Five-Spot: What caught my eye on December 8, 2011

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

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Each Thursday morning, I list five events that pique my
interest, including (ideally) at least one with free admission (or, at a minimum,
inexpensive tickets). This weekend offers a plethora of opportunities, so
there’s more than five listed.

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Tonight and
tomorrow at 8 p.m. Sunday at 2 p.m. at Walt Disney Concert Hall

Los Angeles
Philharmonic; Thomas Wilkins, conductor

The Getty Museum has spearheaded a major collection of
events under the umbrella of “Pacific Standard Time” and these concerts are the L.A. Phil’s contribution. Wilkins, who
is principal conductor of the Hollywood Bowl Orchestra, leads a program of
music ranging from Eric Wolfgang Korngold to John Williams. Zull Bailey will be
the soloist in Korngold’s Cello Concerto (which was featured in the Bette Davis
film, Deception). This is a rare
opportunity to hear movie music played in the wonderful Disney Hall acoustics. Info:
www.laphil.com

 

Friday at 8 p.m.
Saturday at 2 p.m. and 8 p.m. Sunday at 2 p.m. and 7 p.m. at Pasadena Playhouse

Opera Posse: Amahl and the Night Visitors

Opera Posse picks up from the now-shuttered Intimate Opera
Pasadena in presenting this familiar one-act opera, written by Gian Carlo
Menotti in 1951 for NBC television. Last year’s presentation was one of the
season’s highlights and this year’s production features most of the artists who
brought it to life, including Director Stephanie Vlahos and set designer John
Iacovelli. The cast includes noted mezzo-soprano Suzanna Guzmn as the mother
and Caleb Glickman in the title role. As was the case last year, actor Malcolm
McDowell will intro the opera by reading Dylan Thomas’ A Child’s Christmas in Wales. Michelle J. Mills’ article in last
week’s Star-News is HERE. Concert Info: www.operaposse.com

 

Saturday at 8 p.m.
at Alex Theater (Glendale); Sunday at 7 p.m. at Royce Hall (UCLA)

Los Angeles Chamber
Orchestra; Jeffrey Kahane, conductor

Kahane returns to the LACO podium to lead a program that
includes music by Ravel, Respighi and Thomas Ades. Cellist Ralph Kirshbaum will
be the soloist in Tchaikovsky’s Variations
on a Rococo Theme.
This is the first of two major appearances by Kirshbaum
this season; he will also be on a Los Angeles Philharmonic program March 15
playing the Dvorak Cello Concerto as part of the Piatagorsky International
Cello Festival (LINK). LACO info: www.laco.org

 

Saturday at 8 p.m. at
Walt Disney Concert Hall

Boston Symphony
Orchestra; Ludovic Morlot, conductor

The famed BSO makes its first Los Angeles appearance in 20
years bringing a program of music by John Harbison, Ravel and Brahms. Gil
Shaham will be the soloist in Brahms’ Violin Concerto. It’s also a chance to
take the measure of Morlot, who took over the season as music director of the
Seattle Symphony from retiring Gerard Schwarz and may be a candidate to succeed
James Levine as the BSO’s music director. Info:
www.laphil.com

 

Handel’s Messiah

There are several opportunities this season to partake of
this ultra-familiar but still beloved oratorio that tells the story of the life
of Jesus Christ. A (not complete) list includes:

 

Saturday at 7:30
p.m. at First United Methodist Church, Pasadena

Angeles Chorale and Da Capo Players Chamber Orchestra,
conducted by Donald Neuen. Info: www.angeleschorale.org

 

Sunday at 3 p.m. at
Segerstrom Concert Hall, Costa Mesa

Pacific Symphony and Pacific Chorale; Christian Knapp,
conducting. Info: www.pacificsymphony.org

 

Monday at 7:30 p.m.
at Walt Disney Concert Hall

Los Angeles Master Chorale “Messiah Sing-Along.” If you’ve never done one of these, it’s a
fantastic way to experience this famous work. The audience joins with the
Master Chorale in the choruses — or you can just listen and be surrounded by
sound. Bring your own score or buy one for $10. Info: www.lamc.org

 

Tuesday and
Wednesday at 8 p.m. at Walt Disney Concert Hall

Philharmonia Baroque and Philharmonia Chorale; Nicholas
McGegan, conductor. Info: www.laphil.com

 

And the weekend’s “free admission” program …

 

Saturday at 7:30
p.m. at Pasadena Presbyterian Church

66th
annual Candlelight and Carols Concert

All of the church’s choirs participate in this annual event,
which also features plenty of audience caroling. The featured work on the
program is Veni Emmanuel by local
composer Elizabeth Ann Sellers, with the Kirk Choir and Friends of Music
Orchestra conducted by Timothy Howard. (Full disclosure: I sing in two of the
choirs participating.) Information: www.ppc.net

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(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Orchestras in the holiday season

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

A shorter version of
this column published today in the above papers.

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Because the holiday season is dominated by choral music,
orchestras have, in the past, tended to shy away from programs in December
unless they were holiday-theme oriented (e.g., Handel’s Messiah). This year, things are different.

 

Esa-Pekka Salonen, who music director of the Los Angeles
Philharmonic for 17 years, is in town for two weeks of concerts with his old
band (his L.A. Phil title is now Conductor Laureate). Today he’s leading
Beethoven’s Leonore Overture No. 2 and Piano Concerto No. 2, with an old
friend, Emmanuel Ax, soloing in the concerto (which, despite its number, was
actually the first piano concerto that Beethoven wrote).

 

The second half of the program is Sirens by Swedish composer Anders Hillborg. Soprano Hila Plitmann
and mezzo-soprano Anne Sofie von Otter join the orchestra and Los Angeles
Master Chorale in the work, which is based on The Siren Song from Homer’s The
Odyssey
and is receiving its world premiere this weekend. (Read my review
of Friday’s performance HERE.)

 

Salonen is leading another world premiere Friday, Saturday
and next Sunday: the Prologue to Shostakovich’s Orango, an unfinished satirical opera that the composer sketched in
1932 while he was writing his opera Lady
Macbeth of the Mtsensk District
. Only the 40-minute Prologue was
completed in piano vocal score, which was discovered in 2006. The Phil, a large
group of soloists, and the Master Chorale will present the work, orchestrated
by English composer Gerard McBurney and staged by Peter Sellars. The program
concludes with Shostakovich’s Symphony No. 4.  I have more on this concert at the bottom of the review
posted above and I’ll add more details on my “Five-Spot” post on Thursday.

 

On Dec. 8, 9 and 10, Thomas Wilkins — principal conductor of
the Hollywood Bowl Orchestra — leads the Phil in a program of movie music as
the orchestra’s contribution to the “Pacific Standard Time” series under the
auspices of the Getty Museum. Information: www.laphil.com

 

Elsewhere on the orchestral front:

The Pasadena
Symphony
will get into the holiday spirit with a candlelight program
Saturday at 7 p.m. at All Saints Church, Pasadena. Grant Cooper, artistic
director and conductor of the West Virginia Symphony, will conduct the PSO,
vocalist Lisa Vroman, the Los Angeles Children’s Chorus, Donald Brinegar
Singers and L.A. Bronze (a handbell ensemble) in an eclectic program of holiday
music. Information:
www.pasadenasymphony-pops.org

 

The Colburn
Orchestra
continues its season next Saturday at 7:30 p.m. at Ambassador
Auditorium as guest conductor Gerard Schwarz leads the ensemble in Mahler’s
Symphony No. 5 and Takemitsu’s From Me
Flows What You Call Time,
with a local percussion ensemble, Smoke and
Mirrors, as soloists in the Takemitsu piece. For Schwarz, it’s something of a
homecoming. Prior to becoming music director of the Seattle Symphony, Schwarz
held a similar position with the Los Angeles Chamber Orchestra, which used to
perform in Ambassador. Information: www.colburnschool.edu

 

Music Director Jeffrey Kahane will lead his Los Angeles Chamber Orchestra on Dec.
10 at the Alex Theater in Glendale and 11 at Royce Hall, UCLA. Cellist Ralph
Kirshbaum will be the soloist in Tchaikovsky’s Variations on a Rococo Theme for cello and orchestra. The program
also includes music by Ravel, Respighi and Thomas Ads. Information: www.laco.org

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(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.