky.” DETAILS

 

Muse-ique, Rachael
Worby’s new ensemble, has announced it will participate in a free concert of
American music at 6 p.m. on the steps of Pasadena’s City Hall, but no details
have been forthcoming.

 

More will surely arrive in the in-box during the weeks
ahead.

_______________________

 

(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

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