Five-Spot: What caught my eye on January 5, 2012

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

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Each Thursday morning, I list five events that pique my
interest, including (ideally) at least one with free admission (or, at a minimum,
inexpensive tickets). Here’s today’s grouping:

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Today at 8 p.m., Tomorrow
at 11 a.m., Saturday at 8 p.m. and Sunday at 2 p.m. at Walt Disney Concert Hall

Los Angeles
Philharmonic

Miguel-Harth Bedoya,
conductor; Jean-Yves Thibaudet, pianist

The L.A. Phil swings back into action with a program of 19th
century music that includes Liszt’s Piano Concerto No. 2 and Saint-Sans
Symphony No. 3 (Organ). My preview
article on the concert is HERE. Information:
www.laphil.com

  

Friday at 8 p.m. at
Alan Goldman’s Mt. Washington Performance Space

Piano Theater:
Elizabeth and Soya Schumann

Both of these pianists have won competitions and Elizabeth
Schumann received a Gilmore Award so their credentials seem well
established.  The program includes
Saint-Sans Carnival of the Animals. I
have no idea what the performance space is but it sounds intriguing. The duo
has other Southland performances listed on the flyer. Information: www.palosverdes.com

 

Saturday at 7:30
p.m. at San Gabriel Mission Playhouse

Beethoven’s Symphony
No. 9

New Year’s celebrations mean Strauss waltzes in Vienna and Auld Lang Syne in NYC’s Times Square,
but in Japan it means hundreds of performances of Beethoven’s Symphony No. 9.
Jeffrey Bernstein hopes to recreate the magic by joining his Pasadena Master
Chorale with the Los Angeles Daiku Orchestra (“The Japanese word ‘daiku’
is translated literally as ‘the great nine’ and often refers to Beethoven’s 9th,”
says Bernstein) for a performance of this most famous of symphonies. BTW: you
may know the venue as the San Gabriel Civic Auditorium; it’s been renamed. Information: www.pasadenamasterchorale.org

 

Ongoing at Geffen
Playhouse, Westwood

Red Hot Patriot: The Kick Ass Wit of Molly Ivins

This 75-minute performance by Kathleen Turner includes many
of the famous stories and lines that made the late, legendary, liberal
newspaper columnist beloved of those whose political bent leans to the left. If
you’re of that persuasion and don’t know who the saucy, bawdy Texan was (she
died in 2007), it’s a chance to see what you missed for decades. If you’re a
Republican who loved Ronald Reagan and George Bush (Sr. and “Shrub,” as Ivins
termed George W.), you won’t appreciate it nearly as much. The show runs
through Feb. 12. Information: www.geffenplayhouse.com

 

And the weekend’s “free admission” program …

 

Friday at 9 p.m.
and Sunday at 11 p.m. on PBSSoCal (formerly KOCE) television

Los Angeles
Philharmonic Gala Concert

This “Great Performances” telecast features the L.A. Phil’s
gala concert that opened the 2011-2012 Disney Hall season last September. The
program is all-Gershwin: An American in
Paris
and Rhapsody in Blue, with
jazz legend Herbie Hancock as the soloist. The TV schedule says that the
program will also include one of the two improvisations on Gershwin tunes (Someone to Watch Over Me) that Hancock
performed in September. Apparently the one-hour telecast will not include the Cuban Overture that opened the gala or
the other improv (Embraceable You)
that Hancock played that night. Information:
www.pbs.org

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(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

 

 

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SAME-DAY REVIEW: Pasadena Master Chorale’s 9/11 concert at La Crescenta Presbyterian Church

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

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Pasadena Master
Chorale; Jeffrey Bernstein, conductor

Sunday, September 11, 2011 La Crescenta Presbyterian
Church

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People looking for solace and hope in times of grief often
turn to music and Jeffrey Bernstein, artistic director of the Pasadena Master
Chorale capitalized on that longing on the 10th anniversary of the
9/11 terrorist attacks with a 70-minute concert this afternoon before a
nice-sized audience at La Crescenta Presbyterian Church.

 

The centerpiece of the afternoon was a performance of Faur’s
Requiem, which, as Bernstein noted in a brief talk, is one of the more
hope-filled pieces written in this genre based on the Roman Catholic funeral
liturgy.  However, Bernstein
negated much of the effect of the texts that Faur used by electing to not
provide either printed translations or projections of the Latin and Greek text.

 

Instead, Bernstein concentrated on the composer’s
often-graceful score and led a performance that was usually credible and
occasionally more than that, especially in the Sanctus and In Paradisum movements
where the sopranos sounded quite angelic in their floating lines. Bernstein
also built long arcs of sound in the broader sections, although moments of
intonation insecurity crept in occasionally.

 

The two soloists were exemplary. Soprano Krystle Casey poured
out a lusciously creamy tone in her thoughtful Pie Jesu, while baritone Cedric Berry delivered clear, clarion tone
in his solos during the Offertory and
Libera Me sections. Although the
balance of the program was a cappella, organist Edward Murray was a
disappointingly sloppy accompanist for the Requiem.

 

After opening the concert with the presentation of colors
and the Chorale singing Bernstein’s gentle arrangement of America the Beautiful, Bernstein led three pieces that, as he said,
covered different corners of the American spirit.

 

The simple setting of By
the Waters of Babylon
by Don McLean in his American Pie album was accompanied by 9/11 images assembled by
artist Alex Lopez. A muscular rendition of Virgil Thomson’s arrangement of My Shepherd Will Supply My Need was
notable especially for the Chorale’s diction. Unfortunately, the text was less
understandable in the performance of Ross Lee Finney’s canonic anthem Words to be Spoken. Following the
Requiem, Bernstein and the Chorale curiously elected to encore with Paul
Simon’s America. The performance was
affectionate but, once again, texts would have been helpful.

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(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Of 9/11 … and other things musical

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

A shorter version of
this column was published today in the above papers.

 

Normally this weekend is one of the two “transition zones”
in the classical-music year — in this case, from summer to fall-winter-spring.
However, this year also includes the 10th anniversary of the 9/11 terrorist
attacks and there are at least a couple of musical programs commemorating that
event that are worth noting.

 

Artistic Director Jeffrey Bernstein will lead his Pasadena
Master Chorale
next Sunday at 4 p.m. in La Crescenta Presbyterian Church with a
program highlighted by Faur’s Requiem. The afternoon will also contain three a
cappella works that accentuate the “remembrance” theme — a setting of Psalm
137, Virgil Thompson’s My Shepherd Will
Supply My Need,
and Ross Lee Finney’s Words
To Be Spoken
— along with Bernstein’s arrangement of America the Beautiful. Organist Edward Murray will accompany;
soloist will be soprano Krystle Casey and baritone Cedric Berry. Information:
626-208-0009; www.pasadenamasterchorale.org

 

The PMC will be doing double duty that day, shifting over
to the Pasadena Convention Center Plaza at 7 p.m. where it will join forces
with Muse-ique for a free hour-long concert of music ranging from Bach and
Tchaikovsky to Paul Simon and George Gershwin. Rachael Worby, Muse-ique’s
artistic director, will conduct. Information: 626/795-9311; www.muse-ique.com

 

Meanwhile, the Los Angeles Philharmonic’s concert at
Hollywood Bowl on Sept. 13 has Bramwell Tovey leading the Phil, Los Angeles
Master Chorale and soloists in Leonard Bernstein’s Chichester Psalms and Mozart’s Requiem. This is one of four
programs during the next fortnight that will be led by Tovey, who spent the past
three seasons as the Phil’s Principal Guest Conductor at the Bowl. Info: 323/850-2000;
www.hollywoodbowl.com

 

Los Angeles Opera opens its 2011-2012 season on Sept. 17
at 7:30 p.m. at the Dorothy Chandler Pavilion with the first of six
performances of Tchaikovsky’s Eugene
Onegin.
The following day at 2 p.m. comes Mozart’s Cosi Fan Tutte, also the first of six performances. LAO Music
Director James Conlon will conduct both productions. Both opening performances
will be broadcast live on KUSC (91.5-FM) and kusc.org. Information: (213)
972-8001; www.laopera.com

 

Speaking of L.A. Opera, both it and the Long Beach
Symphony
(LINK) have unveiled new Web sites. The LBSO opens its 2011-2012
season on Oct. 1 when Music Director Enrique Arturo Diemecke (beginning his
11th season at the orchestra’s helm) will lead a program of Wagner’s Prelude and Liebstod from Tristan und
Isolde,
Tchaikovsky’s Symphony No. 4, and Mahler’s Ruckert Lieder, with mezzo-soprano Barbara Dever as soloist. Info: www.lbso.org

 

The Rio Hondo Symphony will open its 78th season of free
concerts on Sept. 25 when Music Director Kimo Furumoto leads Beethoven’s Symphony
No. 3 (Eroica), Rossini’s William Tell overture and Liszt’s Piano
Concerto No. 1, with Alison Edwards as soloist. The other concerts are Oct. 30,
Feb. 5 and May 6. All concerts are at 3 p.m. in Whittier High School’s Vic
Lopez Auditorium. Information: 562/698-8626; www.riohondosymphony.org

 

E. Jason Armstrong has been named Artistic Director and
Conductor of the Gay Men’s Chorus of Los Angeles. Armstrong most recently
completed his doctoral class work at the University of Southern California
Thornton School of Music, where he served as the conductor for the USC Thornton
Apollo Men’s Chorus and as assistant conductor for the USC Thornton Concert
Choir. Prior to beginning his doctoral studies, Armstrong spent 15 years as
director of choral activities at Eau Gallie High School in Melbourne, Florida.

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(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

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