AROUND TOWN/MUSIC: L.A. Phil and others open 2014-2015 seasons

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this article was first published today in the above papers.

Dudamel-9-29-13Less than three weeks after concluding its Hollywood Bowl summer season, the Los Angeles Philharmonic will open its 2014-2015 season this week at Walt Disney Concert Hall as Music Director Gustavo Dudamel (right) leads the annual gala concert on Sept. 30 and the first two weekends of subscription concerts beginning Oct. 2.

During his sixth season as the Phil’s music director, Dudamel, now age 33, will conduct 12 subscription programs during the upcoming season along with Tuesday’s gala. Dudamel will also lead the orchestra on an Asian tour in March 2015.

The gala (which benefits the musicians’ pension fund) will honor legendary movie score composer John Williams, whose 49 Academy Awards are second only to Walt Disney. Dudamel will conduct music ranging from familiar (Star Wars) to less-well-known scores (The Adventures of Tintin). Violinist Itzhak Perlman will be the soloist in excerpts from Schindler’s List and Fiddler on the Roof.

Information: www.laphil.com

The opening week of LAPO subscription concerts (Oct. 2, 3, 4 and 5) will begin with the U.S. premiere of man made by Pulitzer Prize-winning composer David Lang. The quartet “Sō Percussion” will be the soloist in the concerto, a L.A. Phil co-commission that was written for the quartet and premiered last May in London. This will be one of 10 L.A. Phil-commissioned works in the upcoming season.

So_Metronomes_smallIn his program note, Lang wrote: “I have worked with Sō Percussion (pictured left) for a very long time now. They are frequently theatrical, they invite found objects into their performances, they build their own instruments, etc. I wondered if I could make the unusualness of their musicality the centerpiece of this concerto, but how could an orchestra of ‘normal’ instruments doing mostly ‘normal’ things find common ground with them?”

“My solution,” continues Lang, “was to set up a kind of ecology between the soloists and the orchestra, using the orchestral percussionists as ‘translators.’ An idea begins with the soloists on an invented instrument, the percussionists in the orchestra hear the solo music and translate it into something that can be approximated by more traditional orchestral percussion, the rest of the orchestra hears and understands the orchestral percussion, and they join in.

“The opening, for example begins with the soloists snapping twigs, which the orchestral percussionists translate into woodblocks, marimba, and xylophone, which the orchestra takes up and embellishes, eventually overwhelming the soloists. This process of finding something intricate and unique, decoding it, regularizing it, and mass producing it reminded me of how a lot of ideas in our world get invented, built, and overwhelmed, so I decided to call it man made.”

This weekend’s concerts will conclude with Mahler’s Symphony No. 5, a work that Dudamel has conducted and recorded with his Simón Bolivár Symphony Orchestra of Venezuela. However, this marks the first time that he has conducted it with the Phil.

KUSC’s Brian Lauritzen has a concert preview HERE.

Information: www.laphil.com

The second week of subscription concerts (Oct. 9, 10, 11 and 12) will find Dudamel conducting John Adams’ Harmonium, along with Beethoven’s Choral Fantasy and Piano Concerto No. 5 (Emperor). Pianist Leif Ove Andsnes and the Los Angeles Master Chorale will be the soloists.

INFORMATION: www.laphil.com

Two other L.A. Phil series begin during the upcoming fornight. Sō Percussion and LAPO percussionists will open the Phil’s “Green Umbrella” series of new-music concerts on Tuesday at 8 p.m. in Disney Hall, performing music by David Lang and Michael Gordon, co-founders of the group “Bang on a Can.”

Information: www.laphil.com

Meanwhile, the Phil’s organ series, celebrating the 10th anniversary of the Disney Hall instrument, will open Oct. 12 at 7:30 p.m. Organist Christopher Houlihan, LAPO Principal Timpanist Joseph Pereira and members of the orchestra’s brass section will offer a selection of music ranging over four centuries.

Information: www.laphil.com

HEMIDEMISEMIQUAVERS:
• The “Green Umbrella” and organ recital concert are part of a new Phil new ticketing policy where a limited number of seats are offered for $20. They are available online, by phone and in person at the box office. INFO

• The opening concerts also mark the resumption of “FastNotes,” the orchestra innovative informational effort. You sign up for a Phil email account (no charge) and a few days before each concert you get an email with program notes, bios, links, audio samples and ticketing information about the event. A few other organizations have similar programs but none as good as the Phil’s. LINK

• The Phil has also announced that Danish conductor Christian Kluxen and New Zealand native Gemma New will participate in this season’s Dudamel Fellowship Program. This program has shrunk during the past two years, going from four Fellows in 2012-13 to three last season and now two. However, LAPO Director of Public Relations Sophie Jeffries reports: “There is no fixed number for how many Dudamel Fellows are announced each year. It has to do with identifying young conductors to take part and also their availability.”

Lluxen leads the Philharmonia of London’s “iOrchestra” project and just finished a three-year stint as Assistant Conductor of the Royal Scottish Orchestra. New is Associate Conductor of the New Jersey Symphony and Founder and Director of the Lunar Ensemble, a contemporary music collective in Baltimore.

Read the media release HERE.

• The Phil also recently named Lithuanian native Mirga Gražinytė-Tyla, a Dudamel Fellow two seasons ago, as the orchestra’s Assistant Conductor. Read the media release HERE.

ALSO UPCOMING:
Two of the Southland’s — indeed, the nation’s — premiere youth orchestras open their seasons during the next fortnight.

• Roger Kalia begins his final season as music director of the Young Musicians Foundation Debut Orchestra on Oct. 5 at 7:30 p.m. at the Aratani/Japan American Theater in Little Tokyo. The program, which celebrates 60 years for the YMF, will feature flutist Catherine Baker and soprano Solène Le Van as soloists; both were Special Recognition winners in the recent YMF Debut Concerto Competition. Tickets are $5. Information: www.ymf.org

• Meanwhile, the American Youth Symphony kicks off its 50th anniversary season with a free concert on Oct. 12 at 7 p.m. in UCLA’s Royce Hall. Music Director Alexander Treger leads his ensemble — 107 musicians, ages 15 to 27, representing 26 schools — in Mahler’s Symphony No. 5 and the world premiere of Henri Lazarof’s Cello Concerto No. 4. Alan Steele, who at age 21, departed the AYS to become principal cellist of the Fort Worth Symphony, will be the concerto soloist. Information: www.aysymphony.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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NEWS AND LINKS: Jorge Mester named artistic director of Young Musicians Foundation

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

The revision is to correct the location of the Nov. 6 concert.

 

54337-MesterImage-thumb-160x240-54336.jpg

Jorge Mester, who for 25 years was music director of the Pasadena
Symphony, has been named artistic director of the Young Musicians Foundation and
its Debut Orchestra. The 76-year-old Mester will continue in his current
positions as Music Director of the Louisville Symphony and Naples (Fla.)
Philharmonic, although the Louisville ensemble is embroiled in a major
financial struggle at the moment.

 

Founded in 1955 and based in Los Angeles, the YMF is one of
the nation’s top pre-professional training orchestras. Its list of former music
directors includes such illustrious names as Andr Previn, Myung-Whun Chung and
Michael Tilson Thomas.

 

Last week, the its most recent maestro, Case Scaglione, was
named an assistant conductor of the New York Philharmonic, joining Joshua
Weilerstein, who was a Dudamel Fellow with the Los Angeles Philharmonic last
year, in that post assisting Music Director Alan Gilbert (MORE).

 

Scaglione’s YMF predecessor, Sean Newhouse, is now assistant
conductor of the Boston Symphony. Last season he won praise from audiences and
critics alike when he stepped in on two hours notice to replace James Levine
and conduct Mahler’s Symphony No. 9 with the BSO (MORE).

 

Thus, Mester (who has served on the YMF Advisory Board for
12 years) takes his new position at a propitious time for the organization. He
will help select and mentor the YMF’s next music director (it’s usually a
three-year appointment) and is preparing an expanded conductor program where he
will serve as a mentor for those people, as well. He will also supervise
auditions for the orchestra’s new musicians next month.

 

It’s a role for which Mester is eminently suited. He headed
the conducting program at The Juilliard School in New York City in the 1980s, taught
conducting at the USC Thornton School of Music, and was the Aspen Festival’s
artistic director for many years (he is now conductor laureate there). Several
conductors heading orchestras today, including JoAnn Falletta (Buffalo
Philharmonic) count Mester as a mentor. During his time with the Pasadena
Symphony, he also introduced to local audiences a number of young artists who
have gone on to major careers, perhaps most notably the violinist Midori.

 

In addition to his shepherding and teaching work, Mester
will conduct one of the YMF’s six free concerts during the upcoming season,
leading the orchestra in John Adams’ Shaker
Loops
and Bizet’s Symphony in C Major at 6 p.m. on Nov. 6 at the Los Angeles County Art Museum’s Bing Theater.

 

Read Janette Williams’ article in the Pasadena Star-News HERE.

The YMF media release is HERE.

The 2011-2012 YMF Debut Orchestra season is HERE.

_______________________

 

(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

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