NEWS: Dudamel’s contract extension affects orchestras in Berlin, New York

By Robert D. Thomas
Music Critic
Los Angeles Newspaper Group

With prestigious orchestras — the New York Philharmonic and Berlin Phil — and others searching for new music directors, today’s announcement (LINK) that Gustavo Dudamel’s contract with the Los Angeles Philharmonic has been extended through the 2021-22 season may have put a spoke into several wheels.

Along with the extension — which means the now-34-year-old Dudamel will lead the LAPO for at least 13 seasons — he has added the title of Artistic Director to his current Music Director post. No financial terms were detailed; the Los Angeles Times reported that Dudamel was paid $1.44 million in 2012, according to tax returns. The announcement came during the final leg of LAPO’s Asian tour, which wraps up Sunday in Tokyo.

Given that Dudamel seems fully invested as music director of the Simón Bolivár Symphony Orchestra (flagship of Venezuela’s El Sistema program), it seems unlikely that he could maintain that post, the LAPO position, and a music directorship in either Berlin and/or New York unless he wants to be the reincarnation of Valery Gergiev, the world’s most peripatetic maestro these days.

Alan Gilbert has announced that he will leave his post as New York Philharmonic in 2017 (LINK). Simon Rattle will leave his post with the Berlin Philharmonic a year later and become music director of the London Symphony (LINK).

The same situation would seem to be the case with another high-profile conductor, Yannick Nezét-Seguin, who recently re-upped with the Philadelphia Orchestra through 2022.

(c) Copyright 2015, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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LA Opera announces 2015-2016 season

By Robert D. Thomas
Music Critic
The Los Angeles News Group
San Francisco Opera, Moby Dick,
Jake Hegge’s opera “Moby-Dick” will be part of the 2015-16 Los Angeles Opera season.

There’s a healthy dose of the familiar to Los Angeles Opera’s 30th anniversary season, which was formally unveiled yesterday, but enough new and/or interesting to make the 2015-2016 schedule worth considering when laying out your long-range plans.

The season will have six productions, totaling 38 performances, and two recitals — including a 30th anniversary gala pairing of Plácido Domingo and Renée Fleming on March 16, 2016 with James Conlon conducting the LA Opera Orchestra — in the Dorothy Chandler Pavilion. There will also be five offerings (13 performances) in the company’s “Off Grand” series (i.e., locales outside the Pavilion).

As has been the case in recent years, LAO Music Director James Conlon will conduct four of the six Pavilion productions. He won’t be leading the opening offering — Puccini’s Gianni Schicchi and Leoncavallo’s Pagliacci — nor the last production, Puccini’s La Boheme (see below for details on these).

Among the Pavilion highlights:
• The Los Angeles premiere of Jake Hegge’s Moby-Dick, with Jay Hunter Morris singing the title role. This was originally a co-production of five companies, including San Diego Opera — I loved it when I saw it there. Opens Oct. 31 for six performances.
• A revival of the highly successful 2013 Barrie Kosky production of Mozart’s The Magic Flute, featuring sets that evoke the silent-film movie era. Opens Feb. 13, 2016 for six performances. Another in the “don’t-miss” category.
• The season-opening double bill will revive the company’s Woody Allen production of Gianni Schicchi, with Domingo singing the title and Grant Gershon, LAO’s resident conductor, leading the orchestra. After intermission, in an idea that only Domingo would think of, he will change clothes, wipe off makeup and pick up the baton to conduct Pagliacci. Opens Sept. 12 for six performances.
• The season concludes with Los Angeles Philharmonic Music Director Gustavo Dudamel making his company debut leading the final two performances of La Boheme on June 10 and 12, 2016. Italian born conductor Speranza Scappucci makes her company debut leading the first four performances. Opens May 14 for eight performances.

Among the “Off Grand” productions
• Philip Glass and the Kronos Quartet will perform Glass’ score to the classic 1931 film Dracula (starring Bela Lugosi) Oct. 29-31 at the recently restored Theatre at Ace Hotel, a 1927 Spanish Gothic movie palace in downtown Los Angeles that was once a United Artists flagship movie theatre.
• The world premiere of Anatomy Theatre by PulitzerPrize-winning composer David Lang and visual artist Mark Dion will mark the second collaboration between LAO and the Beth Morrison Projects at REDCAT (the Roy and Edna Disney/Cal Arts Theatre) located in the Disney Hall complex. June 16-19, 2016. Incidentally, the first of these collaborations, Dog Days, opens June 11 (2015). Information:

Read the 2015-2016 media release HERE.

LAO’s 2015-2016 Web site is HERE.

(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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PROFILE: Stephen Hartke is ready for a long-delayed closeup

hurricanemama_headBy Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
Los Angeles Newspaper Group

Los Angeles Philharmonic; Gustavo Dudamel, conductor.
Barber: Toccata Festiva; Cameron Carpenter, organist
Hartke: Symphony No. 4; Joanne Pearce Martin, organist, Heidi Stober, soprano
Saint-Saëns: Symphony No. 3 (“Organ”); Cameron Carpenter, organist
• Nov. 20 and 21 at 8 p.m. Nov. 22 at 2 p.m.
NOTE: In place of a preconcert recital, Cameron Carpenter will play a recital at 6:45 p.m. Thursday and Friday and at 12:45 p.m. on Saturday.
Walt Disney Concert Hall, Los Angeles
Information: 323/850-2000;
• Nov. 23 at 2 p.m. Renée and Henry Segerstrom Concert Hall in Costa Mesa
Same program; Rich Capparella will give a preconcert lecture at 1 p.m.
Information: 949/553-2422;

HartkeMore than four years after it was supposed to debut, Symphony No. 4 by Stephen Hartke (right) will finally get its world premiere during a highly appropriate weekend, as the Los Angeles Philharmonic celebrates the 10th anniversary of the Walt Disney Concert Hall with concerts on Nov. 20, 21, 22 and 23.

LAPO Music Director Gustavo Dudamel will conduct the programs, which will include Barber’s Toccata Festiva and Saint-Saëns Symphony No. 3 (“Organ”), with Cameron Carpenter as the soloist.

What makes Harke’s three-movement work appropriate is that he always intended it to be a symphony for orchestra with organ. “It’s not an organ concerto,” says the 62-year-old Glendale resident, who has taught composition at the USC Thornton School of Music for 27 years. “My idea all along was to use the organ as an integral part of the orchestra, as a fifth choir, so to speak [Ed. Note: along with strings, winds, brass and percussion]. It’s the largest symphony that I have written — when you have as big an instrument as the Disney Hall organ, you have to respond to it.”

Symphony No. 4 was originally scheduled to be the in the final concert of Dudamel’s inaugural season in 2009-2010 but a combination of circumstances caused a delay. “Some pieces take a long to write; some pieces don’t,” he explains with a shrug. “Along the way I had other pieces to write, so here we are.”

During the past decade the work also underwent a significant change. “I happened upon a [Frederico Garcia] Lorca “gypsy ballad” poem, Sleepwalking Ballad,” relates Hartke, “and so the end of the symphony became like Mahler 4, where the main drama of the piece has been played out and you have an aria at the end, a reflection on some of the issues in the piece, that kind of takes the piece in a different direction.”

Why Lorca? “I don’t know precisely why Sleepwalking Ballad struck me as a fitting ending for the piece,” concedes Hartke, “but once I read it I couldn’t get it out of my head. Lorca’s poetry is very vivid and serene at the same time.” (Read the poem’s text HERE) American soprano Heidi Stober will sing the poetic ballad in this weekend’s performances.

Perhaps it was ordained that Hartke would write this work. “I’ve been wanting to write a piece for organ for a long time,” says Hartke, who was composer-in-residence for the Los Angeles Chamber Orchestra from 1988 to 1992. When he was an undergrad at UC Santa Barbara he served for a time as organist for a small church in Isla Vista, “but I wouldn’t boast about it,” he admits with a chuckle.

However as he came to know the Disney Hall organ, he fell in love with it. “I got to spend a fair amount of time with the instrument on off hours and holidays and decided on a kind of palette of things I wanted to do,” he explains.

“In the first movement the organist mostly plays single line but it does things that only the organ can do, such as shaking the floor a little bit. In the middle section, I use registrations that create colors, and overtones to create sounds that are almost like what you get in percussion and strings. In the last movement I let the organist pull out all the stops, to use that metaphor in its literal sense. In the end, it turned out to be a more extensive part that I expected it would be.”

Martin_playing4WebIt was also a piece that was written specifically for the L.A. Phil under a commission from Edward Halvajian (1935-2009), former chairman of the Orange County Philharmonic Society. “It was my plan in the beginning to write a piece that would use the entire roster of the orchestra,” he says.

Joanne Pearce Martin (pictured right playing the Walt Disney Concert Hall organ) — who has been the orchestra’s principal keyboard player since 2001 and will be playing the organ part — is excited about the upcoming premiere. “I can’t wait to hear the piece with the orchestral,” she said earlier this week. “So far, all I’ve been able to do is visualize the orchestral part in my mind from studying the whole score. The organ part is very colorful, very intricate; there’s a lot of weaving in and out of the orchestra. It’s a very beautiful piece.. I think it’s going to be great.”

The premiere will put Hartke in the spotlight, which also happened in 2013 when he won a Grammy Award for Best Contemporary Classical Composition. His Meanwhile — Incidental Music to Imaginary Puppet Plays was recorded by eighth Blackbird, which also won a Grammy for Best Chamber Music/Small Ensemble Performance that year.

“It wasn’t a surprise that eight Blackbird got a Grammy for the disc,” say Hartke, “but it was a surprise that I got it. I’ve never kept track of the Grammys; it was amusing to go to the ceremony. It probably meant more to my students than to me. I just have this funny-looking thing in the other room that I have to dust once in awhile.”

(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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REVIEW: L.A. Philharmonic open 2014-2015 season with scintillating Mahler

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Los Angeles Philharmonic; Gustavo Dudamel, conductor
Oct. 2 at Walt Disney Concert Hall
Lang: man made; Sō Percussion, soloists
Mahler: Symphony No. 5
Next performances: Tomorrow at 8 p.m. Sunday at 2 p.m.

My review of the Los Angeles Philharmonic’s season-opening concert is online at our papers’ Web site HERE.

Following are some of my additional thoughts on the concert:
• Taking bows continues to be an art form for Dudamel at Disney Hall, but each concert is different. Last night he waded into the orchestra and shook Neil’s hand first. In a later bow, he asked Hooten, Bain and other principals to stand, then sections — even some of the string sections were singled out (an unusual touch). Of course, Dudamel and the orchestra turned to those in seats behind the stage; the audience always loves that.

• Mark Swed’s review in the Los Angeles Times is HERE and Timothy Mangan’s take in the Orange County Register is HERE. Obviously they liked David Lang’s piece more than I did. That’s the fun of reading multiple reviews.

• Dudamel will lead the second week of concerts on Oct. 9, 10, 11 and 12 in a program of John Adams’ Harmonium, along with Beethoven’s Choral Fantasy and Piano Concerto No. 5 (Emperor). Pianist Leif Ove Andsnes and the Los Angeles Master Chorale will be the soloists. INFORMATION:

• Following those concerts Dudamel, who had an extremely busy summer, apparently will take a vacation from conducting for a month before returning to lead the Phil Nov. 20-23 (His Web site lists no concerts between the LAPO programs). INFO

(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: L.A. Phil and others open 2014-2015 seasons

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this article was first published today in the above papers.

Dudamel-9-29-13Less than three weeks after concluding its Hollywood Bowl summer season, the Los Angeles Philharmonic will open its 2014-2015 season this week at Walt Disney Concert Hall as Music Director Gustavo Dudamel (right) leads the annual gala concert on Sept. 30 and the first two weekends of subscription concerts beginning Oct. 2.

During his sixth season as the Phil’s music director, Dudamel, now age 33, will conduct 12 subscription programs during the upcoming season along with Tuesday’s gala. Dudamel will also lead the orchestra on an Asian tour in March 2015.

The gala (which benefits the musicians’ pension fund) will honor legendary movie score composer John Williams, whose 49 Academy Awards are second only to Walt Disney. Dudamel will conduct music ranging from familiar (Star Wars) to less-well-known scores (The Adventures of Tintin). Violinist Itzhak Perlman will be the soloist in excerpts from Schindler’s List and Fiddler on the Roof.


The opening week of LAPO subscription concerts (Oct. 2, 3, 4 and 5) will begin with the U.S. premiere of man made by Pulitzer Prize-winning composer David Lang. The quartet “Sō Percussion” will be the soloist in the concerto, a L.A. Phil co-commission that was written for the quartet and premiered last May in London. This will be one of 10 L.A. Phil-commissioned works in the upcoming season.

So_Metronomes_smallIn his program note, Lang wrote: “I have worked with Sō Percussion (pictured left) for a very long time now. They are frequently theatrical, they invite found objects into their performances, they build their own instruments, etc. I wondered if I could make the unusualness of their musicality the centerpiece of this concerto, but how could an orchestra of ‘normal’ instruments doing mostly ‘normal’ things find common ground with them?”

“My solution,” continues Lang, “was to set up a kind of ecology between the soloists and the orchestra, using the orchestral percussionists as ‘translators.’ An idea begins with the soloists on an invented instrument, the percussionists in the orchestra hear the solo music and translate it into something that can be approximated by more traditional orchestral percussion, the rest of the orchestra hears and understands the orchestral percussion, and they join in.

“The opening, for example begins with the soloists snapping twigs, which the orchestral percussionists translate into woodblocks, marimba, and xylophone, which the orchestra takes up and embellishes, eventually overwhelming the soloists. This process of finding something intricate and unique, decoding it, regularizing it, and mass producing it reminded me of how a lot of ideas in our world get invented, built, and overwhelmed, so I decided to call it man made.”

This weekend’s concerts will conclude with Mahler’s Symphony No. 5, a work that Dudamel has conducted and recorded with his Simón Bolivár Symphony Orchestra of Venezuela. However, this marks the first time that he has conducted it with the Phil.

KUSC’s Brian Lauritzen has a concert preview HERE.


The second week of subscription concerts (Oct. 9, 10, 11 and 12) will find Dudamel conducting John Adams’ Harmonium, along with Beethoven’s Choral Fantasy and Piano Concerto No. 5 (Emperor). Pianist Leif Ove Andsnes and the Los Angeles Master Chorale will be the soloists.


Two other L.A. Phil series begin during the upcoming fornight. Sō Percussion and LAPO percussionists will open the Phil’s “Green Umbrella” series of new-music concerts on Tuesday at 8 p.m. in Disney Hall, performing music by David Lang and Michael Gordon, co-founders of the group “Bang on a Can.”


Meanwhile, the Phil’s organ series, celebrating the 10th anniversary of the Disney Hall instrument, will open Oct. 12 at 7:30 p.m. Organist Christopher Houlihan, LAPO Principal Timpanist Joseph Pereira and members of the orchestra’s brass section will offer a selection of music ranging over four centuries.


• The “Green Umbrella” and organ recital concert are part of a new Phil new ticketing policy where a limited number of seats are offered for $20. They are available online, by phone and in person at the box office. INFO

• The opening concerts also mark the resumption of “FastNotes,” the orchestra innovative informational effort. You sign up for a Phil email account (no charge) and a few days before each concert you get an email with program notes, bios, links, audio samples and ticketing information about the event. A few other organizations have similar programs but none as good as the Phil’s. LINK

• The Phil has also announced that Danish conductor Christian Kluxen and New Zealand native Gemma New will participate in this season’s Dudamel Fellowship Program. This program has shrunk during the past two years, going from four Fellows in 2012-13 to three last season and now two. However, LAPO Director of Public Relations Sophie Jeffries reports: “There is no fixed number for how many Dudamel Fellows are announced each year. It has to do with identifying young conductors to take part and also their availability.”

Lluxen leads the Philharmonia of London’s “iOrchestra” project and just finished a three-year stint as Assistant Conductor of the Royal Scottish Orchestra. New is Associate Conductor of the New Jersey Symphony and Founder and Director of the Lunar Ensemble, a contemporary music collective in Baltimore.

Read the media release HERE.

• The Phil also recently named Lithuanian native Mirga Gražinytė-Tyla, a Dudamel Fellow two seasons ago, as the orchestra’s Assistant Conductor. Read the media release HERE.

Two of the Southland’s — indeed, the nation’s — premiere youth orchestras open their seasons during the next fortnight.

• Roger Kalia begins his final season as music director of the Young Musicians Foundation Debut Orchestra on Oct. 5 at 7:30 p.m. at the Aratani/Japan American Theater in Little Tokyo. The program, which celebrates 60 years for the YMF, will feature flutist Catherine Baker and soprano Solène Le Van as soloists; both were Special Recognition winners in the recent YMF Debut Concerto Competition. Tickets are $5. Information:

• Meanwhile, the American Youth Symphony kicks off its 50th anniversary season with a free concert on Oct. 12 at 7 p.m. in UCLA’s Royce Hall. Music Director Alexander Treger leads his ensemble — 107 musicians, ages 15 to 27, representing 26 schools — in Mahler’s Symphony No. 5 and the world premiere of Henri Lazarof’s Cello Concerto No. 4. Alan Steele, who at age 21, departed the AYS to become principal cellist of the Fort Worth Symphony, will be the concerto soloist. Information:

(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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