NEWS: Pacific Symphony names Timothy Mangan as the orchestra’s “writer-in-residence”

I hope this is the beginning of a trend. I’ve been saying for years that arts organizations need to find people who can tell their story on all of their various media outlets (including Web sites), rather than depending on traditional news outlets to get the stories out.

You may think that this sounds like a different way of saying that Tim is joining the Pacific Symphony’s marketing department, but I think if you read down in the release, this statement from PS President John Forsythe is the key to the entire new endeavor:

“The decline in traditional media has made it increasingly difficult for arts organizations to get their stories told to wider audiences as well as to reach new audiences. Creating the writer-in-residence position is our personal response to shifts in the media landscape,” Forsyte explains. “Tim Mangan is someone who can tell relevant stories of our art form in compelling, innovative ways, using video, photos and audio, in addition to the written word. I hesitate to use terms like ‘brand journalism’ or ‘content marketing’ about this new role because that is only a part of this position. What Tim brings to this organization is far more creative: his unique voice and extensive experience will evolve the position as he interacts with Pacific Symphony musicians, concertgoers and the greater Orange County community at large. He will help bring greater recognition to the Symphony, our musicians, music education in our schools and the philanthropists who share their resources to make it all happen.”

I’m confident that Tim will be able to pull this off successfully. I hope other groups follow suit.

The complete release follows:

Orange County, Calif.—May 1, 2017—Pacific Symphony today announced the appointment of Timothy Mangan, former classical music critic for The Orange County Register and founder of the blog ClassicalLife.net (created in 2006 to cover Pacific Symphony’s European tour), to the newly created position of writer-in-residence. Mangan is an award-winning nationally renowned journalist who has an established reputation as a cultural thought leader and writes about music with deep knowledge and passion.

Symphony President John Forsyte says, “As writer-in-residence, Tim Mangan will be a collaborative partner in engaging current and new culture-seekers in innovative ways. He is well respected on the Southern California cultural scene and, in fact, on the national scene as well. We’re looking forward to embracing his creativity and sharing it widely with our audiences.”

Mangan joins Pacific Symphony after serving as The Orange County Register’s classical music critic from 1998-2016. He is a contributor to Opera News and the Los Angeles Times, and has also written for the Baltimore Sun, Los Angeles Herald-Examiner, Musical America and Gramophone, among other publications. In 1999, he won an ASCAP Deems Taylor Award for his writing on classical music. In addition, he is co-editor of Paul Bowles on Music, published by the University of California Press. In 2010, the Orange County Press Club named ClassicalLife the best blog in Orange County.

“The decline in traditional media has made it increasingly difficult for arts organizations to get their stories told to wider audiences as well as to reach new audiences. Creating the writer-in-residence position is our personal response to shifts in the media landscape,” Forsyte explains. “Tim Mangan is someone who can tell relevant stories of our art form in compelling, innovative ways, using video, photos and audio, in addition to the written word. I hesitate to use terms like ‘brand journalism’ or ‘content marketing’ about this new role because that is only a part of this position. What Tim brings to this organization is far more creative: his unique voice and extensive experience will evolve the position as he interacts with Pacific Symphony musicians, concertgoers and the greater Orange County community at large. He will help bring greater recognition to the Symphony, our musicians, music education in our schools and the philanthropists who share their resources to make it all happen.”

“I’m grateful for this opportunity and eager to start,” Mangan said. “As a music critic, I’ve been covering the Pacific Symphony since 1989. I reviewed Carl St.Clair’s first concert with the group in 1990 for the L.A. Times. I actually played with the orchestra in the early ’80s. Over the years, I have come to know and admire many of the people who work there and appreciate their innovative approach to presenting classical music. I’m really looking forward to this collaboration.”

“Similar to a composer-in-residence, Tim Mangan will be creating original work for a symphonic organization. But instead of creating original music, as writer-in-residence he will be creating original writing about music,” says Frank Terraglio, the Symphony’s vice president of marketing and public relations. “Among the interesting initiatives Tim will be developing are a Pacific Symphony blog, in-depth articles providing insight into classical music, a digital newsletter and YouTube interviews with Symphony musicians and soloists. We are also discussing the idea of Tim hosting an interactive series of casual conversations about music, so stay tuned for more details.”

Pacific Symphony, led by Music Director Carl St.Clair, celebrates its 38th anniversary this season. The largest orchestra formed in the United States in the last 50 years, it is widely recognized as an outstanding ensemble making strides on both the national and international scene, as well as in its own burgeoning cultural community. The Symphony has played a central role in the phenomenal growth of the performing arts in Orange County. Presenting more than 100 concerts and a rich array of education and community programs, the Symphony touches more than 300,000 Orange County residents each year—from school children to senior citizens.

Facebook Twitter Plusone Pinterest Reddit Tumblr Email

FIVE-SPOT: April 27-May 3, 2007

By Robert D. Thomas
Music Critic
Southern California News Group

Each week about this time I list five (more or less) classical-music programs in Southern California (more or less) during the next seven days (more or less) that might be worth attending. As usual, Saturday requires tough choices this week but Sunday is also chock-full (and I didn’t even include LA Opera’s “Tosca” performance on that afternoon).

APRIL 27, 28 and 29: PACIFIC SYMPHONY
8 p.m. at Renée and Henry Segerstrom Concert Hall; Costa Mesa
Two French Canadians are on the program. Jean-Marie Zeitouni leads music by Mozart, Chopin, Debussy and Ravel. Louis Lortie will be the soloist in Chopin’s Piano Concerto No. 2

Information: www.pacificsymphony.org

APRIL 28, 29 and 30: LOS ANGELES PHILHARMONIC
11 a.m. April 28, 8 p.m. April 29 and 2 p.m. April 30
at Walt Disney Concert Hall; Los Angeles
Swiss conductor Phillipe Jordan will join with soprano Iréne Theorin and the Phil for an evening of portions of Wagner’s Der Ring des Nibelung. Jordan seems like a natural choice for this program, since he is music director of the Paris Opera where he succeeded James Conlon, and has recorded a CD with his Paris forces of this program.

The L.A. Phil concerts will include the excerpts from all four “Ring” operas that one would expect in this type of program. However, because the program also includes the Prelude and Orchestra Interludes from Das Rheingold, the orchestration includes six anvils, six harps, nine horns, two timpani and one hammer.

The climax, literally and figuratively, will find Theorin singing “Brunhilde’s Immolation” scene, the conclusion of Götterdämerung and the entire cycle. Hearing this music with the L.A. Phil on stage at Disney Hall should be one of the season’s highlights, at least for Wagner lovers.

BONUS: Disney Hall is easily reachable (at least if you’re not mobility challenged) via Metro’s Red and Purple Lines. Exit at the 1st and Hill St. side of the Civic Center/Grand Park station and walk up two steep blocks to reach the hall.

Information: www.laphil.com

APRIL 29: PASADENA SYMPHONY
2 p.m. and 8 p.m. at Ambassador Auditorium; Pasadena
Music Director David Lockington will be on the podium for the final concerts in the PSO’s season. The first part of the program includes music by Holst and Vaughan Williams, with the Los Angeles Children’s Chorus. The second half is Beethoven’s Symphony No. 9, with the Donald Brinegar Singers, JPL Chorus and four soloists joining the orchestra in this monumental work.

Information: www.pasadenasymphony-pops.org

APRIL 29: LONG BEACH SYMPHONY
8 p.m. at Terrace Theatre; Long Beach
Robert Istaad, incoming music director of the Pacific Chorale, leads an evening of Mozart: Overture to The Magic Flute; Symphony No. 25; and Requiem, with the Long Beach Camerata Singers and soloists Elissa Johnston, soprano, I-Chin Lee, alto, Nicholas Preston, tenor, and Randall Gremillion, bass.

BONUS: The Terrace Theatre is easily accessible via the Metro Blue Line. Exit at 1st St. in Long Beach, walk a block south and cross the street to reach the plaza where the theatre is located..

Information: longbeachsymphony.org

APRIL 30: PACIFIC SYMPHONY AT SOKA
3 p.m. at Soka University; Aliso Viejo
Music Director Carl St.Clair leads his ensemble in an all-Beethoven program: Piano Concerto No. 5 (“Emperor”), with Joyce Yang as soloist; and the Triple Concerto, with the Faktura Piano Trio (HyeJin Kim, piano, Fabiola Kim, violin and Ben Solomonow, cello) as soloists.

BONUS: This is a great chance to experience one of the region’s unsung concert halls.

Information: www.pacificsymphony.org

APRIL 30: LOS ANGELES MASTER CHORALE
7 p.m. at Walt Disney Concert Hall; Los Angeles
The Los Angeles Master Chorale performs an eclectic collection of spirituals and other music on April 30 at Walt Disney Concert Hall. Artistic Director Grant Gershon and Assistant Conductor Jenny Wong will conduct 48 LAMC singers in a program entitled “Wade in the Water” (the title comes from the spiritual of the same name by Moses Hogan that will be on the program). The program ranges far and wide, including Maurice Duruflé’s Ubi Caritas and Ralph Vaughan Williams’ Mass in G Minor.

BONUS: Disney Hall is easily reachable (at least if you’re not mobility challenged) via Metro’s Red and Purple Lines. Exit at the 1st and Hill St. side of the Civic Center/Grand Park station and walk up two steep blocks to reach the hall.

Information: www.lamasterchorale.org

APRIL 30: BENJAMIN GROSVENOR AT THE WALLIS
7 p.m. at The Wallis Annenberg Center for the Performing Arts; Beverly Hills
The British pianist plays sonatas by Mozart, Beethoven and Scriabin and other works.

BONUS: Grosvernor also appears with the same program on Wednesday at 8 p.m. at Segerstrom Concert Hall in Costa (philharmonicsociety.org).

Information for April 30: www.thewallis.org

APRIL 30: PENINSULA SYMPHONY
7 p.m. at Redondo Union High School; Redondo Beach
The orchestra continues its 50th anniversary season as Music Director Gary Berkson leads a program of suites by Grieg, Prokofiev, Vaughan Williams and Ravel. Baritone Vladimir Chernov will be the soloist in Prokofiev’s Lieutenant Kïjé suite.

BONUS: Free admission.

Information: www.pensym.org

MAY 3: YO-YO MASS, EDGAR MEYER and CHRIS TILE
8 p.m. at Walt Disney Concert Hall; Los Angeles
Three of the world’s most celebrated soloists play a series Bach Trios, arranged for cello, string bass and mandolin.

BONUS: Disney Hall is easily reachable (at least if you’re not mobility challenged) via Metro’s Red and Purple Lines. Exit at the 1st and Hill St. side of the Civic Center/Grand Park station and walk up two steep blocks to reach the hall.

Information: www.laphil.com
_______________________

(c) Copyright 2017, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

Facebook Twitter Plusone Pinterest Reddit Tumblr Email

FIVE-SPOT: April 6-9, 2017

By Robert D. Thomas
Music Critic
Southern California News Group

Each week about this time I list five (more or less) classical-music programs in Southern California (more or less) during the next seven days (more or less) that might be worth attending.

APRIL 6-8: PACIFIC SYMPHONY
8 p.m. at Renée and Henry Segerstrom Concert Hall, Costa Mesa
Music Director Carl St.Clair leads the Pacific Symphony in the orchestra’s annual American Composers Festival, which this year features Peter Boyer’s Ellis Island: The Dream of America, along with John Adams’ The Darma at Big Sur and Frank Tichelli’s Blue Shades. Alan Chapman offers a preview one hour before each performance.

BONUS: The April 7 and 8 performances are being taped for a future broadcast on PBS’ “Great Performances” series. The Boyer piece will be played as a stand-alone program on April 9.

For an excellent preview by OC Register staff writer Paul Hodgins, click HERE.

Information: www.pacificsymphony.org

APRIL 6, 8 AND 9: LOS ANGELES PHILHARMONIC
8 p.m. on April 6. 2 p.m. on April 8 and 9
at Walt Disney Concert Hall, Los Angeles
Former L.A. Phil Music Director Esa-Pekka Salonen (now the orchestra’s Conductor Laureate) leads the Phil in an all-Sibelius program: Symphony Nos. 6 and 7; Finlandia; and Six Humoresques, Op. 89, with Principal Concertmaster Martin Chalifour as soloist.

BONUS: Disney Hall is easily reachable (at least if you’re not mobility challenged) via the Red and Purple Lines. Exit at the 1st and Hill St. side of the Civic Center/Grand Park station and walk up two steep blocks to reach the hall.

Information: www.laphil.org

APRIL 7-8: NEW WEST SYMPHONY
April 7 at 8 p.m. at Oxnard Performing Arts Center, Oxnard
April 8 at 8 p.m. at Thousand Oaks Performing Arts Center, Thousand Oaks
Kynan Johns, the latest in a line of guest conductors vying to become the orchestra’s next music director, leads Berlioz’ Symphonie Fantastique; and Poulenc’s Gloria, with soprano So Young Park and the Cal Lutheran University Choral Ensembles.

Information: www.newwestsymphony.org

APRIL 9: “FEEL THE SPIRIT” — LCPC CHANCEL CHOIR AND ORCHESTRA
2 p.m. at La Cañada Presbyterian Church, La Cañada
Music Director Jack Lantz leads his choir and orchestra (each of which numbers 60 performers) in a concert of famous American hymns, songs and spirituals. Disclaimer: my wife and I sing in the choir, so feel free to take this recommendation with a grain of salt or a pound of salt, as the late, great Molly Ivins used to say.

Seven of the spirituals were arranged by English composer John Rutter, who is far better known for his Christmas carol settings, but these arrangements are a winner!

BONUS: Free Admission (freewill offering with a suggested donation of $20; everyone who donates any amount and fills out a form will receive a CD of the concert later).

Information: www.lacanadapc.org

APRIL 9: CALDER QUARTET
4 p.m. at The Broad Stage, Santa Monica
The Broad’s Artists-in-Residence play Beethoven’s String Quartets Nos. 2, Op. 18, No. 2 and 8, Op. 59, No. 2, and the world premiere of Andrew McIntosh’s wrestle, stain, whistle and pound.

BONUS: The McIntosh piece is one of several that are being commissioned for this series, inspired by the Op. 59 quartets.

The Broad Stage can be reached via Metro’s Expo Line. Exit at the 17th St./SMCC station and it’s about a 10-minute walk from there.

Information: www.thebroadstage.com
_______________________

(c) Copyright 2017, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

Facebook Twitter Plusone Pinterest Reddit Tumblr Email

NEWS: Pacific Symphony’s 2017-2018 season includes Carnegie Hall debut and more

By Robert D. Thomas
Music Critic
Southern California News Group

Sometimes the most intriguing parts of a season announcement are not what management thinks is the lead item but what’s buried inside the release. It may be a particularly interesting soloist, an up-and-coming guest conductor, or an unusual piece to be performed.

Case in point: the Pacific Symphony, which announced its 39th season with a lengthy release emailed to the media yesterday. The lead was obvious: the orchestra will make its Carnegie Hall debut on April 21, 2018, the final event in the iconic New York City hall’s yearlong celebration of Philip Glass’ 80th birthday.

However, buried among the season details are a couple of fascinating conducting debuts.

On Oct. 19, 20 and 21 André Previn makes his PS debut in a program beginning with the West Coast premiere of his own ZZZAlmost an Overture,ZXZ which will receive its premiere as the first piece of the inaugural season of the Newport Contemporary Music Festival this July. The now-87-year-old Previn will conclude the PS program with Rachmaninoff’s Symphony No. 2, which he recorded decades ago when he was principal conductor of the London Symphony.

The backstory of Previn’s appearance, of course, is that it is not with the Los Angeles Philharmonic. Previn became the Phil’s music director in 1985, succeeding Carlo Maria Giulini but resigned in 1989, reportedly after clashing with the Phil’s Executive VP and General Manager Ernest Fleischmann. It’s been decades since Previn has returned to conduct the Phil, although that may change when the LAPO releases its 2017-2018 season on Tuesday.

Another interesting PS conducting debut is Ben Gernon, who was a 2013-1014 Gustavo Dudamel Fellow with the LAPO and has just been named Principal Guest Conductor of the BBC Philharmonic in England. Gernon will lead the PS concerts on May 31, June 1 and 2.

Carl St.Clair, who begins his 28th season as the Pacific Symphony’s Music Director, will lead eight of the 12 weeks on the subscription seasons, plus a one-time concert featuring Joshua Bell as soloist in Sibelius’ Violin Concerto. He will also conduct the Carnegie Hall concert.

Among the season’s soloists will be violinist Anne Akiko Meyers, who will play Morten Lauridsen’s arrangement of his famous choral work, ZZZO Magnum Mysterium,ZXZ on the season’s final concerts on June 14, 15 and 16.

Read Paul Hodgins’ report in the Orange County Register HERE.
________________________

(c) Copyright 2017, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

Facebook Twitter Plusone Pinterest Reddit Tumblr Email

PREVIEWS: Adams celebration, Pacific Symphony, L.A. Phil kick off January programs

By Robert D. Thomas
Music Critic
Southern California News Group

In addition to Los Angeles Chamber Chorus’ “Life Every Voice” festival (LINK), which begins Jan. 14, and two previously noted Los Angeles Philharmonic programs (LINK), two other noteworthy events are worth mentioning as I get back into my biweekly column routine for 2017.

ADAMS CELEBRATION AT VPAC
Composer John Adams turns age 70 on Feb. 14 and, as has been noted in other columns and Blog posts, the Los Angeles Philharmonic is paying tribute to its Creative Chair throughout the current season. However, it’s not the only organization honoring Adams.

The Valley Performing Arts Center in Northridge has a mini-festival that kicks off on Jan. 14. Entitled “American Berserk” and also presented by Jacaranda Music, the Santa Monica-based contemporary music organization, this concert ends with three Adams pieces: American Berserk, a short piano piece; John’s Book of Alleged Dances, originally written for the Kronos Quartet; and Grand Pianola Music, one of Adams’ best-known works.

The concert also includes music by Louis Marie Gottschalk, Scott Joplin, Art Tatum, Duke Ellington, Theolonius Monk and Colon Noncarrow.

Performers will include Christopher Taylor, piano; the Lyris Quartet with four dancers; the Jacaranda Chamber Orchestra (Mark Alan Hilt, conductor) with Gloria Cheng and Taylor pianos; Holly Sedillos, soprano; Zanaida Robles, soprano; and Kristen Toedtman, alto.

Other VPAC programs during the Adams celebration will take place on Feb. 3 and 15. Information: www.valleyperformingartscenter.org

PACIFIC SYMPHONY IN RUSSIAN PROGRAM

Music Director Carl St.Clair will lead the Pacific Symphony on Jan. 12, 13 and 14 at Renée and Henry Segerstrom Hall in Costa Mesa. The program will pair Prokofiev’s Symphony No. 5 with Tchaikovsky’s Piano Concerto No. 1, with 25-year-old Chinese pianist Haochen Zhang as soloist. On Jan. 15 the program is solely the Prokofiev symphony. Information: www.pacificsymphony.org
________________________

(c) Copyright 2017, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

Facebook Twitter Plusone Pinterest Reddit Tumblr Email