Five-Spot: What caught my eye on January 19, 2012

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily



Each Thursday morning, I list five events (six this week —
there could have been others) that pique my interest, including — ideally — at
least one with free admission (or, at a minimum, inexpensive tickets) . Here’s
today’s grouping:



Tonight, tomorrow
and Saturday at 8 p.m. at Walt Disney Concert Hall

Los Angeles
Philharmonic: Gustavo Dudamel conducts Mahler’s Symphony No. 1 and Adagio from Symphony No. 10

The L.A. Phil’s “Mahler Project” kicks into high gear this
weekend beginning with these two works. Symphony No. 1 was the first major
piece that Dudamel conducted (at age 16). The Adagio from Symphony No. 10 is one of two Mahler symphonies for
which these will be inaugural Dudamel traversals. A couple of things to note:

Friday night is a “Casual Friday” concert, so only
the first symphony will be performed. If the Phil follows its normal “CF”
format, a musician will give a brief talk before the performance and a Q&A
will follow; Dudamel customarily appears at the Q&A when he conducts, but
considering his time commitment to the three-week long survey, no promises.
Then there’s a reception in the downstairs where audience members can meet with
the musicians.

Gilbert Kaplan is giving the preconcert lecture, which
will begin at 6:30 p.m. in the main hall. If you’ve never heard of Kaplan, a
writeup is HERE. Although he’s more known for his advocacy of Symphony No. 2,
I’m looking forward to hearing his insights on the first and 10th


Concert information:


Tomorrow and Friday
at 7:30 p.m. and Sunday at 2:30 p.m. at Zipper Hall (The Colburn School,
downtown Los Angeles)

James Conlon conducts
“forgotten’ operas

For several years, James Conlon, music director of Los
Angeles Opera, had led “Recovered Voices,” a series of operas written by
composers whose lives and music were suppressed by the Nazi regime. He has a
similar survey, “Breaking the Silence,” at Chicago’s Ravinia Festival (one of
that city’s major summer music festivals).


This weekend, Conlon revives this concept locally when he
conducts The Colburn Orchestra and singers from the Domingo-Thornton Young
Artists in a double-bill: Viktor Ulman’s The
Emperor of Atlantis
(which has was conducted at LAO) and Ernst Krenek’s The Secret Kingdom, which is receiving
its West Coast debut. Conlon will deliver a 45-minute lecture prior to each


Because Zipper Hall has a very small seating capacity,
tickets are extremely limited. Information:


Saturday at 8 p.m.
at Alex Theatre, Glendale

Sunday at 7 p.m. at
Royce Hall, UCLA

Andrew Shulman
conducts LACO; Nigel Armstrong is soloist

Andrew Shulman, principal cellist of both the Los Angeles
Chamber Orchestra and Pasadena Symphony, makes his Los Angeles conducting debut
leading a program of Mozart’s Symphony No. 29 and Violin Concerto No. 3 and
Walton’s Sonata for Strings. Nigel Armstrong, a former student at The Colburn
School who captured fourth place in last summer’s Tchaikovsky International
Violin Competition, will be the concerto soloist. My story on Shulman is HERE
it includes links to my stories on Armstrong’s strong showing last summer. Information:


Saturday at 8 p.m.
at Royce Hall, UCLA

Kathleen Battle sings

The former opera diva now focuses exclusively on recitals
and concerts and she appears on the “UCLA Live” series with something that
ought to be right in her wheelhouse: Underground
Railroad: An Evening of Spirituals. P
ianist Cyrus Chestnut and the Albert
McNeil Jubilee Singers are part of the show. Information:


Sunday at 7:30 p.m.
at Walt Disney Concert Hall

Mahler’s Resurrection Symphony

Tuesday at 8 p.m.
at Walt Disney Concert Hall

Mahler’s Symphony No.

The Simn Bolivr Symphony Orchestra of Venezuela moves into
Walt Disney Concert Hall for its part in the L.A. Phil’s “Mahler Project.” On
Sunday, Gustavo Dudamel leads the SBSOV, Los Angeles Master Chorale, and
soloists Miah Persson, soprano, and Christianne
, mezzo-soprano in Mahler’s Symphony No. 2 (Resurrection). Dudamel comes back
Tuesday night to lead Symphony No. 3, featuring the SBSOV, women of the L.A.
Master Chorale, L.A. Children’s Chorus, and Stotijn


Two things to note:

Gilbert Kaplan’s preconcert lecture Sunday begins at 6
p.m. in the main auditorium. On Tuesday, somewhat controversial author and
commentator Norman Lebrecht lectures at 7 p.m. in BP Hall.

Both works are long (90-100 minutes each) and will be
presented without intermission.


Information: Symphony
No. 2:

Symphony No. 3:


And the weekend’s
“free admission” program …


Saturday at 7:30
p.m. at Pasadena Presbyterian Church

Frances Nobert’s 75th
Birthday Concert

A fixture on the Southland organ scene for decades, Nobert
appears at PPC with a concert that includes her on the organ and as part of the
Haarlem Keyboard Duo (Nobert on piano and Steve Gentile on organ). After
intermission, Nobert will lead an alumni choir from Grant High School, where
she taught for many years. There’s even an audience-participation part. Information:



(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

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PREVIEW AND LINKS: Andrew Shulman to solo with Pasadena, conduct L.A. Chamber Orchestra on consecutive weekends

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily



Pasadena Symphony. David
Lockington, conductor; Andrew Shulman, cello

Philip Sawyers: The
Gale of Life
; Elgar: Cello Concerto; Mendelssohn: Symphony No. 3 (Scottish)

Saturday, Jan. 14; 2 p.m. and 8 p.m.

Ambassador Auditorium; 300 W. Green St., Pasadena

Tickets: $35-$100; senior rush tickets (23) available for 2
p.m. concert. Student rush tickets ($10) available for both concerts

Information: 626/793-7172;


Los Angeles Chamber
Orchestra. Andrew Shulman, conductor; Nigel Armstrong, violin

Mozart: Symphony No. 29, K. 201; Violin Concerto No. 3, K.
216. Walton: Sonata for Strings.

Sat., Jan. 21, 8 p.m. at Alex Theater, Glendale. Sun., Jan.
22, 7 p.m. at Royce Hall, UCLA

Tickets: $24-$105; student season passes available

Information: 213/622-7001;



Andrew Shulman is going to be one very busy musician during
the next 10 days, but there’s nothing surprising about that.


Shulman, who is principal cellist of the Pasadena Symphony
and Los Angeles Chamber Orchestra, will appear as soloist with the PSO Saturday
in two performances at Ambassador Auditorium playing Elgar’s Cello Concerto in
E Minor. David Lockington, music director of the Modesto Symphony and Grand
Rapids Symphony, will lead the programs, which will begin with The Gale of Life by English composer
Philip Sawyers and conclude with Mendelssohn’s “Scottish” Symphony.


The following weekend Shulman will make his LACO conducting
debut leading a program of music by Mozart and William Walton. Nigel Armstrong
will be the soloist in Mozart’s Violin Concerto No. 3. The 21-year-old graduate
of The Colburn School will be making his first local appearance since placing
fourth in the prestigious Tchaikovsky International Violin Competition last
summer in Moscow (LINK).


There’s nothing unusual, says Shulman, about playing a titan
of the cello literature one weekend and conducting an entirely different program
the next. “What’s unusual,” he says with an infectious laugh, “is that they’re
both in the same city. Usually I’m playing here and then jetting off to England
to conduct an orchestra there.”


Now age 51, Shulman was born in London and studied both cello
and conducting at the Royal College of Music. “I first encountered the Elgar
concerto when I was 17 or 18,” he recalls. He studied with William Pleeth and
Pleeth’s most famous student, Jacqueline DuPre, who by then was suffering from
Multiple Sclerosis. “Jackie talked about things like fingering and bowing the
Elgar,” he remembers. “Despite the MS, she continued to be fully involved with
music up to her death; she was an inspiration.”


Although Shulman continued to conduct, he gained
international fame as a cellist. He served two terms as principal cellist of
London’s Philharmonia Orchestra, taking a break for 10 years to play in the
Britten Quartet. In 1999, Esa-Pekka Salonen called him and asked, “Are you fed
up with London and looking for a change?” He and his wife came to Los Angeles
where he eventually became principal cellist of the Los Angeles Philharmonic.


That job lasted just two years. “With the Philharmonia,” he
explains, “we had co-principals and others as well, so I was playing perhaps 30
percent of the concerts, which left me time to conduct and do film work. Being
principal cellist at the L.A. Phil meant that I had to play about 80 percent of
the concerts, and I just found that too confining.”


Shulman has since carved out a busy career in film music and
conducting. He became LACO’s principal cellist in 2008 and assumed a similar
position with the PSO in 2010. “Both of those positions are great,” he says.
“Both orchestras have great musicians and both orchestras give me plenty of
freedom to maintain all of my professional lives.”


That includes conducting and Walton’s Sonata for Strings has
special resonance for Shulman and LACO. “It’s actually a transcription of
Walton’s second String Quartet,” explains Shulman (who recorded the original
version in the 1980s with the Britten String Quartet). In 1971, Sir Neville
Marriner commissioned the transcription for his Academy of St.
Martin-in-the-Fields, and two years later Marriner and LACO gave the U.S.
premiere of what by then was known as the Sonata for Strings. “It’s a virtuosic
piece,” explains Shulman, “and a terrific way to show off my string colleagues
in the L.A. Chamber Orchestra. They’ll love it, and so will the audiences.”



(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

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