AROUND TOWN/MUSIC: “Billy Budd,” L.A. Chamber Orchestra, L.A. Phil headline busy fornight + upcoming schedues

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this article was first published today in the above papers.

Several significant events will take place during the next fortnight, headed by Los Angeles Opera’s revival of its production of Benjamin Britten’s Billy Budd, which opens next Saturday at 7:30 p.m. in the first of six performances running through March 16 at the Dorothy Chandler Pavilion. Four performances are in the evening while two are in the afternoon.

LAO Music Director James Conlon will conduct this production and will offer one of his typically erudite lectures an hour before each performance. Billy Budd concludes the company’s celebration of the centennial of Britten’s birth on Nov. 22, 2013.

Baritone Liam Bonner performs the title role for the first time, joining with tenor Richard Croft as Captain Vere and bass Greer Grimsley, making his company debut, as John Claggart, whose attraction to Billy is the pivot point of the opera. The production, by Francesca Zambello, originated in Geneva in 2004 and at London’s Royal Opera House, Covent Garden in 1995; it was first seen in L.A. in 2000.
Read my preview story HERE.
John Farrell’s story in the above newspapers is HERE
David Ng’s preview story in the Los Angeles Times is HERE.

Information: www.laopera.com

• The Los Angeles Chamber Orchestra presents its annual “Discover” concert at Ambassador Auditorium in Pasadena Saturday night at 8 p.m. The program this year focuses on Beethoven’s Symphony No. 3 (Eroica). In the first half of the program, Music Director Jeffrey Kahane will lead the orchestra in a demonstration and discuss this pivotal work in classical music history. The second half will be a complete performance of the symphony.

Information: www.laco.org

• The Los Angeles Philharmonic begins its “TchaikovskyFest” series on Thursday night at Walt Disney Concert Hall with a performance by the Simón Bolivár Symphony Orchestra String Quartet and members of the Los Angeles Philharmonic. Beginning Friday and continuing every night (and some days) except one through March 2, Gustavo Dudamel will lead his two orchestras, the Phil and SBSO, in performances of all six of Tchaikovsky’s symphonies plus other assorted works. Mark Swed has an interview with Gustavo in the Los Angeles Times HERE.

Information: www.laphil.com

• Muse/ique continues its “Uncorked” series with a performance on Feb. 24 at “The Noise Within,” the theatre/performing space located just north of the Gold Line’s Sierra Madre Villa station at the eastern edge of Pasadena.

Music Director Rachael Worby will lead 13 members of her ensemble in Aaron Copland’s original score for the ballet Appalachian Spring. However, in true Worby fashion, that’s just part of the evening. The 70-minute program will also feature Mike Simpson (aka EZ Mike of the Dust Brothers) and fits + starts for electronic music with live cello, a piece commissioned by L.A.’s Hysterica Dance Company from composer Anna Clyne. Kitty McNamee and members of Hysterica Dance Co. will supply choreography for the evening.

Information: www.muse-ique.org

* The 2014 summer schedule for Hollywood Bowl and 2014-2015 season schedules for L.A. Opera, the L.A. Phil and Los Angeles Master Chorale have been released. My comments are listed in recent Blog posts (links below). Each post contains a link to the schedule and other information:
Hollywood Bowl 2014 summer season
Los Angeles Opera 2014-2015 season
Los Angeles Philharmonic 2014-2015 season
Los Angeles Master Chorale (below the Hollywood Bowl blurb)

AROUND TOWN/MUSIC: Three indoor music seasons begin next weekend

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of his article was first published today in the above papers.

With summer seasons for the most part in our rear-view mirror, three major arts organizations will open their 2013-2014 classical music seasons next weekend.

• The Los Angeles Chamber Orchestra begins its 45th season Saturday night at 8 in Pasadena’s Ambassador Auditorium and next Sunday at 7 p.m. in UCLA’s Royce Hall. Preconcert lectures will take place an hour before each performance.

The program will feature 24-year-old violinist Benjamin Beilman as soloist in Mozart’s “Turkish” Violin Concerto. Jeffrey Kahane, beginning his 17th season as LACO’s music director, will also lead the orchestra in music by Beethoven, Kodaly and Lutoslawski. INFO: 213/622-7001; www.laco.org

Due to a renovation of Glendale’s Alex Theatre, this will be the first of two LACO orchestra series concerts that will be held at Ambassador, which LACO called home during the 1980s and 1990s. The orchestra will also play its annual “Discover Beethoven” concert at Ambassador on Feb. 22, 2014.

• Los Angeles Opera opens its 28th season Saturday night at 7:30 p.m. in the Dorothy Chandler Pavilion with the first of seven performances of Bizet’s Carmen. Other performances are Sept. 26 and 28 and Oct. 1 and 4 at 7:30 p.m. and Sept. 29 and Oct. 6 at 2 p.m.

Irish mezzo-soprano Patricia Bardon will perform the title role in all but one of the performances (Belgrade-born Milena Kitic appears on Sept. 28). The opening-night cast includes José Brandon Jovanovich as Don Jose, Ildebrando D’Arcangelo as Escamillo, and Pretty Yende in her company debut as Micáela. Some performances intersperse other singers so check carefully before you decide on when to attend.

Plácido Domingo, the company’s general director, will conduct four of the performances, including opening night, while Grant Gershon, LAO’s resident conductor will lead the other three. The production originated at Teatro Real in Madrid and has previously been used by LAO in 2004 and 2009. Opening night will be broadcast live on KUSC (91.5-FM). INFO: 213/972-8001; www.laopera.com

LA Opera has announced that it will present three semi-staged productions of André Previn’s opera, A Streetcar Named Desire, May 18, 21 and 24 in the Pavilion. Soprano Renée Flemming will sing the title role; she will be joined by some members of the cast that performed during the work’s debut in San Francisco in 1998. Patrick Summers, now principal conductor at San Francisco Opera, will conduct the three performances here. INFO

Previn, now 84, first made his name composing and arranging in Hollywood, winning Academy Awards in 1958 for scoring Gigi and 1959 for Porgy and Bess and then winning in 1963 for adapting Irma La Douce and 1964 for My Fair Lady. He has also written hundreds of classical and jazz compositions and other works. A Streetcar Named Desire ,based on Tennessee Williams’ Pulitzer-Prize winning play from 1947, was Previn’s first opera (he also wrote Brief Encounters in 2007).

Previn eventually scratched a long-standing itch when he turned to conducting orchestras, including the Houston Symphony and Pittsburgh Symphony. In 1985, he succeeded Carlo Maria Giulini as music director of the Los Angeles Philharmonic, a position he held until 1989. He also worked extensively with the London Symphony Orchestra and made a number of recordings with the LSO. Although Previn has rarely conducted in Los Angeles since his acrimonious departure as LAPO music director, one could only hope that the Phil would find a way to have him conduct during the May opera cycle, perhaps a concert of his own music.

The semi-staged production of A Streetcar Named Desire played earlier this year at Carnegie Hall and Lyric Opera of Chicago. LAO has an interesting article with Previn and Flemming commenting on the work on its Web site HERE.

A Streetcar Named Desire becomes the third 20th century opera that LAO will present this season. Einstein on the Beach, a landmark 1976 collaboration between director Robert Wilson and composer Philip Glass, will play Oct. 11, 12 and 13 in the Pavilion. INFO

Benjamin Britten’s Billy Budd will be presented six times, beginning Feb. 22, 2014. INFO Billy Budd is LAO’s major offering in the celebration of the centennial of Britten’s birth (he was born Nov. 22, 1913).

• Los Angeles Master Chorale opens its 50th anniversary season and its 10th as a resident ensemble at Walt Disney Concert Hall next Sunday at 7 p.m. when Grant Gershon leads 115 singers in an eclectic program featuring highlights from the Chorale’s four music directors during its first half-century: Roger Wagner (1964-1986), John Currie (1986-1991), Paul Salamunovich (1991-2001) and Gershon, who took over in 2001. The finale will be a performance of Randall Thompson’s a cappella anthem Alleluia performed by current and former LAMC members. INFO: 213/972-7282; www.lamc.org

_______________________

(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

(Revised) AROUND TOWN/MUSIC: Sat., Feb. 23 — Mark Your Calendars

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
The revision is a change of date in the Los Angeles Philharmonic concerts on March 7, 8 and 10.


The upcoming fortnight has several major orchestral concerts on the schedule and next Saturday (Feb. 23) is one of those occasional overflowing days in terms of classical music that seem to show up every year about this time.

The Los Angeles Chamber Orchestra returns to Ambassador Auditorium in Pasadena for its annual one-night “Discover” concert on Saturday at 8 p.m. During Ambassador’s heyday as an arts impresario organization, Ambassador was home to LACO for several concerts each season at the acoustically friendly auditorium (the orchestra now performs at the Alex Theatre in Glendale), but these days LACO returns for just one program annually.

On Saturday, Music Director Jeffrey Kahane will take the first half of the concert to delve deeply into Beethoven’s Piano Concerto No. 4, with the orchestra on stage to illustrate his lecture. Following intermission, Kahane will lead the orchestra from the keyboard and perform as soloist in this landmark concerto.

Information: www.laco.org

There are several other Saturday evening concerts, as well, including:

Musica Angelica — one of the world’s premiere period-instrument ensembles — celebrates its 20th anniversary with performances of Handel’s Handel’s Music for the Royal Fireworks and a suite from Handel’s Water Music, and Telemann’s Concerto for Three Trumpets led by Music Director Martin Hasselböck. The concert is at 8 p.m. at the AT&T Center Theatre in downtown Los Angeles and at 3 p.m. Sunday at First Presbyterian Church, Santa Monica. Information: www.musicaangelica.org

The La Mirada Symphony plays the third free concert in its 50th anniversary season at the La Mirada Theatre for the Performing Arts as Music Director Robert Frelly conducts Wagner’s Prelude to Die Meistersinger, Dvorak’s Symphony No. 8, and Mozart’s Piano Concerto No. 21, with Teresa de Jong Pombo as soloist. Information: www.lamiradasymphony.com

Organist Meaghan King makes her Southern California recital debut in a free concert Saturday at 7:30 p.m. at Pasadena Presbyterian Church. King, the church’s assistant organist, will play music by J.S. Bach, César Franck, Franz Joseph Haydn, Olivier Messiaen and Charles-Marie Widor on the church’s massive Aeolian-Skinner pipe organ. Information: www.ppcmusic.org

The Los Angeles Philharmonic also plays Saturday night at Walt Disney Concert Hall but fortunately that’s just one of four opportunities to hear this week’s concert, which mark the return to L.A. of Gustavo after a four-month hiatus. He’ll be in town for a flurry of concerts during the next three weeks before he heads out again — this time with the Los Angeles Philharmonic in tow for a tour of London, Paris, Lucerne and New York City.

Dudamel’s latest sojourn begins Tuesday night when he leads The Colburn Orchestra in Disney Hall in a program of Revueltas’ Sensemayá, Tchaikovsky’s Symphony No. 5, and Copland’s Clarinet Concerto, with Colburn Conservatory student Sang Yoon Kim as soloist.

The program is noteworthy on several levels. First, since the concert is part of the Philharmonic’s “Sounds About L.A.” series (which presents student ensembles), tickets run from just $20.50 to $45. Second, Tchaikovsky’s fifth was the work with which Dudamel had his local debut, in 2005 at Hollywood Bowl.

Information: www.laphil.com

Dudamel returns to the L.A. Phil podium with concerts Thursday, Friday, Saturday and Sunday that feature Siegfried’s Death and Funeral Music from Wagner’s Götterdämerung, along with Schumann’s Symphony No. 3 (Rhenish) and Brahms’ Violin Concerto, with Gil Shaham as soloist. Information: www.laphil.com

The Feb. 28, March 1, 2 and 3 will showcase Debussy’s La Mer and the complete Firebird by Stravinsky. All except the “Casual Friday” concert on March 1 will open with the first LAPO performances of Zipangu by French-Canadian composer Claude Vivier. Information: www.laphil.com

The whirlwind series of Dudamel concerts concludes March 7, 8 and 10 with the first staged performances of John Adams’ The Gospel According to the Other Mary, with Dudamel conducting the L.A. Phil, L.A. Master Chorale, six singers and three dancers.

When the oratorio version of this work premiered last spring, I called it “a very important work, stunningly performed by all forces.” (LINK) It was also nearly three hours long and Adams was, reportedly, very late in delivering the piece to the Phil and others. So part of the intrigue will be whether Adams has trimmed the work in any way and if — or how — Sellars’ staging contributes to the work’s overall impact.

Information: www.laphil.com
_______________________

(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

PREVIEW: Los Angeles Chamber Orchestra 2012-2013 season features premieres and Kahane

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

 

Although summer seasons are now in full swing, it’s not too
soon to be thinking about the upcoming indoor programs. The Los Angeles Chamber
Orchestra’s 44th season offers a rich schedule that includes 28
performances in Glendale’s Alex Theatre, UCLA’s Royce Hall, The Colburn
School’s Zipper Hall, The Broad Stage in Santa Monica, and Pasadena’s
Ambassador Auditorium.

 

55422-Kahane.jpg

Music Director Jeffrey Kahane, now in his 16th
season as LACO’s musical chief, will conduct five of the seven orchestral
concerts beginning Oct. 6 at the Alex and Oct. 7 at Royce Hall. The program
will include Kahane soloing and conducting in Ravel’s Piano Concerto in G
major; Beethoven’s Violin Concerto, with Augustin Hadelich (in his LACO debut) as soloist; and two
west coast premieres: The Great Swiftness
by Andrew Norman and James Matheson’s — True
South.

 

Kahane will also conduct and play on two other programs: the
original 1924 of George Gershwin’s Rhapsody
in Blue
on Dec. 8 and 9 and Bach’s fifth Brandenburg Concerto on March 23
and 24. He will also dissect and then play and conduct Beethoven’s fourth piano
concerto on Feb. 23 at Ambassador as LACO’s annual “Discover” program.

 

Norman, who begins a three-year stint as LACO’s
Composer-in-Residence, will have his commission played on the orchestra’s
“Sound Investment” program played on 20 and 21. The season also includes an
appearance by noted choral conductor Helmuth Rilling, who will lead the
orchestra and USC Thornton Chamber Singers in a performance of Mozart’s Requiem
on Jan. 26 and 27.

 

In addition to the orchestra series, LACO will also offer
its Westside Connections series at The Broad Theatre, Baroque Conversations
series at Zipper Hall, and its annual Silent Film Festival on June 8 at Royce
Hall, featuring Buster Keaton’s Our
Hospitality.

 

Information:
213/622-7001. Read the full media release HERE. The chronological schedule is
HERE.

_______________________

 

(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Major concerts on calendar during next fortnight

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

This article was first
published today in the above papers.

 

Four major concerts occur in our region during the next
fortnight — and that doesn’t count the final two events of the Piatigorsky
International Cello Festival at Walt Disney Concert Hall: a 2 p.m. concert by
the Los Angeles Philharmonic, featuring cellist Alisa Weilerstein (LINK), and a
7:30 p.m. recital by 110 (!) cellists that will wind up the nine-day-long
festivities (LINK).

 

Also on today’s agenda is the final “LA Phil Live” movie
theater telecast: the season-opening all-Gershwin concert with Gustavo Dudamel
conducting and legendary jazz pianist Herbie Hancock as soloist in Rhapsody in Blue. (LINK)

 

And then comes:

 

MUSE-IQUE ON MARCH
19 AT PASADENA CIVIC AUDITORIUM

Rachael Worby begins this group’s second season with a
typically cheeky program entitled “Ebony Meets Ivory.” Six pianists, including
the Los Angeles Philharmonic’s Joanne Pearce Martin, will perform on three
Steinway pianos in a program that ranges from Baroque to jazz, rap to classical
(Moonlight Sonata), and the spoken
word. The program takes place on stage — literally — as both performers and the
audience will be on the stage and a loading bay of the Pasadena Civic
Auditorium. This is the first of seven performances on Muse-ique’s 2012 season.
Information: muse-ique.com

 

LOS ANGELES CHAMBER
ORCHESTRA ON MARCH 24 (Alex Theatre, Glendale) AND MARCH 25 (Royce Hall, UCLA)

Music Director Jeffrey Kahane leads his ensemble and
pianist-composer Timothy Andres in the world premiere of Old Keys, the latest installment in LACO’s “Sound Investment”
commissioning program. Also on the concert is the West Coast premiere of
Andres’ “reconstruction” of Mozart’s Piano Concerto No. 26, K. 531 (Coronation). Mozart wrote only a few
measures for the left hand of this work although the first published edition
was complete, possibly from Mozart’s publisher. In this new version, Andres has
replaced those left-hand sketches with his own creation; how this “mash-up”
works will be part of the concert’s intrigue. Information: www.laco.org

 

PASADENA SYMPHONY
ON MARCH 31 AT AMBASSADOR AUDITORIUM

Nicholas McGegan, known worldwide as one of the premiere
interpreters of Baroque music, takes on a larger task as he leads concerts at 2
p.m. and 8 p.m. in Ambassador Auditorium that conclude with Beethoven’s
Symphony No. 3 (Eroica). Prior to
intermission, Armenian pianist Nareh Arghamanyan will be the soloist in
Mozart’s Piano Concerto No. 20, K. 466. Information:
www.pasadenasymphony-pops.org

 

LOS ANGELES MASTER
CHORALE AND MUSICA ANGELICA ON MARCH 31 AND APRIL 1 AT WALT DISNEY CONCERT HALL

LAMC Music Director Grant Gershon conducts 40 singers of his
Chorale, soloists and one of the nation’s premiere period-instrument ensembles
in the first performances of Bach’s St.
John Passion
to be played at Walt Disney Concert Hall. Information: www.lamc.org

_______________________

 

(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

(Updated) Five-Spot: What caught my eye on March 1, 2012

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

______________________

 

UPDATE:  I forgot The Colburn Orchestra concert on Saturday! Of course, I won’t be able to see it because I will be singing in the Pasadena Singers’ concert (see bottom of this post), but the Colburn kids deserve to be included.

Can it really be March 1 already??? Each Thursday, I list five events that pique my interest,
including (ideally) at least one with free admission (or, at a minimum, inexpensive
tickets). Here’s today’s grouping:

______________________

 

Tomorrow at 8 p.m.,
Saturday and Sunday at 2 p.m. at Walt Disney Concert Hall

Los Angeles
Philharmonic; Pablo Heras-Casado, conductor

The 34-year-old Spanish conductor, who last December was
named Principal Conductor of the Orchestra of St Luke’s in New York City,
returns to conduct the Phil in a program that includes the west coast premiere
of James Matheson’s Violin Concerto (with LAPO Principal Concertmaster, Martin
Chalifour as soloist) and Richard Strauss’ tone poem Ein Heldenleben. Tomorrow night is a “Casual Friday” program; the
Saturday and Sunday concerts add Beethoven’s Egmont Overture. Information:
www.laphil.com

Saturday at 7:30 p.m. in Ambassador Auditorium
The Colburn Orchestra; Bramwell Tovey, conductor

Tovey — music director of the Vancouver Symphony and for the past three summers principal guest conductor of the L.A. Phil at Hollywood Bowl– leads a program of Richard Strauss’ Ein Heldenleben (yes, we seem to be awash in Strauss’ autobiographical tone poem — see L.A. Phil above)) and Brahms Piano Concerto No. 2, with Sichen Ma as soloist. Information: www.colburnschool.edu

Sunday at 4 p.m. at
Neighborhood Church, Pasadena

Pacific Serenades

Known for presenting world premieres, Pacific Serenades unveils
a new work by the group’s artistic director, Mark Carlson, which is entitled Cave Paintings, for alto saxophone,
violin, viola, cello, and piano. Carlson
describes Cave Paintings as a
tribute to music from American popular culture of the 1930s and 1940s. “I grew
up hearing that music,” he explains, “partly because my mother loved it [...] and
partly because it was always such an integral part of our culture, and still
is.” He cites noir film scores and the Great
American Songbook
— music principally from Broadway and Hollywood musicals
and from jazz by the likes of George Gershwin, Jerome Kern, Billy Strayhorn,
Harold Arlen, and Cole Porter–as inspirations.

 

The concert
also plays Saturday night at a private home in Altadena and Tuesday night at
UCLA (where Carlson teaches). Information:
www.pacser.org

 

Sunday at 7:30 p.m.
at Walt Disney Concert Hall

Los Angeles
Children’s Chorus and American Youth Symphony; James Conlon, Anne Tomlinson and
Alexander Treger, conductors

There are several reasons to consider attending this
concert. First (and most important) it’s a concert that combines two of the
Southland’s major youth-oriented organizations. Now in its second quarter
century, the Pasadena-based Los Angeles Children’s Chorus is one of the world’s
premiere children’s choirs whose singers regularly perform with such groups as
the Los Angeles Philharmonic and Los Angeles Opera.  From the time it was founded, in 1964 by conductor Mehli
Mehta (father of Zubin), the American Youth Symphony has trained thousands of
orchestral musicians, many of whom now play in major orchestras throughout the
U.S.

 

Second, the Shakespeare-themed program will see the
conductors of both ensembles on the podium (albeit at different times), along
with Los Angeles Opera Music Director James Conlon, who will lead both
ensembles in the world premiere of Icelandic composer Daniel Bjarnason’s The isle is full of noises, a
three-movement work based on Shakespeare’s The
Tempest.

 

Anne Tomlinson, LACC artistic director, will lead the
opening half, conducting music by Vaughan Williams, Britten, Douglas Beam and
David Wilcocks. After intermission and before the Bjornason work, Alexander
Treger, AYS music director, will lead his ensemble in a suite from Prokofiev’s Romeo and Juliet.

 

Another reason to attend is that this concert is part of the
L.A. Phil’s “Sounds About Town” series, which provides people with an
inexpensive way to see a concert in the Disney Hall auditorium. Tickets for
this concert range from $20.75 to $45, far less than you would pay for an L.A.
Phil concert, so if you’ve never been inside Disney Hall, this is a great
opportunity. Since the two ensembles will undoubtedly have lots of relatives in
attendance, check with the box office before you make the trip downtown. Information: www.laphil.com

 

Wednesday at 8 p.m.
at Walt Disney Concert Hall

Jeffrey Kahane and
friends

Kahane, who is celebrating his 15th anniversary
as music director of Los Angeles Chamber Orchestra, appears with LACO’s
Concertmaster Margaret Batjer and Principal Cellist Andrew Shulman in a recital
on the Phil’s Colburn Celebrity Series. Kahane, who continues to be a
world-class pianist, will play music by Chopin, as well. Information: www.laphil.com

 

And the weekend’s
“free admission” program …

 

Saturday at 7:30 at
Pasadena Presbyterian Church

The Pasadena Singers:
“Choral Favorites from Two Continents”

Since I sing with this chamber choral ensemble, you can (as
I often say, quoting the late, great Molly Ivins) take this recommendation with
a grain of salt or a pound of salt. The program features the world premiere of
three Scottish/Irish folk songs arranged by Philip Lawson, who for 20 years
sang with and was the principal arranger for The King’s Singers. Also on the
agenda is music by Brahms (a healthy selection of the Liebeslieder Waltzes), Copland, Vaughan Williams and a rollicking
arrangement of Cindy by Mormon
Tabernacle Choir director Mack Wilberg. Information:
www.ppc.net

_______________________

 

(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

Five-Spot: What caught my eye on February 23, 2012

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

______________________

 

Each Thursday, I list five events that pique my interest,
including (ideally) at least one with free admission (or, at a minimum, inexpensive
tickets). Here’s today’s grouping:

______________________

 

Tonight at 8 p.m., Tomorrow
at 11 a.m., Saturday at 2 p.m. at Walt Disney Concert Hall

Los Angeles
Philharmonic; Charles Dutoit, conductor

We’ll soon find out whether the Los Angeles Philharmonic has
jet lag after returning from Caracas following a very hectic week playing in
the Venezuelan portion of “The Mahler Project.” The Phil returns to be led by a
familiar guest conductor, Charles Duoit (currently finishing up his tenure as
chief conductor of the Philadelphia Orchestra and for 25 years music director
of the Montreal Symphony). This weekend’s program is mostly familiar Dutoit
fare: Stravinsky’s Symphony of Wind
Instruments,
Debussy’s La Mer, and
a suite from Prokofiev’s Romeo and Juliet.
Information: www.laphil.com

 

Tonight at 8 p.m.
at Valley Performing Arts Center (Cal State Northridge)

Wroclaw Philharmonic
Orchestra; Garrick Ohlsson, piano

Artistic Director Jacek Kaspszyk leads The National Forum of
Music Wroclaw Philharmonic Orchestra (to give the ensemble its formal name) at
VPAC on tour with a program that includes Dvorak’s Symphony No. 7 and Chopin’s
Piano Concerto No. 2, with Garrick Ohlsson as soloist. Information: www.valleyperformingartscenter.org

 

Saturday at 7:30
p.m. at the Dorothy Chandler Pavilion

Los Angeles Opera: Albert Herring

Los Angeles Opera brings this “coming of age” work by
Benjamin Britten, using a production from Santa Fe Opera that will be conducted
by James Conlon, who will also deliver a lecture one hour before each
performance. Tenor Alex Shrader makes his Los Angeles debut in the title role.
Brian in “Out West Arts” has one of his familiar “10 Questions” profile with
Shrader HERE. David Mermelstein previews the opera in his Los Angeles Times article HERE. Information: www.losangelesopera.com

 

Saturday at 8 p.m.
at Ambassador Auditorium

Los Angeles Chamber
Orchestra; Jeffrey Kahane, conductor

For the past several years in what he calls the “Discover
Series,” Music Director Jeffrey Kahane has picked a single piece to first
discuss and then perform. The choice Saturday night is one of the landmarks of
choral repertoire: Bach’s Magnificat,
with a text drawn from the first chapter of the Gospel of Luke.

 

Joining Kahane and LACO are The University of Southern California
Thornton Chamber Singers, directed by Jo-Michael Scheibe; and five soloists:
Charlotte Dobbs, soprano, Zanaida Robles, soprano, Janelle DeStefano, mezzo
soprano, Ben Bliss, tenor, and Daniel Armstrong, baritone.

 

Information: www.laco.org

 

Two of the other
offerings are opera holdovers:

San Diego Opera’s production of Moby-Dick wraps up its
run on Friday at 7 p.m. and Sunday at 2 p.m. in the San Diego Civic Theatre. My
review is HERE. Information: www.sdopera.com

 

LA Opera’s production of Verdi’s Simon Boccanegra plays Sunday at 2 p.m. at the Dorothy
Chandler Pavilion. My review is HERE. Information:
www.laopera.com

 

Also, the “encore performance” of the Los Angeles
Philharmonic’s Mahler 8 concert in
Caracas earlier this month will be shown Wednesday at 7 p.m. (local time) in
four Los Angeles-area theaters along with a couple in Orange County. Information: www.laphil.com

 

And the weekend’s
“free admission” program …

 

Tuesday at 7:30
p.m. at Pasadena Presbyterian Church

Vor Frue Kirkes
Drenge-Mandskor and Vanse Guttekor-Deo Gloria

Two internationally renowned boys’ choirs appear as part of
a Southland tour with a selection of Norwegian, Danish and American music
concluding with Jonah — a Liturgical
Drama.
Information: www.ppc.net

_______________________

 

(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Britten vs. Bach Saturday night

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

This article was first
published today in the above papers.

 

Next year will mark the centennial of the birth of English
composer Benjamin Britten, and Los Angeles Opera will get a jump on the
celebrations when it unveils a new production (well, new to L.A., at any rate)
of Britten’s chamber opera Albert Herring
on Saturday evening at the Dorothy Chandler Pavilion.

 

Albert Herring is running in tandem with Verdi’s Simon Boccanegra, which plays this afternoon
at 7 p.m. continues with five other performances through March 4 (LINK). This
is a production well worth seeing; my review is HERE.

 

Tenor Alek Shrader will make his LAO debut singing the title
role in Albert Herring; the part was
originally written in 1947 for the great tenor (and Britten’s partner) Peter
Pears. Albert Herring was the second
of three “chamber operas,” so called because each production is on a much
smaller scale than “grand opera.” (Britten’s other two chamber operas were The Rape of Lucretia and The Turn of the Screw.)

 

LAO Music Director James Conlon will conduct Albert Herring; he’s also leading Simon Boccanegra. The production
originated at Santa Fe Opera and the opera is sung in English with English
supertitles. In addition to opening night, performances will be staged March 3,
8 and 14 at 7:30 p.m. and March 11 and 17 at 2 p.m.

 

Tickets range from $20 to $270, with discounts for seniors
and students. Goldstar.com was offering steep discounts for all performances
but that offer expired in between the time I wrote this column and today when
it was printed.

 

David Mermelstein has an informative article in the Los Angeles Times about Albert Herring HERE. Opera information:
www.losangelesopera.com.

 

Running right up against Albert
Herring
is the latest installment in the Los Angeles Chamber Orchestra’s
“Discover” series at Ambassador Auditorium. For the past several years, Music
Director Jeffrey Kahane has picked a single piece to first discuss and then
perform. The choice Saturday night at 8 p.m. is one of the landmarks of choral
repertoire: Bach’s Magnificat, with a
text drawn from the first chapter of the Gospel of Luke.

 

Joining Kahane and LACO are The University of Southern California
Thornton Chamber Singers, directed by Jo-Michael Scheibe; and five soloists:
Charlotte Dobbs, soprano, Zanaida Robles, soprano, Janelle DeStefano, mezzo
soprano, Ben Bliss, tenor, and Daniel Armstrong, baritone.

 

Information: www.laco.org

_______________________

 

(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Looking back on 2011

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

 

With Christmas Eve and Christmas Sunday church services
coming on the weekend this year, I’m going to post my “End of the Year Wrap-up”
column today so I don’t forget to do so. I hope all of you will find time to
attend a service, listen to the annual Festival
of Nine Lessons and Carols
from King’s College Cambridge (locally on KUSC,
91-5 FM, at 7 a.m. Saturday), and have a blessed and joyous Christmas.

 

Looking back on the classical music year 2011 brought a
fascinating flood of remembrances. I discovered that (counting this column) I
have posted 236 times during the year on subjects as diverse as the genre. Some
of these posts also appeared in the above newspapers but — newsprint space
being what it is — obviously this Blog gives you much more. Following are some
of the significant occurrences of 2011, listed in sort-of-alphabetical order.

 

AMBASSADOR AUDITORIUM

The Pasadena hall with great acoustics will never approach
the number of events it hosted when it was built in 1974 but HRock Church
(which now owns the auditorium) has made it available to a number of performing
groups, including the Pasadena Symphony, Colburn Orchestra and, for one concert
a year, Los Angeles Chamber Orchestra.

 

ANNIVERSARIES

Grant Gershon celebrated his 10th anniversary as
music director of the Los Angeles Master Chorale last season. This fall Jeffrey
Kahane began his 15th season as music director of the Los Angeles
Chamber Orchestra. Both men — and both organizations — are among the reasons
why the Southern California music scene is so vibrant.

 

NIGEL ARMSTRONG and
NAREK HAKHNAZARAYAN

Cellist Narek Hakhnazaryan, a 22-year-old Armenian who in
January played the Dvorak Concerto with the Pasadena Symphony, won the gold
medal in the 14th Tchaikovsky International Competition in June. Meanwhile,
Nigel Armstrong, a 21-year-old graduate of The Colburn School, won fourth place
in the violin portion of the competition. Earlier, Armstrong — who studied with
Robert Lipsett at The Colburn School — won an award for his performance of Stomp by American composer John
Corigliano.

 

BTW: Armstrong (who is now a grad student at The Curtis
Institute in Philadelphia) will return to Los Angeles to perform with the Los
Angeles Chamber Orchestra on Jan. 21 at Glendale’s Alex Theatre and Jan. 22 at
UCLA’s Royce Hall (LINK).

 

AWARDS

Los Angeles Philharmonic Conductor Laureate Esa-Pekka
Salonen won the prestigious Grawemeyer Award for his Violin Concerto. The work
was premiered in April 2009 with Salonen conducting the L.A. Phil and soloist
Leila Josefowicz (who grew up in Los Angeles and, like Nigel Armstrong, studied
with Ronald Lipsett at The Colburn School).

 

The award also spotlighted the Phil as America’s premiere
orchestra for commissioning and performing new music, another legacy of
Salonen’s 18-year-tenure as LAPO music director. The Phil is the only orchestra
to have commissioned and premiered two Grawemeyer Award compositions (Peter
Lieberson’s Neruda Songs in
2005 was the other) and Salonen is the only conductor to have led the first
performances of two winning scores (Neruda
Songs
and his own concerto).

 

Martin Haselbck, music director of Musica Angelica — the top-notch
Los Angeles-based period instrument ensemble — won a Grand Prix International
du Disque award for a recording he made with his other ensemble, the Vienna
Academy Orchestra, entitled The Sound of
Weimar: Franz Liszt; The Complete Works for Orchestra, Vol. 1.

 

CLASHING PROGRAMS

Each
year often brings one or two pieces that seemingly everyone wants to present,
and this year was no exception. There were four performances of Tchaikovsky’s
Symphony No. 5 within a 16-day span in October (and two more to come next
month). Fortunately, several of the performances (Gustavo Dudamel with the L.A.
Phil, Yuja Wang) rose to exalted levels. Runner-up in this category was to
multiple performances of Prokofiev’s Piano Concerto No. 3 (at least four in
four months) and an unusually large number of performances of Handel’s
Messiah in December.

 

DEATHS

Although the death of Steve Jobs on Oct. 5 dominated the
year’s obituaries, bringing to an untimely end the career of a man whose
inventions such as iTunes and iPod revolutionized the music industry, there
were other notable passings in our field, as well, including:

Daniel Catn died unexpectedly on April 8 at the age of
62. Although he composed many works, Catn was riding high after his opera Il Postino (The Postman) received its
world premiere in September 2010 by Los Angeles Opera.

Peter Lieberson (April 23), whose compositions included Neruda Songs, which (as noted above) was
premiered by Esa-Pekka Salonen and the Los Angeles Philharmonic in 2005. The
soloist for whom the Grawemeyer Award-winning piece was written was Lorraine
Hunt Lieberson, the composer’s wife, who died the following year.

Sidney Harth (Feb. 16) was concertmaster of the Los
Angeles Philharmonic during the Carlo Maria Giulini era in the 1980s. He later
became a conductor, most notably with the Jerusalem Symphony.

Kurt Sanderling (Sept. 17) was a beloved guest conductor
with the Los Angeles Philharmonic during the 1980s and 1990s.

 

One other note: Salonen and Pierre Boulez returned to Los
Angeles on March 29 for a poignant tribute concert to the life and legacy of
Ernest Flesichmann, the orchestra’s longtime managing director who died in June
2010. It was a concert that Fleischmann would have loved, both for its
innovative programming and the quality of the performances.

 

GUSTAVO DUDAMEL

Now that the hoopla surrounding the now-30-year-old
Venezuelan’s debut as Los Angeles Philharmonic music director has subsided
somewhat, we’re watching this remarkable conducting talent mature as each year
passes. Although the Phil’s “Brahms Unbound” cycle devolved to “Brahms Unbound”
as illness, death and tardiness conspired to eliminate most of the new
compositions originally scheduled for the five-week-long “festival,” Dudamel
and the Phil delivered some superb performances of Brahms and newer works, as
well. Next month comes an even bigger challenge: The Mahler Project (more on
that next week and in January).

 

LOS ANGELES OPERA

Two years after presenting Wagner’s Ring cycle, LA Opera has put together a string of very successful
productions, including Verdi’s Rigoletto,
Rossini’s The Turk in Italy and
Britten’s The Turn of the Screw
earlier this year and then Tchaikovsky’s Eugene
Onegin.
Gounod’s Romo et Juliette and,
in particular, Mozart’s Cos Fan Tutte
to open the current season.

 

Although it occurred in 2010, the world premiere of Daniel
Catn’s Il Postino (The Postman) continued
to resonate this year, in part because of the untimely death of the composer
and also because PBS’s “Great Performances” series telecast the world-premiere
production earlier this month.

 

LA PHIL LIVE

The jury is still out as to whether live telecasts of
orchestra concerts will attain the same level of popularity as the Metropolitan
Opera’s HD telecasts, but Dudamel and the Phil offered persuasively for the new
format in four concerts during 2011. The interviews and rehearsal footage are
worth the price of admission.

 

The one telecast that really stood out for me was the
concert that melded readings from Shakespeare’s Hamlet, The Tempest and Romeo
and Juliet
with music that Tchaikovsky wrote inspired by each play. The
actors performing the sketches were much easier to follow on the telecast as
opposed to being in Disney Hall. For the first concert of the current season,
Dudamel did a surprisingly good job acting as both host and conductor. The next
telecast is Feb. 18, a performance of Mahler’s Symphony No. 8 live from
Caracas, Venezuela.

 

MUSE-IQUE

A year after stepping down as music director of the Pasadena
Pops Orchestra, Rachael Worby returned with her life-long dream of a group that
would provide innovative and flexible programs. The opening event was an
orchestra concert on the lawn adjacent to Caltech’s Beckman Auditorium that
featured soprano Jessye Norman as the soloist. Both the locale and the program
proved to be quite special. Two small-ensemble programs followed in the fall.
Stay tuned in 2012.

 

THE OUTDOOR CONCERT
VENUE BATTLE

Springtime erupted when the Los Angeles County Arboretum
announced that it had selected the Pasadena Pops to replace the California
Philharmonic at the Arcadia venue beginning summer 2012. After much angst and
anger, the Cal Phil then decided to move slightly east to a venue that might –
if early projections actually come to pass — prove to be a more congenial home:
Santa Anita Racetrack.

 

Hollywood Bowl provided its usual solid set of programs, a
handful of which were noteworthy. Gustavo Dudamel concerted three concerts to
open the Bowl’s classical season, notable perhaps for the fact that less people
showed up than appeared the previous year. The Internet hoopla over Yuja Wang’s
“little orange dress” overshadowed her breathtaking performance of
Rachmaninoff’s Piano Concerto No. 3; when she appeared at Disney Hall this
fall, she was dressed less flamboyantly and everyone could focus on her
extraordinary talent as soloist in Prokofiev’s Piano Concerto No. 3. As one
person summed up at the Disney Hall concert I attended, “She’s more than a
dress.”

 

PASADENA SYMPHONY AND
POPS

Now into its second season without a music director and,
seemingly, satisfied with that situation, the PSO welcomed a series of lively,
young guest conductors — including Tito Muoz, George Stelluto and Mei-Ann Chen
– to its new home, Ambassador Auditorium. Stelluto and the PSO also unveiled
one of the genuine “finds” of the season: a Kanun concerto by Khachatur
Avetisyan, played with sparkle and grace by Karine Hovhannisyan.

 

Meanwhile, as the Pops prepared to move to the Arboretum
this fall (see above), it welcomed a new principal conductor, Marvin Hamlisch,
who proved to be a master at the pops-concert genre.

 

VALLEY PERFORMING
ARTS CENTER

At long last, the San Fernando Valley has a major performing
arts center located on the campus of Cal State Northridge. The hall is visually
attractive and acoustically solid, as was demonstrated by the appearance of
Valery Gergiev and the Mariinsky Theatre Orchestra from St. Petersburg, Russia.
Now comes the hard part: finding and successfully marketing high-quality
performances.

 

Several other cities also opened new halls, including the
Soka University in Aliso Viejo, the New World Center in Miami Beach (complete
with a stunning outdoor video wall), and Maison
Symphonique de Montreal
in that Canadian city.

 

Next week: looking ahead at 2012.

_______________________

 

(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

Five-Spot: What caught my eye on December 8, 2011

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

______________________

 

Each Thursday morning, I list five events that pique my
interest, including (ideally) at least one with free admission (or, at a minimum,
inexpensive tickets). This weekend offers a plethora of opportunities, so
there’s more than five listed.

______________________

 

Tonight and
tomorrow at 8 p.m. Sunday at 2 p.m. at Walt Disney Concert Hall

Los Angeles
Philharmonic; Thomas Wilkins, conductor

The Getty Museum has spearheaded a major collection of
events under the umbrella of “Pacific Standard Time” and these concerts are the L.A. Phil’s contribution. Wilkins, who
is principal conductor of the Hollywood Bowl Orchestra, leads a program of
music ranging from Eric Wolfgang Korngold to John Williams. Zull Bailey will be
the soloist in Korngold’s Cello Concerto (which was featured in the Bette Davis
film, Deception). This is a rare
opportunity to hear movie music played in the wonderful Disney Hall acoustics. Info:
www.laphil.com

 

Friday at 8 p.m.
Saturday at 2 p.m. and 8 p.m. Sunday at 2 p.m. and 7 p.m. at Pasadena Playhouse

Opera Posse: Amahl and the Night Visitors

Opera Posse picks up from the now-shuttered Intimate Opera
Pasadena in presenting this familiar one-act opera, written by Gian Carlo
Menotti in 1951 for NBC television. Last year’s presentation was one of the
season’s highlights and this year’s production features most of the artists who
brought it to life, including Director Stephanie Vlahos and set designer John
Iacovelli. The cast includes noted mezzo-soprano Suzanna Guzmn as the mother
and Caleb Glickman in the title role. As was the case last year, actor Malcolm
McDowell will intro the opera by reading Dylan Thomas’ A Child’s Christmas in Wales. Michelle J. Mills’ article in last
week’s Star-News is HERE. Concert Info: www.operaposse.com

 

Saturday at 8 p.m.
at Alex Theater (Glendale); Sunday at 7 p.m. at Royce Hall (UCLA)

Los Angeles Chamber
Orchestra; Jeffrey Kahane, conductor

Kahane returns to the LACO podium to lead a program that
includes music by Ravel, Respighi and Thomas Ades. Cellist Ralph Kirshbaum will
be the soloist in Tchaikovsky’s Variations
on a Rococo Theme.
This is the first of two major appearances by Kirshbaum
this season; he will also be on a Los Angeles Philharmonic program March 15
playing the Dvorak Cello Concerto as part of the Piatagorsky International
Cello Festival (LINK). LACO info: www.laco.org

 

Saturday at 8 p.m. at
Walt Disney Concert Hall

Boston Symphony
Orchestra; Ludovic Morlot, conductor

The famed BSO makes its first Los Angeles appearance in 20
years bringing a program of music by John Harbison, Ravel and Brahms. Gil
Shaham will be the soloist in Brahms’ Violin Concerto. It’s also a chance to
take the measure of Morlot, who took over the season as music director of the
Seattle Symphony from retiring Gerard Schwarz and may be a candidate to succeed
James Levine as the BSO’s music director. Info:
www.laphil.com

 

Handel’s Messiah

There are several opportunities this season to partake of
this ultra-familiar but still beloved oratorio that tells the story of the life
of Jesus Christ. A (not complete) list includes:

 

Saturday at 7:30
p.m. at First United Methodist Church, Pasadena

Angeles Chorale and Da Capo Players Chamber Orchestra,
conducted by Donald Neuen. Info: www.angeleschorale.org

 

Sunday at 3 p.m. at
Segerstrom Concert Hall, Costa Mesa

Pacific Symphony and Pacific Chorale; Christian Knapp,
conducting. Info: www.pacificsymphony.org

 

Monday at 7:30 p.m.
at Walt Disney Concert Hall

Los Angeles Master Chorale “Messiah Sing-Along.” If you’ve never done one of these, it’s a
fantastic way to experience this famous work. The audience joins with the
Master Chorale in the choruses — or you can just listen and be surrounded by
sound. Bring your own score or buy one for $10. Info: www.lamc.org

 

Tuesday and
Wednesday at 8 p.m. at Walt Disney Concert Hall

Philharmonia Baroque and Philharmonia Chorale; Nicholas
McGegan, conductor. Info: www.laphil.com

 

And the weekend’s “free admission” program …

 

Saturday at 7:30
p.m. at Pasadena Presbyterian Church

66th
annual Candlelight and Carols Concert

All of the church’s choirs participate in this annual event,
which also features plenty of audience caroling. The featured work on the
program is Veni Emmanuel by local
composer Elizabeth Ann Sellers, with the Kirk Choir and Friends of Music
Orchestra conducted by Timothy Howard. (Full disclosure: I sing in two of the
choirs participating.) Information: www.ppc.net

_______________________

 

(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.