Sunday’s column follows up Wednesday’s, on Maud Hart Lovelace’s Betsy-Tacy children’s books, by recounting her years as a Claremont resident, from 1954 to her death in 1980, and gathering up stories from a couple of people who met her. They contacted me after my Jan. 1 column asking for information about her. I’m glad I did, because this whole thing worked beautifully.
Wednesday’s column is the first of two about author Maud Hart Lovelace and her Betsy-Tacy series of children’s books. Lovelace, a Minnesota native, spent her final years in Claremont. The second part is coming soon. Had you ever heard of or read the series?
Books acquired: “Orange Blossoms Everywhere: The Story of Maud and Delos Lovelace in California, 1953-1980,” Mary Thiessen.
Books read: “Alone Against Tomorrow,” “Deathbird Stories” and “Shatterday,” Harlan Ellison; “18 Best Stories,” “The Fall of the House of Usher and Other Tales,” Edgar Allan Poe; “Obsolete: An Encyclopedia of Once-Common Things Passing Us By,” Anna Jane Grossman; “Betsy-Tacy,” “Betsy In Spite of Herself,” Maud Hart Lovelace; “Orange Blossoms Everywhere,” Mary Thiessen.
A new year! A fresh start! I had a busy reading month, and much of what I did was mop up a few books begun last year. The fresh start must begin in February. Also, I read some children’s books. And I thought my 2013 reading list had some whimsical choices.
As you’ll see from the above, I read three by Ellison, two by Poe. These were the leftovers from last year, all of them story collections on which I’d made some or much headway but hadn’t got around to finishing. It was satisfying to complete them.
Of the Ellisons, “Tomorrow” and “Deathbird” are classic collections, relatively easy to find at used bookstores, and worth tracking down. The Poe “18 Best” collection, with an introduction by Vincent Price, lives up to its title. It’s got all the major stories and two or three so-so ones. Some collections miss a good one or two or, more commonly, tack on an extra 15 or 20 very minor ones. “Usher” skips “The Facts in the Case of M. Valdemar,” which is among Poe’s best, and has a couple of head-scratchers.
But “Usher” does include Poe’s only novel, a seafaring tale with supernatural elements; Lovecraft’s novel “At the Mountains of Madness,” which I read a couple of years back, is an obvious homage. If you read enough, suddenly everything makes sense.
Poe is a writer I read as a boy, and returning to his work has been illuminating, as well as entertaining. He’s as good as you remember, at least until you get into the weedier stuff. And have you read “The Tell-Tale Heart” as an adult? I don’t know if I got as a boy how hilarious that story is. The narrator is a nutcase who wants us to believe he’s sane. It’s almost like Poe is ribbing his own style.
I also read two of the Betsy-Tacy children’s books, and a little book about their author, for a couple of columns I’m writing. Look for those soon. It was research, but enjoyable research. If you’ve read these, you’re encouraged to comment.
Lastly, “Obsolete,” a pseudo-encyclopedia of things passing us by, was okay, but a bit thin and strained. If I could, I’d take back the time I spent reading it. “Going, Going, Gone,” from 1994, is along the same lines and much better done.
Let’s see, the three Ellisons, and Poe’s “18 Best,” all date to my Illinois days; “Usher” was bought at Powell’s in Portland in 2010; “Obsolete” I got from Amazon a year or two ago; the Betsy-Tacys were checked out from the Pomona Public Library; and the book about their author was a gift from the Betsy-Tacy Society.
So that’s January. What have you been reading? Do you have any reading goals for the year? I’m going light on those myself after last year almost obstinately ignoring most of the goals I’d sketched out. Although I do have ideas of what I want to read, especially in the next three or four months, my only specific goals are to read Ellison’s first “Dangerous Visions” anthology, one Shakespeare play to be determined and — why not? — “The Three Musketeers.” How about that?
Next month: a few books given to me as birthday gifts…a year or more ago.
I don’t mean to seem to be all about numbers, but when you’ve let your unread books pile up, as I’ve done, measuring your progress takes a higher priority than it would otherwise. For this photo, I piled up the books I read in 2013. Since I began reading intensively again, I’ve read 75 in 2013, 80 in 2012, 60 in 2011, 52 in 2010 and 58 in 2009. Hey, that’s five years! Five years and 325 books. No sense in stopping now, so I’m going to keep reading.
Authors most represented in 2013: two each by Suzanne Collins, Nick Hornby and Jonathan Lethem; three by Dave Barry; and, er, 16 by Harlan Ellison. (Or 15. “Ellison Wonderland” and “Earthman, Go Home” are the same book with different introductions. I count them as one.) Last year, this author list was longer, with multiple authors in the two-, three- and four-book list. I guess this means, Ellison aside, that a lot of my reading was one-offs.
How did I not read any Mark Twain for two straight years?! Definitely I’ll read “A Tramp Abroad” this year. Of course, last year in this space I said I’d be starting it “any day now.” I won’t make that promise, but I will read it.
Sunday’s column is about my reading from last year. Below is a list of every title.
1. “Around the World in 80 Days,” Jules Verne
2. “We’ll Always Have Paris,” Ray Bradbury
3. “The Brazil Series,” Bob Dylan
4. “Slouching Toward Bethlehem,” Joan Didion
5. “Holy Land,” D.J. Waldie
6. “America (The Book),” Jon Stewart and The Daily Show
7. “On the Road,” Jack Kerouac
8. “Icons of the Highway,” Tony and Eva Worobiec
9. “Exile on Main Street (33 1/3 series),” Bill Janovitz
10. “Angry Candy,” Harlan Ellison
11. “Strange Wine,” Harlan Ellison
12. “Cat’s Pajamas and Witch’s Milk,” Peter De Vries
13. “Smith on Wry,” Jack Smith
14. “The Hunger Games,” Suzanne Collins
15. “A Moveable Feast,” Ernest Hemingway
16. “The Accordion Repertoire,” Franklin Bruno
17. “The Pearl,” John Steinbeck
18. “Selected Poems,” e.e. cummings
19. “Kafka Americana,” Jonathan Lethem and Carter Scholz
20. “Adventures in Pet Sitting,” Michael Arterburn
21. “From Bauhaus to Our House,” Tom Wolfe
22. “Anguished English,” Richard Lederer
23. “The Elements of Style,” William Strunk and E.B. White
24. “How to Kick the War Habit,” T. Willard Hunter
25. “Leaves of Grass” (1855 Edition), Walt Whitman
26. “The End of the Tether,” Joseph Conrad
27. “Ask the Dust,” John Fante
28. “An Education: The Screenplay,” Nick Hornby
29. “Our Town,” Thornton Wilder
30. “Dave Barry Hits Below the Beltway,” Dave Barry
31. “Housekeeping vs. The Dirt,” Nick Hornby
32. “The Rock Snob’s Dictionary,” David Kamp and Steven Daly
33. “Candide,” Voltaire
34. “Dylan: The 5 Minute Visual Bob-ography,” Roy Gyongy Fox
35. “The Mezzanine,” Nicholson Baker
36. “The Early Worm,” Robert Benchley
37. “The Columnist,” Jeffrey Frank
38. “The Best of Jack Williamson”
39. “Over the Edge,” Harlan Ellison
40. “The Planet of the Apes Chronicles,” Paul Woods
41. ”The Omnivore’s Dilemma,” Michael Pollan
42. “Ulysses,” James Joyce
43. “Boogers are my Beat,” Dave Barry
44. “Ellison Wonderland”/”Earthman, Go Home,” Harlan Ellison
45. “Paingod and Other Delusions,” Harlan Ellison
46. “The Beast That Shouted Love at the Heart of the World,” Harlan Ellison
47. “Love Ain’t Nothing But Sex Misspelled,” Harlan Ellison
48. “Stalking the Nightmare,” Harlan Ellison
49. “The Kinks: The Official Biography,” Jon Savage
50. “Approaching Oblivion,” Harlan Ellison
51. “Spider Kiss,” Harlan Ellison
52. “Phoenix Without Ashes,” Edward Bryant and Harlan Ellison
53. “The Book of Ellison,” Andrew Porter, ed.
54. “Elvis: The Illustrated Record,” Roy Carr and Mick Farren
55. “Much Ado About Nothing,” William Shakespeare
56. “Troublemakers,” Harlan Ellison
57. “Googie Redux,” Alan Hess
58. “Diners,” John Baeder
59. “Dave Barry’s Money Secrets,” Dave Barry
60. “The Murders in the Rue Morgue: The Dupin Tales,” Edgar Allan Poe
61. ”The House That Sam Built: Sam Maloof and Art in the Pomona Valley 1945-1985,” Harold Nelson
62. ”The Shuttered Room and Other Stories,” H.P. Lovecraft with August Derleth
63. “No Doors, No Windows,” Harlan Ellison
64. “A Room With a View,” E.M. Forster
65. “Catching Fire,” Sizanne Collins
66. “Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY and the Bittersweet Story of 1970,” David Browne
67. “Vertigo: The Making of a Hitchcock Classic,” Dan Auiler
68. “Henry Bumstead and the World of Hollywood Art Direction,” Andrew Horton
69. “The Art of Alfred Hitchcock,” Donald Spoto
70. “The Films of Alfred Hitchcock,” Robert Harris and Michael Lasky
71. “Mudd’s Angels,” J.A. Lawrence
72. “Casablanca,” Richard Anobile
73. ”Everything is an Afterthought: The Life and Writings of Paul Nelson,” Kevin Avery, ed.
74. “Chronic City,” Jonathan Lethem
75. “The City on the Edge of Forever,” Harlan Ellison
Books acquired: “Los Angeles in the Thirties: 1931-1941,” David Gebhard and Harriette von Breton; “A Small Place,” Jamaica Kincaid.
Books read: “Everything is an Afterthought: The Life and Writings of Paul Nelson,” Kevin Avery, ed.; “Chronic City,” Jonathan Lethem; “The City on the Edge of Forever,” Harlan Ellison.
To end 2013, I read three books in December. Two of them have a subtle connection.
“Afterthought” is a biography and best-of of the late Paul Nelson, in the late 1970s and early 1980s an editor and reviewer at Rolling Stone, and prior to that the A&R man who signed the New York Dolls, and prior to that a folk music writer who introduced Bob Dylan to Woody Guthrie’s music and memoir. Nelson met a sad end as a virtual recluse in NYC. Among his friends was Jonathan Lethem, now of Claremont, who is quoted extensively in the biography and whose novel “Chronic City” has as its main character a pop culture visionary based on Paul Nelson.
The Nelson book was a labor of love on compiler/biographer Kevin Avery’s part. I liked this book a lot, even if watching Nelson’s slow-motion decline was a queasy part of the appeal. Lethem’s novel, meanwhile, was giddy fun for this fellow pop culture aficionado, who was fascinated by the mixture of fact and fancy and the Philip Dickian flourishes.
(Amusingly, I discussed “Chronic” on New Year’s Eve with a friend who’s read more Lethem than I have. I told him it was by far my favorite. He said it was by far his least favorite. “I was embarrassed for him for having written it,” he said. There’s no accounting for taste, especially other people’s.)
So this was a case of perfect timing. Had I read “Chronic” earlier, it might not have meant so much to me. The Ellison book made sense to read for another reason, and not just that it has “city” in its title; in November I read another Trek book, the last of the Blish adaptations and my first Trek reading in maybe 35 years. As Hillary said (Edmund, not Clinton), it was there. Before lifting myself out of whatever slough of despond led me to read it, I read the only other Trek book I have, Ellison’s teleplay of his famous episode. I’m an Ellison completist and would have got to it eventually.
The teleplay is good, of course. So was the finished episode. Ellison’s heavily footnoted, spittle-flecked 73-page rant about changes to his script 30 years earlier contrasts neatly with D.C. Fontana’s calm, six-page explanation of how and why his script was rewritten. Dismaying from a writer of Ellison’s abilities. Shouldn’t he be above this sort of thing? What with the lousy layout and cheap presentation, it looks like some nut’s homemade fanbook. Suggested alternate title: “Ego on the Edge of Losing It.”
I was embarrassed for him for having written it.
How was your reading month? Did you squeeze in anything between gift shopping and eating? Coming soon: a list of every book I read in 2013. (Or you can piece it together yourself by rereading the previous 11 of these.)
La Verne’s Mrs. Nelson’s Toy and Book Shop shuts its doors Sunday (!), a speedy end for the store’s closing sale. Sunday’s column pays tribute.
Above, Shawn Carlson helps daughter Megan, 6, compose her thoughts for a message for the Memory Wall behind them. Below, Judy Nelson, left, goes over details with employee Annie Bigelow toward closing time Thursday.
Mrs. Nelson’s Toy and Book Shop, 1030 Bonita Ave. in La Verne, announced Friday that it will close after 28 years. The children’s book specialist has cut prices in half and will close when the stock is depleted or Jan. 31, whichever comes first. The San Gabriel Valley Tribune has the story here.
Mrs. Nelson’s was the subject of one of my columns in 2010 and a related blog post. Owner Judy Nelson blogged in 2010 upon her store’s 25th anniversary that year, recounting highlights that included author appearances.
I’ve been to the store a few times over the years, including for a couple of author appearances, the highlight being when I met and interviewed cartoonist Jules Feiffer in 2000. (I regret I didn’t ask him to sign a book for me, but at the time that struck me as an unprofessional way to end an interview.) Very sorry to hear they’ll be closing.
Books acquired: “The Leisure Architecture of Wayne McAllister,” Chris Nichols.
Books read: “Vertigo: The Making of a Hitchcock Classic,” Dan Auiler; “Henry Bumstead and the World of Hollywood Art Direction,” Andrew Horton; “The Art of Alfred Hitchcock,” Donald Spoto; “The Films of Alfred Hitchcock,” Robert Harris and Michael Lasky; “Mudd’s Angels,” J.A. Lawrence; “Casablanca,” Richard Anobile.
As a sort of hobby, I’ve been watching Alfred Hitchcock’s movies, in order, from the beginning in the 1920s to the end in the 1970s. It’s taken me roughly three years of intermittent effort, but it’s been worthwhile, as I revisited some old favorites and found some new favorites. Hitch made a bunch of so-so movies too, especially in the early days, but I won’t hold that against him.
As I went along, I read a couple of film-by-film guides, by Harris and Lasky and by Spoto. In November I focused on watching the last four movies and in doing so finally finished those two books. Huzzah! Harris and Lasky’s is okay, more of a coffee table tome, while Spoto’s is more serious.
Along the same lines, I read two other Hitch-related books, one on “Vertigo,” perhaps his greatest movie, and one on Hollywood art director Henry Bumstead, an Ontario native whom I interviewed a decade ago for a feature and who designed sets for four Hitchcock films. Those books were useful for specialists.
I rounded out the month with two other movie or TV-related books: “Casablanca” presents stills from the movie paired with all the dialogue, an interesting way to experience the movie; the “Star Trek” book is the 13th and last in the series of Bantam paperbacks that adapted all the original episodes. I would call this one a guilty pleasure except it wasn’t all that pleasurable.
I owned all the Trek books as a lad, through No. 12; a year or two ago, I found them through No. 11 at Calico Cat in Ventura, with the same covers I previously owned, and couldn’t resist buying them. I tracked down the other two somewhere since then. So I read the one I hadn’t read before and can scratch that off my reading list.
I bought Bumstead’s book from the man himself (but only read bits of it at the time); bought “The Films of Hitchcock” at the Book House in St. Louis around four years ago; can’t recall where or when I got “Vertigo” or “Casablanca,” but got them in the past decade; and bought Spoto’s book, published in 1976, in ’76 or ’77. As most of his 50-some films were unavailable to me then, only the ones that popped up TV, I read just a few of the analyses originally.
You have no idea how satisfying it is to have now read this book cover to cover after some 36 years of ownership.
I’m up to 72 books read for 2013 and am eyeing three for December. One is 460 pages, but it should be a slam dunk as I’m 380 pages into it already.
How was your November, reading-wise?
Next month: a 460-page book, and a couple more.
Children’s author Beverly Cleary left Portland, Ore., for Ontario to attend Chaffey Junior College from 1934 to 1936, in the days when the college was on the Chaffey High campus in Ontario. Tuition was free, which was inducement to get her to make the move. She lived a few blocks away and, her sophomore year, worked at the Ontario Public Library.
An effort to name Ontario’s children’s room for her failed in 2006. Portland, where she lived from ages 6 to 18, named the children’s room of its main library for Cleary in 1997. I shot these while checking out the library on my vacation in September. It was serendipity, as I’d forgotten having read that the library had a room named for her. But there it was.
The city also has a Beverly Cleary Sculpture Garden depicting characters from her books.
Books acquired: too many to list!
Books read: “Catching Fire,” Sizanne Collins; “Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY and the Bittersweet Story of 1970,” David Browne.
This is a first: a month in which I read only two books. Going back to the start of these Reading Logs in January 2008, at minimum I’ve read three, on a few occasions, especially toward the end of a year. But two! That’s getting dangerously close to one. In my defense, they did total 750 pages, and I read about 200 more from another, longer book I hope to finish in December, about rock critic Paul Nelson.
October was a busy month. It took me the first eight days to read the second “Hunger Games” novel because, what with one thing or another, I couldn’t put together more than a lunch hour daily to read. Then I left on an extended vacation and didn’t have time to read more than 30 pages per day of “Fire and Rain,” and usually only 10. Back home, and after two weeks of daily but incremental progress, I took a Metrolink trip and — at last — had time for 90 pages. I read the last 25 the next day. Whew.
“Catching Fire” was highly enjoyable, and I’m looking forward to the movie this month! It’s funny how easy it is to get caught up in these fantasy worlds. I bought this book in September at B&N Montclair.
“Fire and Rain” — note how I read two books with “fire” in the title? — was a friend’s gift a year or two ago. Published in 2011, it focuses on the transitional year of 1970, when three major pop groups broke up and James Taylor went from semi-obscurity to great fame. I liked it. Lots of fascinating detail and anecdotes. Garfunkel at least once hitchhiked to a concert. Taylor, despite his Mr. Mellow reputation, was a heroin addict. Joni Mitchell had flings with Crosby, Nash and Taylor (not at the same time). Still and Nash were both pursuing Rita Coolidge. Paul McCartney sued his former bandmates on New Year’s Eve 1970 just to ruin their year! Oh, those lovable moptops.
About all I did to my books backlog this month was increase it by buying a bunch more. That’s how it goes. I’ll do better in November. How’d you do in October?
Next month: the Master of Suspense winds up all over my floor.