The Missing Link

February 12, 2006

Fear Factor

Tim Rutten:

Thursday, CNN broadcast a story on how common anti-Semitic caricatures are in the Arab press and illustrated it with —you guessed it — one virulently anti-Semitic cartoon after another. As the segment concluded, Wolf Blitzer looked into the camera and piously explained that while CNN had decided as a matter of policy not to broadcast any image of Muhammad, telling the story of anti-Semitism in the Arab press required showing those caricatures.

He didn't even blush.

Rutten favors publishing the cartoons to inform readers about the controversy. He also praises a newspaper for admitting an uncomfortable truth:

Among those who decline to show the caricatures, only one, the Boston Phoenix, has been forthright enough to admit that its editors made the decision "out of fear of retaliation from the international brotherhood of radical and bloodthirsty Islamists who seek to impose their will on those who do not believe as they do. This is, frankly, our primary reason for not publishing any of the images in question. Simply stated, we are being terrorized, and as deeply as we believe in the principles of free speech and a free press, we could not in good conscience place the men and women who work at the Phoenix and its related companies in physical jeopardy."

John Temple, Editor of the Rocky Mountain News, writes:

I question whether we're being given the full story about why some news organizations aren't touching the cartoons.

The missing word: Fear.

It would be impossible as a responsible editor with correspondents in the Muslim world to see the violent protests and not be concerned about endangering your own staff.

An alternative newspaper in Boston, The Phoenix, put it bluntly.

"Simply stated, we are being terrorized, and as deeply as we believe in the principles of free speech and a free press, we could not in good conscience place the men and women who work at the Phoenix and its related companies in physical jeopardy. As we feel forced, literally, to bend to maniacal pressure, this may be the darkest moment in our 40-year publishing history."

It's understandable other editors and publishers might not make a similar statement publicly, but it's hard to believe this concern didn't factor into their decisions.

Andrew Sullivan rails against media outlets that have failed to publish the Danish cartoons:

As of this writing no major newspaper in Britain has published the cartoons; the BBC has shown them only fleetingly and other networks have shied away. All have decided not to give you this critical information, without which no intelligent person can construct an informed and intelligent position on the matter. You’re on your own.

The reasons given are conventional enough: the press doesn’t want to inflame matters further; the cartoons are indeed offensive, and no editor has to publish images that would appal readers; reprinting would merely play into the hands of extremists, and so on.

The one argument you haven’t heard is the one you hear off-camera. Many editors simply don’t want to put their staffs at risk of physical danger. They have “offended� Muslims in the past and learnt to regret it. In New York the editors of a free alternative paper, the New York Press, decided they wanted to run the cartoons so their readers could have a grasp of what this huge story is about. The owner refused. The staff quit en masse. The editor claims the owner gave him a simple explanation: “I’m not putting lives in danger. We’re not getting things blown up.�

None of these arguments is risible. An editor has no responsibility to publish anything he doesn’t want to. A publisher has every right to protect his own staff from physical danger. But what all the arguments amount to is simple: the press is refusing to do its job.

The fundamental job of journalists is to give you as much information as possible to make sense of the world around you. And in this story, where the entire controversy revolves around drawings, the press is suddenly coy. You can see Saddam Hussein in his underwear and members of the royal family in compromising positions. You can see Andres Serrano’s famously blasphemous photograph of a crucifix in urine, called Piss Christ. But a political cartoon that deals with Islam? Not our job, guv. Move right along. Nothing to see here.

Posted by Conor at February 12, 2006 05:36 PM