Wednesday’s column starts with the news that humorist David Sedaris will speak Nov. 19 in Claremont. (His book “Me Talk Pretty One Day” is referenced in the headline.) After that: four Ontario items and two cultural items. And a note that I’m on vacation this week. Columns and regular posting here will resume next week.
Remember the Gallery Theatre? You might if you lived here sometime between 1967 and 1989. First in Upland and then, for 19 years, in Ontario, the theater had popular, family-friendly productions like “South Pacific” and “Fiddler on the Roof.” Co-founder Mark Shipley recalls the times he had in an interview in my Friday column.
Dee Marcellus Cole is the subject of Sunday’s column, as I profile the visual artist who is very connected to downtown Pomona despite being a longtime Uplander. Above is Cole in her backyard; below, she’s with the mannequins on the roof mentioned in the column.
Saturday yours truly headed west to the Los Angeles County Museum of Art to see the debut of Chris Burden’s final (?) work, “Ode to Santos Dumont.” Named for the inventor of the dirigible, Burden’s piece sends a vinyl zeppelin in a 60-foot circle, powered by a tiny gasoline motor and propeller attached to an Erector-set undercarriage.
I was among the 200 or so folks in the first group at noon. Watch a 60-second video of the dirigible’s first loop.
It was charming, each pass offering a fresh look. But I have to say, 15 minutes is a long time to watch something this repetitive, and many drifted away after 8 or 10 minutes. Some of us stuck it out purely to see the end, when the engine stopped, the balloon made one final loop under its own momentum, and the two minders came out to gently lower the undercarriage into its movable cradle. They got a round of applause.
“Ode” is at LACMA through June 21 and is included in the admission price.
While at LACMA, I made sure to see Burden’s two permanent installations: “Urban Light,” below, and “Metropolis II,” at bottom. I also shot a video of the latter.
Artist Chris Burden, who died Sunday at age 69, is a Pomona College alumnus, class of ’69, whose early sculpture “Untitled Sculpture” is on permanent display at the college. Above and below are views of the piece, with a plaque in the lawn giving Burden the credit.
My Wednesday column is about Burden, and there’s an accompanying video that I shot Tuesday morning at the sculpture. The college’s statement about Burden is here. Two more links, both to the LA Times: his obituary by art critic Christopher Knight and an appreciation of “Urban Light” and Burden by architecture critic Christopher Hawthorne.
Below are his two best-known works, “Urban Light” and, at bottom, “Metropolis II.” A video of the latter can be seen here.
Sunday’s column is a profile of Claudia Rankine, a Claremont poet whose book “Citizen” is receiving national attention and acclaim. She’ll be reading from her work at 4:30 p.m. Monday at Little Bridges (Bridges Hall of Music) in Claremont.
Let me say, there are few subjects more nerve-wracking for me to write about than a writer, especially knowing they’ve been written about by national publications. She may not care one way or the other, or even read what I wrote, but I always put extra pressure on myself to do a good job (or at least not embarrass myself)!
Remember Penny Lane Records? I do: I used to visit its Colorado Boulevard store back when Old Town Pasadena was interesting, and it had a bunch of other stores around L.A. I thought it was out of business until a couple of years ago, when a reader alerted me Penny Lane had a small store and Internet business in, of all places, an Upland industrial park. It took me until now to visit, but that’s okay, as Saturday, Penny Lane is participating in its first Record Store Day.
Steve Bicksler, pictured above and below, founded the store in 1985 and, three decades later, is still hanging in there, now as the sole employee. The tenacious store’s new and old lives are explored in Friday’s column.
I saw 32 new or new-ish movies last year, which puts me somewhere in between diehard moviegoers and dabblers. I have movie-loving friends who see nearly everything that comes out and others who are Netflix-only.
So, take my list with a grain of salt as always. I produce them anyway, since 2010 (here’s last year’s), because they’re fun to do, they might turn you on to a movie you hadn’t known of or seen, and you can chime in with your own likes and dislikes.
I’ve listed every movie I saw, so if you don’t see a title listed below, I didn’t see it. So much for the December releases Selma, American Sniper, A Most Violent Year (which came out Dec. 31), Inherent Vice or Imitation Game, or for that matter Chef and Get on Up from earlier in the year. A couple of the titles (Her, 20 Feet From Stardom) officially came out in 2013, but almost nobody saw them until 2014.
Lastly, I rank them based on how much pleasure they gave me at the time, and how much of them I can remember as I think back on them. A couple of rankings from 11 to 20 may surprise you, but all I can say is, I enjoyed the heck out of them.
In roughly descending order, here’s my Top 10: Calvary, Boyhood, The Trip to Italy, Edge of Tomorrow, Dawn of the Planet of the Apes, Lunchbox, Nightcrawler, A Summer’s Tale, Fading Gigolo and Whiplash.
The next 10 would run as follows: Top Five, Wild, Captain America 2: The Winter Soldier, Interstellar, Gloria, St. Vincent, Grand Budapest Hotel, Hercules, The Equalizer, Foxcatcher.
Here are the bottom 12. The first two are worth your time, and starting with Birdman they get increasingly iffy: Force Majeure, Guardians of the Galaxy, Birdman, 20 Feet From Stardom, Gone Girl, A Most Wanted Man, Under the Skin, Her, Love is Strange, Dancing in Jaffa, Amazing Spider-Man 2, Tim’s Vermeer.
What did you see and like, or hate?
Does anyone still buy CDs? Some of us do. You can find my Top 10 CDs of the year — my Top 15, actually, as I added five runnerups — at our IE Music Now blog, along with the picks of my newsroom colleagues Liset Marquez and Wes Woods, both of whom are hipper than me (even though they still buy CDs too).
Claremont has a Bradbury film, “Fahrenheit 451,” at 2 p.m. Sunday; meanwhile, Pomona has a Bradbury film, “The Wonderful Ice Cream Suit,” at 3 p.m. Sunday. Awkward! Wednesday’s column delves into both events, either of which promises entertainment for the Bradbury fan. Pomona’s is more star-studded (Edward James Olmos! Joe Mantegna!) but there’s a fee to get in, as it’s a fundraiser to benefit the Pomona Public Library. Claremont’s is cheaper (free!). Also, I’ll be there, introducing the film, moderating a discussion afterward and, if you like, selling you a copy of “Pomona A to Z.”
Above, there’s a neat display this week of Bradbury items at the Pomona Library (625 S. Garey), with books, photos and memorabilia, and DVDs of the two films this weekend happened to be placed side by side.