AROUND TOWN/MUSIC: Pasadena Symphony resumes youth movement

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this story was printed today in the above newspapers.
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Pasadena Symphony; Andrew Grams, conductor, Simone Porter, violin
March 29 at 2 p.m. and 8 p.m. Preview one hour before each performance.
Ambassador Auditorium; 131 South St. John Ave., Pasadena
Tickets: $35-$105.
Information: www.pasadenasymphony-pops.org
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Simone_Porter_4_WebFor more than a quarter-century the Pasadena Symphony has distinguished itself by discovering young, talented soloists. Earlier this year 13-year-old pianist Umi Garrett soloed in Chopin’s Piano Concerto No. 1. For the PSO’s programs on March 29 at Ambassador Auditorium, a “grizzled veteran,” 17-year-old violinist Simone Porter (pictured right), will join the orchestra and guest conductor Andrew Grams for a performance of Max Bruch’s Violin Concerto No. 1. The concerts will open with William Bolcom’s Commedia for (Almost) 18th Century Orchestra and will conclude with Beethoven’s Symphony No. 5.

Porter’s PSO appearance is one of several important local concerts for her this year. On April 27 she will play Beethoven’s Romances 1 & 2 with the Pacific Symphony, led by Carl St.Clair, at the SOKA Performing Arts Center in Aliso Viejo. On Sept. 4 she will make her Hollywood Bowl debut as soloist in Samuel Barber’s Violin Concerto with the Los Angeles Philharmonic conducted by Seattle Symphony Music Director Ludovic Morlot.

A native of Seattle, Porter studies with Robert Lipsett at The Colburn Conservatory of Music in downtown Los Angeles. She is also part of Colburn Artists, a program created in 2012 by The Colburn School to provide professional management services to its most-accomplished students.

The PSO’s “youth movement” also includes its guest conductor. Grams, a 36-year-old Maryland native, last fall became music director of the Elgin Symphony just outside of Chicago, an ensemble that is similar in many respects to the Pasadena Symphony. In January he conducted the Baltimore Symphony in a concert that elicited from Tim Smith, music critic of The Baltimore Sun, the following: “The year is not even a week old, and there’s a contender for highlight of the 2014 music season in Baltimore.”

Meanwhile, two area choral groups resume their seasons this week.

• Jeffrey Bernstein leads the Pasadena Master Chorale in “The Voice of California” on Saturday at 7:30 p.m. and next Sunday at 4 p.m. at Altadena Community Church. The program features music by Eric Whitacre and Morten Lauridsen, along with premieres by Los Angeles-based composers Matt Brown and Reena Esmail. Information: www.pasadenamasterchorale.org

• Artistic Director John Sutton will lead his Angeles Chorale in “Romancing the Soul,” an evening of Brahms love songs on Saturday at 7:30 p.m. at Pasadena’s First United Methodist Church and March 30 at 4 p.m. at Northridge United Methodist Church. Information: www.angeleschorale.org

• This evening at 7 p.m. in Walt Disney Concert Hall, Grant Gershon leads 48 members of the Los Angeles Master Chorale in music by famed Southern California composer Morten Lauridsen. The program will include Mid-Winter Songs, Ave Dulcissima Maria, Canticle/O Vos Omnes, O Magnum Mysterium, , Madrigali, Nocturnes and Les Chansons des Roses (Lauridsen will accompany the last two pieces on the piano). Ironically, the only major piece the Chorale won’t be singing is Lux Aeterna, which has become a choral landmark since it was premiered and recorded by the Master Chorale in 1997. Information: www.lamc.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Hollywood Bowl, L.A. Master Chorale announce upcoming seasons

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Schedules for 2014-2015 continue to flow in:

• Three different versions of hair are among the highlights of the 93rd Hollywood Bowl season, which was announced Tuesday. The 2014 season begins June 14 and 15 with the 36th annual Playboy Jazz Festivals and spans 15 weeks through September.

Amid a dizzying number of pops, jazz, world music and movie nights, the Los Angeles Philharmonic will have its 10-week-long classical season, which begins July 8 and concludes September 11. Music Director Gustavo Dudamel, he of the curly hair, will lead four programs over five evenings, including another segment of his “Americas & Americans” series, an evening entitled “Noche de Cine” that will include a suite from Dudamel’s score to the movie Libertador on July 31.

The other hair-related programs will be a 50th anniversary re-creation of The Beatles appearance at Hollywood Bowl that will take place August 22, 23 and 24, and a production of the 1968 Broadway musical, Hair, on August 1, 2 and 3. Since the listing for Hair includes the words “contains mature subject matter and brief nudity,” one can assumed this will be a virtually complete production.

Esa-Pekka Salonen, the Phil’s Conductor Laureate, is among the conductors who will lead the Phil. He has programs scheduled on July 15 and 17.

Read the complete schedule HERE.
The entire Hollywood Bowl press kit is HERE.

The Los Angeles Master Chorale’s 51st season will have Music Director Grant Gershon leading 10 concerts (14 performances) in Walt Disney Concert Hall that feature world premieres by Shawn Kirchner and Nack-Kum Paik. Nearly half of the 20 composers represented in the schedule are alive.

One who isn’t alive (literally, at any rate) is Johann Sebastian Bach whose St. Matthew Passion will be featured twice: the Chorale, along with the Musica Angelica Baroque Orchestra and Los Angeles Children’s Chorus, will offer Bach’s version on Jan. 31 and Feb. 1, while Tan Dun’s Water Passion after St. Matthew will be sung April 11 and 12, 2015. Dun’s piece was commissioned by Helmuth Rilling for the 250th anniversary of Bach’s death in 2000.

Another “Passion” oriented work will open the season on Oct. 19 when the Chorale presents Richard Einhorn’s Voices of Light/The Passion of Joan of Arc. Written for chorus, soloists and orchestra, the piece accompanies Carl Dreyer’s 1928 silent film The Passion of Joan of Arc.

The season announcement also reveals a bit about the upcoming Los Angeles Philharmonic season as the Chorale will sing in performances of Beethoven’s Choral Fantasy and John Adams’ Harmonium led by Gustavo Dudamel October 9-12; for performances of Berlioz’ Romeo and Juliet under the baton of Esa-Pekka Salonen November 7-9; and in Beethoven’s Missa Solemnis to be led by Michael Tilson Thomas January 9-11, 2015.

Details on the Master Chorale season are HERE.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Los Angeles Master Chorale celebrates 50th anniversary season with Bach’s B Minor Mass

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
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Los Angeles Master Chorale; Grant Gershon, conductor
Bach: Mass in B Minor, BWV 232
Saturday at 2 p.m. (note the unusual start time)
Jan. 26 at 7 p.m. Preconcert lecture with Grant Gershon and Alan Chapman one hour before each performance
Walt Disney Concert Hall, 1st St. and Grand Ave., Los Angeles
Tickets: $29-$129 (student rush seats may be available at the box office two hours before performance)
Information: www.lamc.org

MC4Web
Forty-nine years almost to the day (Jan. 27, 1965) from when Roger Wagner stepped onto a podium in the newly minted Dorothy Chandler Pavilion to conduct Los Angeles Master Chorale in its inaugural concert, a performance of Bach’s B Minor Mass, the Chorale will celebrate that first concert with a performance of Bach’s masterpiece on Saturday afternoon and next Sunday evening in Walt Disney Concert Hall.

Grant Gershon, who became the Chorale’s fourth music director in 2001, will lead 115 singers including 12 soloists (all Chorale members) plus a symphonic orchestra in what turned out to be one of the final pieces that Bach completed, a work considered to be a pinnacle of choral music. The Mass contains music that Bach had composed over a quarter-century, although most of it was revised for the final work. The B-Minor Mass was never performed in totality during Bach’s lifetime; the first documented complete performance took place in 1859.

The performance marks the Chorale coming full circle from when famed conductor Roger Wagner founded the chorus in 1964. Wagner — who had created his own small group, the Roger Wagner Chorale, in 1945 — formed the Los Angeles Master Chorale as one of three resident groups of the Music Center of Los Angeles. For the first 39 years, it performed at the Dorothy Chandler Pavilion. Since the completion of Walt Disney Concert Hall 11 years ago, the LAMC has joined the Los Angeles Philharmonic as resident groups at that iconic hall.

In addition to presenting history’s major choral works, the Master Chorale has commissioned 39 and premiered 88 new works, of which 57 were world premieres. The Master Chorale has half-dozen of its own CDs, most notably the first CD of Morten Lauridsen’s Lux Aeterna. The group will be featured on an upcoming CD of John Adams’ oratorio, The Gospel According to the Other Mary, scheduled to be released March 10 by Deutsche Grammophon. Gustavo Dudamel conducts the Los Angeles Philharmonic, the Master Chorale and soloists in this live recording at Disney Hall.

Next weekend’s concerts are among the 14 programs on the Master Chorale’s 50th anniversary season, along with its extensive work with the Los Angeles Philharmonic. The weekend will include a gala celebration entitled “Golden on Grand,” which will take place at 6 p.m. in the Eva and Marc Stern Grand Hall of the Pavilion. Tickets for that event are $650 per person. Information: www.lamc.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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PREVIEW: L.A. Master Chorale celebrates 50th season with Sunday concert

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
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Conductors4Web

The four conductors who have led the Los Angeles Master Chorale are (l-r) Roger Wagner, John Currie, Paul Salamunovich and John Currie.
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Los Angeles Master Chorale; Grant Gershon, conductor
50th Anniversary Celebration Concert
Sunday, Sept. 22, 7:00 p.m. • Walt Disney Concert Hall
Information: www.lamasterchorale.org
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Arts organizations love numbers ending with zero (or, to a lesser extent, five) or anything that divides evenly into the number 100 because it gives them ready-made opportunities for a celebration. This year, for example, the music world is celebrating the 200th birthday of Giuseppe Verdi and Richard Wagner and the centennial of Benjamin Britten’s birth. Locally, the Los Angeles Philharmonic is using its 10th season at Walt Disney Concert Hall as a focal point for its upcoming season — more on that next week.

So it’s no surprise that the Los Angeles Master Chorale’s 50th season — which opens Sunday night at Disney Hall — is a very big deal for one of the world’s foremost choral organizations. Sir Simon Rattle, chief conductor and artistic director of the Berlin Philharmonic, calls the Master Chorale “one of the finest choruses in the world without a doubt.” In his review of John Adams’ The Gospel According to the Other Mary at this summer’s Ravinia Festival, Chicago Tribune Music Critic John von Rhein described the Master Chorale as “marvelous” and continued “these inspired choral sections are prime Adams and were beautifully rendered by [LAMC Music Director Grant}Gershon’s choristers, who sang magnificently throughout.”

In Sunday’s concert, Gershon, who has headed LAMC since 2001, will lead a program that highlights works sung during his 12-year-tenure and those of his three predecessors as music director: Roger Wagner (1964-1986), John Currie (1986-1991) and Paul Salamunovich (1991-2001). KUSC radio personality Alan Chapman will host the event. A historical exhibition of Chorale memorabilia and photos will be on display in the Disney Hall gallery before the concert. (Click HERE for the media release, which contains the complete program).

Wagner-w-singers4web

Roger Wagner leads singers in a circa 1965 performance in the home of businessman Louis D. Statham, who helped found the Chorale. (Of Note: Statham’s home was later bought by Hugh Heffner and became the Playboy Mansion).
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The upcoming season will include 14 performances of 10 programs plus appearances on four Los Angeles Philharmonic programs. Included are world premieres of pieces by Esa-Pekka Salonen, David Lang, Francisco Nuñez and LAMC Composer-in-Residence Shawn Kirchner, all composed in honor of the 50th anniversary season. All will be performed on the season-ending concert on June 8, 2014. The Chorale has an extensive history of commissioning new works, particularly during Gershon’s tenure.

The 2013-2014 season will include two performances of Bach’s Mass in B Minor, the piece performed at the group’s inaugural concert in 1965; this program will be sung on Jan. 25 and 26, 2014 at the Dorothy Chandler Pavilion, (the Chorale’s home before moving to Disney Hall 10 years ago). The Chorale’s first concert came just 123 days after the Pavilion was opened.

Another major event will be a tribute to acclaimed composer Morten Lauridsen on March 16. Lauridsen, a Hollywood resident and professor of music at the USC Thornton School of Music, was formerly the Chorale’s composer-in-residence. During that tenure, he wrote Lux Aeterna, one of the most significant choral works of the 20th century. The Chorale was nominated for a Grammy for its recording of the piece.

Other works to be sung during the season will be Orff’s Carmina Burana and Verdi’s Te Deum on Nov. 2 and 3; Respighi’s Laud to the Nativity, Britten’s A Ceremony of Carols and Stephen Paulus’ Christmas Dances on Sept. 8; Steve Reich’s You Are and David Lang’s The Little Match Girl Passion on April 6. There will also be two performances of Handel’s Messiah along with the annual Messiah Sing-A-Long in December.

• To read the season-announcement release with program details, click HERE.
• More information, including ticker-purchase details, is HERE.
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(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Three indoor music seasons begin next weekend

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of his article was first published today in the above papers.

With summer seasons for the most part in our rear-view mirror, three major arts organizations will open their 2013-2014 classical music seasons next weekend.

• The Los Angeles Chamber Orchestra begins its 45th season Saturday night at 8 in Pasadena’s Ambassador Auditorium and next Sunday at 7 p.m. in UCLA’s Royce Hall. Preconcert lectures will take place an hour before each performance.

The program will feature 24-year-old violinist Benjamin Beilman as soloist in Mozart’s “Turkish” Violin Concerto. Jeffrey Kahane, beginning his 17th season as LACO’s music director, will also lead the orchestra in music by Beethoven, Kodaly and Lutoslawski. INFO: 213/622-7001; www.laco.org

Due to a renovation of Glendale’s Alex Theatre, this will be the first of two LACO orchestra series concerts that will be held at Ambassador, which LACO called home during the 1980s and 1990s. The orchestra will also play its annual “Discover Beethoven” concert at Ambassador on Feb. 22, 2014.

• Los Angeles Opera opens its 28th season Saturday night at 7:30 p.m. in the Dorothy Chandler Pavilion with the first of seven performances of Bizet’s Carmen. Other performances are Sept. 26 and 28 and Oct. 1 and 4 at 7:30 p.m. and Sept. 29 and Oct. 6 at 2 p.m.

Irish mezzo-soprano Patricia Bardon will perform the title role in all but one of the performances (Belgrade-born Milena Kitic appears on Sept. 28). The opening-night cast includes José Brandon Jovanovich as Don Jose, Ildebrando D’Arcangelo as Escamillo, and Pretty Yende in her company debut as Micáela. Some performances intersperse other singers so check carefully before you decide on when to attend.

Plácido Domingo, the company’s general director, will conduct four of the performances, including opening night, while Grant Gershon, LAO’s resident conductor will lead the other three. The production originated at Teatro Real in Madrid and has previously been used by LAO in 2004 and 2009. Opening night will be broadcast live on KUSC (91.5-FM). INFO: 213/972-8001; www.laopera.com

LA Opera has announced that it will present three semi-staged productions of André Previn’s opera, A Streetcar Named Desire, May 18, 21 and 24 in the Pavilion. Soprano Renée Flemming will sing the title role; she will be joined by some members of the cast that performed during the work’s debut in San Francisco in 1998. Patrick Summers, now principal conductor at San Francisco Opera, will conduct the three performances here. INFO

Previn, now 84, first made his name composing and arranging in Hollywood, winning Academy Awards in 1958 for scoring Gigi and 1959 for Porgy and Bess and then winning in 1963 for adapting Irma La Douce and 1964 for My Fair Lady. He has also written hundreds of classical and jazz compositions and other works. A Streetcar Named Desire ,based on Tennessee Williams’ Pulitzer-Prize winning play from 1947, was Previn’s first opera (he also wrote Brief Encounters in 2007).

Previn eventually scratched a long-standing itch when he turned to conducting orchestras, including the Houston Symphony and Pittsburgh Symphony. In 1985, he succeeded Carlo Maria Giulini as music director of the Los Angeles Philharmonic, a position he held until 1989. He also worked extensively with the London Symphony Orchestra and made a number of recordings with the LSO. Although Previn has rarely conducted in Los Angeles since his acrimonious departure as LAPO music director, one could only hope that the Phil would find a way to have him conduct during the May opera cycle, perhaps a concert of his own music.

The semi-staged production of A Streetcar Named Desire played earlier this year at Carnegie Hall and Lyric Opera of Chicago. LAO has an interesting article with Previn and Flemming commenting on the work on its Web site HERE.

A Streetcar Named Desire becomes the third 20th century opera that LAO will present this season. Einstein on the Beach, a landmark 1976 collaboration between director Robert Wilson and composer Philip Glass, will play Oct. 11, 12 and 13 in the Pavilion. INFO

Benjamin Britten’s Billy Budd will be presented six times, beginning Feb. 22, 2014. INFO Billy Budd is LAO’s major offering in the celebration of the centennial of Britten’s birth (he was born Nov. 22, 1913).

• Los Angeles Master Chorale opens its 50th anniversary season and its 10th as a resident ensemble at Walt Disney Concert Hall next Sunday at 7 p.m. when Grant Gershon leads 115 singers in an eclectic program featuring highlights from the Chorale’s four music directors during its first half-century: Roger Wagner (1964-1986), John Currie (1986-1991), Paul Salamunovich (1991-2001) and Gershon, who took over in 2001. The finale will be a performance of Randall Thompson’s a cappella anthem Alleluia performed by current and former LAMC members. INFO: 213/972-7282; www.lamc.org

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(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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