In the local history category, Wednesday’s column recounts the story of Salsbury scooters, a beloved brand that was briefly made in Pomona, in a factory that was highly touted but, sad to say, quickly failed.
By the way, trying to get a photo in which I was not reflected in the glass of the picture Jeff Hodge is holding was tough! This one, in the shade, was fine, and you can see the scooter art, but you can’t see much of the factory building.
A movie to be titled either “Callahan” or “Don’t Worry, He Won’t Get Far on Foot” did some filming in late March in downtown Pomona. Stars are Joaquin Phoenix and Jonah Hill; director is Gus Van Sant. So it’s an actual movie, not one of those no-budget indie things that’s never released. It’s about a real-life cartoonist, John Callahan, who turned to drawing after a car accident at age 21 made him a quadriplegic; the funny title is that of his autobiography.
Assuming Phoenix was in town (*update: I’ve since seen a photo of him downtown), this would be his second time: He filmed an exterior scene for “Inherent Vice” on Second Street in 2013. Two visits? This means Joaquin Phoenix has been to downtown Pomona more often than some people who live in Pomona.
Photographer Ren sent me a few shots. The ones that grabbed me were of the former restaurant at the corner of Main and Third streets, transformed for the filming into a pie shop. Click on the images for a slightly larger view.
Once Chung King, and later Casa Jimenez and El Patrona, the space was turned into a lobster restaurant for the filming of a TV pilot, “White Sheep,” in March 2016. A few would-be customers lined up outside thinking it was real, despite the cameras moving around. Alas, it was no more real than the pie shop. (The series is still listed as being in development.)
The pixie dust is gone now and the restaurant is back to being La Patrona — and closed.
As usual, many singers and bands performing at Coachella next month will also give concerts in Pomona. I’ve got a list. I’ve also got other items from around the valley, a couple of them about music for the older set. That’s all in Friday’s column.
“It’s done, stick a fork in it. Yay, I’ve successfully eaten at all 56 currently open eateries on Garey Avenue…” he begins. He ends with a note that starts like this: “Thus ends the GREAT ADVENTURE. I hope that you’ve enjoyed following as I visited some good, some mediocre, some questionable, and some exciting spots along Pomona’s main north-south corridor.”
He may continue blogging, but about random restaurants around town about which he’s curious, or even about other matters. For now, he says, he’s going to take a well-deserved break from worrying each week about getting to the next restaurant up the street.
My column about our interview at Los Jarritos about his project can be read here. The photo above is from Los Jarritos as John prepares to take a photo of his food.
To check out the sad state of the Pomona City Stable recently, the 1909 brick building that’s collapsing, I drove down White Avenue, parked along Second Street and strolled down the sidewalk on the east side of White under the railroad overpass for a better look at the structure on the opposite side of the street.
The east side is where I noticed this piece of concrete (below) that’s newer than the original 1960s sidewalk. It’s full of the kind of graffiti that gets drawn into wet cement, with “1982” written in one corner (partly visible in the photo).
The best readable graffiti (seen above): “The Go-Go’s forever.” Now that’s 1982!
Just under that: “I’m too hip.”
The 1909 Stable may or may not survive, but as far as history goes, at least there’s this fun 1982 sidewalk…
John Clifford, a regular on this blog, is also the blogger behind Eating Garey Avenue, in which he’s been documenting his quest to eat at every restaurant on that Pomona street. He’s almost done. I offer early congratulations via Wednesday’s column. Above, Clifford takes photos of his plate at Los Jarritos while “the lovely Mrs. C,” as he calls his wife, Deborah, watches.
A man’s quest for photos of his late wife led him to the Pomona Public Library, where a vast collection of photo negatives turned up a packet of photos from their 1957 wedding. The story makes up Sunday’s column, an early Valentine’s Day edition. Above, senior librarian Pat Lambert holds up one of the negatives; below, a scan of one of the negatives, showing Jess Kraus and his bride, Janet.
Jokes about Pomona were such a staple of 1930s entertainment that top-rated radio comic Fred Allen mocked them. Dialogue from one of his shows offers a fascinating glimpse of the times. That leads off Wednesday’s column, followed by Culture Corner items and more.
This ad from the Sept. 3, 1954 Pomona Progress-Bulletin would seem to settle a trivia question. Because McDonald’s, which was established Dec. 12, 1948 by the McDonald brothers in San Bernardino, opened restaurants in Pomona and Azusa that month, it’s been unclear which was the seventh and which was the eighth.
Give Pomona the bragging rights. The ad proclaims: “Our New Pomona Unit is the 7th in the McDonald system that will soon be coast to coast.”
The ad also pins down the date the Pomona location was to open: that very day, Sept. 3. Ideally, someday someone will look through microfilm of whatever newspaper served Azusa to find an ad for the opening of its McDonald’s. * Update: Someday is now: Hank Fung pinned down Azusa’s opening to Sept. 17, 1954, based on a newspaper story in the Azusa Herald. The story says Azusa’s would be the eighth. See below.
Thanks to the Pomona Public Library’s Allan Lagumbay for finding the Prog ad. Click on it for a larger version. Some of the text is amusing by modern standards. Its french fries would be “heat protected by infra-red lights” — gosh!
McDonald’s history has been featured previously on this blog here and here.
A SoCal Honda Dealers commercial shows a donation of shop equipment to an artist who makes simple wooden cars out of scrap for children. He’s unnamed, but he’s Richard E. Nunez of Pomona, who goes by the nickname Ren.
After scrap became scarce, Nunez tells me, he wrote Honda asking for wood when the dealers group solicited pitches on Twitter. The Helpful Honda Guys responded within two weeks and came out to his house.
The filming lasted all day but was enjoyable. (The cameraman, he said, worked on “The Da Vinci Code.”) The equipment he got was “like a mini-Home Depot … table saw, two hand sanders, skill saw, different kinds of paint, all sorts of different sizes of wood, paint brushes. The list goes on and on.” He was also paid for the commercials, done in English and Spanish.