AROUND TOWN/MUSIC: Dudamel returns to the Bowl

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
This article was first published today in the above papers.

Hollywood Bowl occupies a significant place in the life of the Los Angeles Philharmonic. For nearly a century, concerts have been ongoing in the venerable Cahuenga Pass amphitheatre, which has undergone major facility renovations throughout that time.

The Bowl is a Southern California tradition and an iconic symbol of Los Angeles. Moreover, revenue from the outdoor season gives the orchestra the financial flexibility to keep moving forward as one of the world’s most progressive ensembles.

Some of the Phil’s music directors have barely tolerated performing at the Bowl, but Gustavo Dudamel — the ensemble’s 11th and current leader — is decidedly different. The Bowl was where Dudamel made his U.S. debut on Sept. 13, 2005 and where four years later, he first conducted the Phil as its music director in a free, eclectic concert that concluded with Beethoven’s Symphony No. 9.

He speaks often and lovingly about making music for large masses of people under the stars at the Bowl and each summer he has returned to conduct there. Moreover, he has revived a tradition of opera at the Bowl that is nearly as old as the facility itself. His first concert this season next Sunday will be a performance of Verdi’s Aida, a logical choice since 2013 is the bicentennial of the Italian composer’s birth.

Kiev native Liudmyla Monastyrska will sing the title role, aided by a strong supporting cast including Jose de León as Radames, Eric Owens as Amonasro and Michelle DeYoung as Amneris. The Los Angeles Master Chorale will supply the important choral sections.

The concerts on Aug. 13 and 15 will be performances of Verdi’s Requiem, with Dudamel leading the Phil and Master Chorale, along with soloists Julianna Di Giacomo, soprano, Michelle DeYoung, mezzo-soprano, Vittorio Grigolo, tenor, and Ildebrando D’Arcangelo, bass.

The Aug. 16 and 17 concerts represent another Bowl tradition: the annual “Tchaikovsky Spectacular” concerts. Begun nearly a half-century ago, these were where the Phil’s management discovered the lucrative draw that fireworks concerts represent. Few, if any, groups do pyrotechnics choreographed to music better than the Phil and its technical team, now headed by Paul Souza.

However, the “Tchaikovsky Spectacular” tradition seems to be struggling a bit. True, the program will conclude, as always, with the 1812 Overture, aided by the Santa Clara Vanguard Drum & Bugle Corps, and Pacific Crest, marching bands. However, as of last Thursday, the balance of the program had not been announced and the conductor, Robert Moody, is a relatively young (46), relatively unknown (at least on this coast) maestro. On the other hand, that’s what we all thought about a young Venezuelan conductor named Gustavo Dudamel when he made his Bowl debut nearly eight years ago.


(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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