PREVIEW: There’s more to orchestras than the L.A. Phil

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Somewhat overshadowed by the Los Angeles Philharmonic’s opening this week (LINK) are a handful of other openings that should be noted.

The Long Beach Symphony opens its 80th anniversary season Saturday night at 8 p.m. in Long Beach’s Terrace Theatre. Richard Guzman’s preview article on our papers’ Web site is HERE.

The orchestra’s board announced today that it has extended Kelly Ruggirello’s contract as the LBSO executive director through the 2017. Ruggirello took over the post 18 months ago and this announcement means, presumably, that she will be leading the orchestra through its music director transition. Enrique Arturo Diemecke resigned abruptly last season after 13 years as the LBSO’s music director.

Concert information: www.lbso.org

The London Philharmonic Orchestra will make a stop at California State Northridge’s Valley Performing Arts Center on Oct. 10 at 8 p.m. Principal Conductor Vladimir Jurowski will lead the program of Dvorak’s The Noonday Witch, Tchaikovsky’s Symphony No. 6 (“Pathetique”) and Prokofiev’s Piano Concerto No. 3, with Jean-Efflam Bavouzet as soloist. Incidentally, the LPO announced yesterday that Jurowski’s contract has been extended through at least 2018 (LINK).

Information: www.valleyperformingartscenter.org

The following day, the LPO moves down the 405 Freeway to the Renée and Henry Segerstrom Concert Hall in Costa Mesa when it opens the Philharmonic Society of Orange County’s 2014-2015 season on Oct. 11 at 8 p.m. with the same program and performers as at VPAC. Information: www.philharmonicsociety.org

If you’re so inclined, you can comparison performances of the concerto because Behzod Abduraimov will be the soloist when the Los Angeles Philharmonic pairs Prokofiev’s third concerto with Dvorak’s Symphony No. 7 in a “Casual Friday” concert on Oct. 17. Basque conductor Juanjo Mena will conduct. The concerts on Oct. 18 and 19 add Prokofiev’s “Classical” Symphony to the aforementioned two. Information: www.laphil.com
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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PREVIEW: Orange County Philharmonic Society unveils 2014-2015 season

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Season schedules for 2014-2015 are beginning to filter into email boxes and although the Orange County Philharmonic wasn’t first off the block (that “honor” went to the Long Beach Symphony — INFO),the OCPS announcement is noteworthy because it usually gives a tease of the Los Angeles Philharmonic’s upcoming Walt Disney Concert Hall season.

The L.A. Phil and Music Director Gustavo Dudamel will journey to the Renée and Henry Segerstrom Concert Hall in Costa Mesa on Sunday, Nov. 23 for an afternoon concert that will feature what’s being termed the world premiere of Stephen Hartke’s long-delayed Symphony No. 4 “Organ.” The Hartke piece was originally scheduled to debut in May, 2010.

Also on the program are Saint-Saëns’ Symphony No. 3 (also subtitled “Organ”) and Barber’s Toccata Festiva for Organ and Orchestra. Cameron Carpenter and the Phil’s own keyboard virtuoso, Joanne Pearce Martin, will be the soloists, playing the hall’s William J. Gillespie Concert Organ.

Assuming that this is not, in fact, the world premiere of the Hartke piece — i.e., if we presume that this performance will follow concerts in Disney Hall with the same program — that cycle will give organ lovers a chance to compare the Segerstrom Concert Hall Organ with Disney Hall’s much larger instrument.

The OC organ, a “tracker” or mechanical action organ built by C.B. Fisk, Inc. of Gloucester, Mass., has 4,322 pipes in 75 ranks with 57 stops. It was first played in concert in 2008. Glatter-Götz of Germany built the Disney Hall instrument under the tonal direction and voicing of Manuel Rosales and its first concerts were in 2004. The Disney Hall is much larger than its OC counterpart: 6,125 pipes in 109 ranks with 72 stops. Reflecting its Fisk design concept, the OC organ sounds much brighter than the Disney Hall instrument; its bright metal pipes also provide a much different look from the “overturned French fries” façade in Disney Hall, which was designed by Frank Gehry. The comparisons will be fun and instructive.

The upcoming OCPS schedule could easily have been termed “The British are Coming, The British Are Coming.” The season opens Oct. 11 when Vladimir Jurowski conducts the London Philharmonic in music by Dvorak, Tchaikovsky (Symphony No. 6) along with Prokofiev’s Piano Concerto No. 3, with Jean-Efflam Bavouzet as soloist.

Also coming across the pond is the London Symphony Orchestra, led by Michael Tilson Thomas on March 28, in a program including Britten’s Four Sea Interludes from the opera Peter Grimes, Shostakovich’s Symphony No. 5, and Gershwin Piano Concerto in F with Yuja Wang as soloist.

As part of a 50th anniversary season tour, the Monteverdi Choir makes appearances at Segerstrom Hall April 24 and 25, 2015 led by Sir John Eliot Gardiner. The first concert is Monteverdi’s Vespers of 1610 and the second is that composer’s L’Orfeo. The English Baroque Soloists accompanies the choir.

Other orchestras on the schedule:
The Czech Philharmonic, conducted by Jiří Bělohlávek on Nov. 14, with a program of Dvorak’s “New World” Symphony paired with Liszt’s second piano concerto, with Jean-Yves Thibaudet as soloist.
The Rotterdam Philharmonic, led by Yannick Nézet-Séguin, on Feb. 11, 2015 in a meaty program of Tchaikovsky’s Symphony No. 5 and Brahms’ Piano Concerto No. 1, with Hélène Grimaud as soloist.
The Venice Baroque Orchestra on Feb. 28, 2015 playing with Israeli mandolinist Avi Avital.
• The State Symphony of Mexico, commemorating the 40th anniversary of its first U.S. Tour, on March 5, 2015, with Enrique Batiz conducting a program of two works by Manuel Maria Ponce: his Piano Concerto, with Irina Chistiakova as soloist, and Concierto del Sur, with Alfonso Moreno as guitar soloist. Music by Rimsky-Korsokov and Borodin rounds out the evening.

The season also includes recitals and chamber-music concerts, some at Segerstrom Hall and others at the Irvine Barclay Theatre. One of those evenings will be a salute to Carl St.Clair’s 25th anniversary as music director of the Pacific Symphony. Another will performances of the Mark Morris Dance Company’s production of Dido & Aeneas on May 15 and 16.

The complete media release is HERE: www.philharmonicsociety.org

Subscriptions are now on sale (Info: www.philharmonic society.org). Single tickets are scheduled to go on sale this summer.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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