“Five Things I Think I Think About” La Mirada’s “West Side Story”

By Robert D. Thomas
Music Critic
Southern California News Group

Ashley Marie and Eddie Egan star as Maria and Tony in La Mirada Theatre and McCoy Rigby Entertainment’s production of “West Side Story.” (Photo by Jason Niedle, Orange County Register)
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Five things I think I think about the McCoy/Rigby Entertainment’s production of West Side Story, now playing through May 14 at the La Mirada Theatre for the Performing Arts (with apologies to Peter King of SI.com, who runs “10 Things I Think I Think” in his weekly “Monday Morning QB” column).

1. The crowd Friday night was nearly full capacity, much larger than any of the three previous productions for the current season. There were lots of young people in the audience, always a good sign!

2. If your only experience of West Side Story is through the somewhat sanitized 1961 motion picture, this realistic mounting of the original 1957 Broadway production will come as quite a shock, particularly the riveting conclusion. The book, which was written by Arthur Laurents with lyrics by Stephen Sondheim, is quite raw in many places and Bernstein’s score remains a landmark in 20th century music in part for its ability to fully capture the dramatics in such an intense way.

3. Kudos to McCoy/Rigby Entertainment for not trying to “reset” the action into something more contemporary in terms of the “immigrant vs. ‘native-born American’ ” issues (Puerto Ricans, of course, ARE U.S. citizens, which is part of the story line.) A re-set could have worked but why bother? The anger frustration and bigotry spitting out of Lt. Schrank, the Jets and the Sharks still resonates strongly today.

4. The singer/actor/dancers in a uniformly strong cast and John Todd’s reworking of Jerome Robbins’ original choreography are among the hits of the show. Stephen Gifford’s gritty sets provided a perfect opportunity for everyone to show off their athletic/artistic abilities. Robbins’ choreo was always central the musical’s success. Nothing has changed about that.

5. Sexuality and violence are ever-present in the show, which includes highly suggestive dancing, Tony and Maria in bed, fights, three murders and a graphic rape scene.

West Side Story runs through May 14. 7:30 p.m. Wednesday-Thursday, 8 p.m. Friday, 2 and 8 p.m. Saturday, 2 p.m. Sunday at the La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd., La Mirada

Eric Marchese’s review in the Daily News and other California Newspaper Group publications is HERE. He and I are almost completely in agreement.
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(c) Copyright 2017, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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FIVE-SPOT: April 20-23, 2017

By Robert D. Thomas
Music Critic
Southern California News Group

Each week about this time I list five (more or less) classical-music programs in Southern California (more or less) during the next seven days (more or less) that might be worth attending. Once again, Saturday will be a VERY busy day.

APRIL 20, 22, 23: LOS ANGELES PHILHARMONIC
8 p.m. April 20 and 22; 2 p.m. April 23
at Walt Disney Concert Hall; Los Angeles
David Robertson, music director of the St. Louis Symphony, returns “home” (he’s a Santa Monica native) to lead the Phil in a program that features the west coast premiere of Christopher Rouse’s Organ Concerto, with Paul Jacobs as soloist. The concerto is bookended by Charles Ives’ Three Places in New England and Dvorak’s Symphony No. 9 (“from the New World”). The Rouse concerto, a L.A. Phil co-commission, debuted last fall in Philadelphia.

BONUS: Disney Hall is easily reachable (at least if you’re not mobility challenged) via Metro’s Red and Purple Lines. Exit at the 1st and Hill St. side of the Civic Center/Grand Park station and walk up two steep blocks to reach the hall.

Information: www.laphil.com

APRIL 21: HIGH SCHOOL CHORAL FESTIVAL
1 p.m. at Walt Disney Concert Hall; Los Angeles (see “Additional Concert” below)
1,000 high school students from 30 Southland schools can be heard in a free concert when the Los Angeles Master Chorale presents the 28th Annual High School Choir Festival. The Festival choir will be led by LAMC Artistic Director Grant Gershon in a varied program that features works by this year’s guest artist singer/composer Moira Smiley. Smiley will also teach the massive choir body percussion to accompany one of her songs.

BONUS: Free admission, first come, first served (which means it’s a great — and cost effective — opportunity to hear choral music in Disney Hall).

ADDITIONAL CONCERT: Assistant conductor Jenny Wong will lead 16 members of the Chorale in a concert at 11 a.m. This one is also free but tickets must be arranged through the Master Chorale Web Site (see below).

Disney Hall is easily reachable (at least if you’re not mobility challenged) via Metro’s Red and Purple Lines. Exit at the 1st and Hill St. side of the Civic Center/Grand Park station and walk up two steep blocks to reach the hall.

Information: www.lamasterchorale.org

APRIL 21: THE COLBURN ORCHESTRA
7 p.m. at Walt Disney Concert Hall; Los Angeles
Guest Conductor Christian Arming (music director of the Liège Royal Philharmonic) leads this top-notch conservatory orchestra in a program that features a collection of songs by Irving Berlin sung by tenor Joshua Wheeker and danced by The Colburn Dance Academy. The songs are bookended by Leonard Bernstein’s Overture to Candide and a suite from Prokofiev’s ballet Romeo and Juliet.

BONUS: This concert is part of the L.A. Phil’s “Sounds About Town” series, which means that tickets are very reasonably priced ($15-$44). So, if you’ve never heard a concert in Disney Hall, this is a great opportunity.

Disney Hall is easily reachable (at least if you’re not mobility challenged) via Metro’s Red and Purple Lines. Exit at the 1st and Hill St. side of the Civic Center/Grand Park station and walk up two steep blocks to reach the hall.

Information: www.laphil.com

APRIL 21: “WEST SIDE STORY”
8 p.m. at La Mirada Theatre for the Performing Arts; La Mirada
The McCoy-Rigby mounting of Leonard Bernstein’s West Side Story, his iconic retelling of Romeo and Juliet, moves to La Mirada for an extended run that lasts through May 14.

BONUS: Nice ticket prices: $14-$70.

Information: lamirdadatheatre.com

APRIL 22 AND 23: LOS ANGELES CHAMBER ORCHESTRA
8 p.m. April 22 at Alex Theatre; Glendale
7 p.m. April 23 at Royce Hall, UCLA; Westwood
In his penultimate concert as LACO Music Director, Jeffrey Kahane leads the orchestra, soloists and members of the Los Angeles Master Chorale in Beethoven’s Symphony No. 9.

Information: www.laco.org

APRIL 22: BACH’S “GOLDBERG VARIATIONS”
3 p.m. at The Huntington Library; San Marino
Harpsichordist Paolo Bordignon will play one of Bach’s most famous keyboard works as part of Camerata Pacifica’s 27th season.

Information: www.cameratapacifica.org

APRIL 22: AMERICAN YOUTH SYMPHONY
6 p.m. at Royce Hall, UCLA; Westwood
Music Director Carlos Izcaray leads his young musicians in a performance of Mozart’s Overture to The Marriage of Figaro, Rachmaninoff’s Symphonic Dances, and Korngold’s Violin Concerto, with Rachel Ostler as soloist.

BONUS: Tickets are free but should be reserved in advance (the concert is nearly sold out). The concert is followed by a ticketed gala dinner; reservations are required.

Information: aysymphony.org

APRIL 22: PUCCINI’S “TOSCA”
7:30 p.m. at Dorothy Chandler Pavilion; Los Angeles
Sondra Radvanovsky returns to L.A. to reprise her role in Puccini’s tear jerker. James Conlon conducts and John Caird oversees his original LA Opera staging. Other performances are April 27, May 2, 5 and 13 at 7:30 p.m. and April 30 and May 7 at 2 p.m.

BONUS: The Pavilion is easily reachable (at least if you’re not mobility challenged) via Metro’s Red and Purple Lines. Exit at the Temple St. side of the Civic Center/Grand Park station, walk north to Temple and then west up two steep blocks to reach the hall.

Information: www.laopera.org

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(c) Copyright 2017, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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