November 2010 Archives

VIDEO: Behind the scenes of 'Spider-Man Turn Off The Dark'

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While I prefer my Spider-Man stories animated, drawn or directed on screen by Sam Raimi, I have to respect the effort that goes into any stage production. And yes, that includes the upcoming musical "Spider-Man Turn Off The Dark." 

Pulling this show off can't be easy -- Not to mention the risks of portraying a character that climbs walls and swings from buildings.

Several major news outlets picked up the story of actor Kevin Aubin, one of the Spider-Man doubles, who broke both his wrists when he fell after being flung into the air during a demonstration.

Before that, there were concerns over whether there would even be a show. Nevertheless, Playbill.com reported today that $1 million in tickets sold within 24 hours of the first preview performance. Those numbers may be a hint that there's an audience out there for superhero musicals.

Despite the tough run of press, I still remind folks that Turn Off The Dark is in the capable hands of award-winning "The Lion King" director Julie Taymor ("Titus," "Frida").

Marvel sent this behind-the-scenes video this afternoon.  What do you think?

Black Friday & Thanksgiving event today at Pulp Fiction

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iml_base.jpgSo you waited since 3 a.m. Friday morning last year for a killer discount on that new tablet thingamajig and didn't make the cut. Then the guy who bought the last one walks by and flashes a smug look.

"You should've been here at 2:30 a.m., dude."

--I'm not bitter.

Anyway, after your early morning shopping adventures this year, you may find comfort and a good deal on those graphic novels you always wanted over at Pulp Fiction's annual Black Friday sale Nov. 26 at 10 a.m.

Graphic novels will be offered to customers from 40 to 80 percent off, statues and figurines at 50 to 75 percent off and an avalanche of older comics for 25 cents each.

Also, writer-artist Tony Fleecs ("In My Lifetime") and perhaps some of his fellows from Garage Art Studios, will be in the house around 11 a.m. to meet and greet readers.

Pulp Fiction is located at 1742 Clark Ave., Long Beach, CA. (562) 986-4154.

See the flier information below...


HAPPY THANKSGIVING EVERYONE!

 

Once you finish Turkey Day, it's time to start planning your visit Pulp Fiction for our annual...

 

 

BLACK FRIDAY SALE

(day after Thanksgiving, starting @ 10:00am)

 

GRAPHIC NOVELS

40%-80% BELOW COVER PRICE!

 

 

over 10,000 older comics   25ยข each

 

Figures and statues  50%-75% OFF

 

 **********

 

plus MEET the fine creators from

Garage Art Studios

(http://garageartstudio.blogspot.com/)

 

including superstar artist Tony Fleecs

(http://tonyfleecs.blogspot.com/)

 

 

The Garage Art Studio guys will be here starting at 11:00am.  In addition to all the various sales, anyone showing up and making a purchase between 11am-1pm will get to choose FREE comics and graphic novels for our super-FREEBIE table!  Be sure to come by and support the Garage Art guys and Pulp Fiction!!!!

 



 

Video: Conan O'Brien 'Harry Potter' parody

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Just thought I would share this one with you Harry Potter fans and non-fans alike -- it's funny.

'Harry Potter' launches to $330M worldwide total

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Harry-Meek.jpgRobbie Coltrane, left, and Daniel Radcliffe in a scene from "Harry Potter and the Deathly Hallows: Part 1." (AP Photo/Warner Bros. Pictures, Jaap Buitendijk)

LOS ANGELES (AP) -- "Harry Potter and the Deathly Hallows: Part 1" has delivered the biggest opening yet for the franchise about the young wizard, taking in $125 million domestically over opening weekend.

The film added $205 million from overseas markets, giving it a worldwide total of $330 million.

The top 20 movies at U.S. and Canadian theaters Friday through Sunday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Monday by Hollywood.com are:

1. "Harry Potter and the Deathly Hallows: Part 1," Warner Bros., $125,017,372, 4,125 locations, $30,307 average, $125,017,372, one week.

2. "Megamind," Paramount, $16,012,831, 3,779 locations, $4,237 average, $109,313,429, three weeks.

3. "Unstoppable," Fox, $13,005,855, 3,209 locations, $4,053 average, $41,867,769, two weeks.

4. "Due Date," Warner Bros., $8,912,182, 3,229 locations, $2,760 average, $72,431,594, three weeks.

5. "The Next Three Days," Lionsgate, $6,542,779, 2,564 locations, $2,552 average, $6,542,779, one week.

6. "Morning Glory," Paramount, $5,200,233, 2,544 locations, $2,044 average, $19,823,136, two weeks.

7. "Skyline," Universal, $3,560,985, 2,883 locations, $1,235 average, $17,772,760, two weeks.

8. "Red," Summit, $2,483,043, 2,034 locations, $1,221 average, $83,589,965, six weeks.

9. "For Colored Girls," Lionsgate, $2,299,956, 1,216 locations, $1,891 average, $34,439,653, three weeks.

10. "Fair Game," Summit Entertainment, $1,455,819, 386 locations, $3,772 average, $3,724,546, three weeks.

11. "Secretariat," Disney, $971,909, 1,010 locations, $962 average, $56,378,503, seven weeks.

12. "Paranormal Activity 2," Paramount, $945,460, 1,101 locations, $859 average, $83,583,230, five weeks.

13. "The Social Network," Sony, $935,677, 571 locations, $1,639 average, $89,244,464, eight weeks.

14. "127 Hours," Fox Searchlight, $916,533, 108 locations, $8,486 average, $1,902,336, three weeks.

15. "Saw 3D," Lionsgate, $846,029, 806 locations, $1,050 average, $45,287,175, four weeks.

16. "Jackass 3D," Paramount, $737,351, 687 locations, $1,073 average, $116,094,442, six weeks.

17. "Life as We Know It," Warner Bros., $536,379, 558 locations, $961 average, $51,630,962, seven weeks.

18. "Guzaarish," UTV, $488,121, 108 locations, $4,520 average, $488,121, one week.

19. "The Girl Who Kicked the Hornet's Nest," Music Box, $401,819, 179 locations, $2,245 average, $3,433,116, four weeks.

20. "Inside Job," Sony Pictures Classics, $338,938, 185 locations, $1,832 average, $2,139,393, seven weeks.



http://www.hollywood.com/boxoffice

Writer Mark Waid signs at Geoffrey's Comics in Gardena on Saturday

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20101024_111130_pb25-comiccon_500.jpgWriter Mark Waid will be signing at Geoffrey's Comics in Gardena Saturday for the store's 33rd anniversary and 'Free Comic Day part II'.

Comic book writer and BOOM! Studios creative chief Mark Waid comes to Geoffrey's Comics in Gardena on Saturday as the store celebrates its 33rd anniversary with a Free Comic Book Day Part II sale and signing.

Waid will be signing and meeting fans from 11 a.m. to 2 p.m. His recent works include Captain America: Man Out of Time and The Traveler with Stan Lee.

The writer says working with the comics icon on a book is a fan's dream come true. However, he gets the occasional reality check from time to time.

"It's scary sometimes because that means that I have to sit down and get schooled by Stan Lee, which is awesome and terrifying at the same time," Waid said. "And then the 10-year-old in me every once in a while is like 'stop yelling at me!'"

Customers will get a free copy of a Mark Waid comic book, five free comics with a purchase. Everything except new books are 25 percent off.

For more information see the flier below.

 Geoffrey's Comics 15900 Crenshaw Blvd., Gardena, CA. (310) 538-3198. (The anniversary event and Free Comic Book Day II at Geoffrey's runs 11 a.m. - 8 p.m.)



fcbd3.jpg





Trailer: Daniel Craig, Harrison Ford in 'Cowboys & Aliens'

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So you didn't read the comic, so it sounds silly, so you're tired of ONE MORE movie based on a comic book.

I know where you're coming from.

However, this teaser trailer for "Cowboys & Aliens" starring Daniel Craig, Harrison Ford and Olivia Wilde looks like fun.  And while one commenter over at Deadline Hollywood raked this clip over the coals for showing too much, I think it showed just enough.

"Cowboys & Aliens," based on the comic book by Scott Mitchell Rosenberg and directed by Jon Favreau, opens Summer 2011.





 

Trailer: Ryan Reynolds in 'Green Lantern'

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The trailer for "Green Lantern" hit the webs yesterday and here's the goods for those of you who didn't catch it.

I seem to recall some CGI suit backlash on this blog. I admit, a lot of that was before anyone had seen what the digital duds looked like in action.

Well, there's more than a few opportunities to assess the GL threads in the above trailer and of course, to get a glimpse of Reynolds' portrayal of Hal Jordan. 

What do you think?  Any predictions on whether this will be an Iron Man-like franchise in the making or just another superhero flick about to debut in a crowded field with Thor and Captain America: The First Avenger?

Green Lantern opens Summer 2011.  

'Skyline' actor Neil Hopkins talks sci-fi indie filmmaking

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skyline pageA.jpg

Neil Hopkins Headshot 2.A.jpgIf you run into Neil Hopkins at the grocery store go ahead and sing to him, he won't mind.  

It wouldn't be the first time fans of the hit series "Lost" have recognized the actor -- who played Drive Shaft lead singer Liam Pace -- and belted out a few bars from the fictional band's hit song "You All, Everybody."

While
he only appeared on five episodes of "Lost" In his role as Liam, Hopkins said he is delighted when fans recognize his work. 

Now, Hopkins takes his chameleon-like character skills to the big screen in the alien invasion film, "Skyline" which came in third place in last weekend's box-office derby earning $11.7 million. 

Recently, the SoCal-based actor discussed the indie filmmaking sensibilities behind "Skyline" and offered his insight on the ever-evolving film industry.



Modern Mythology: You play Ray? Tell me about your character in Skyline.


Neil Hopkins: Ray's kind of a goofball, he's friends and co-working buddy. He works for Donald Faison's character Terry. They work in the world of digital effects, which is a very sort of self-reflected thing they added into the script which I think is kind of cool. And it's sort off this buddy buddy relationship that he has with Donald Faison's character as well as being somebody that works for him. And so, I guess I would say he sort of adds some of the comic relief to the film. And that's about all I can say, I don't want to give too much away.

MM: How did you get involved in the film? Did you read for it? were you approached?

Hopkins: I read for it and it was a really quick process. I read for it back in December and I heard they were interested. I actually read for the lead and I heard they were interested in me. And when I came back from break in January, they cast Eric Balfour in the lead and they wanted to give me this other part  because they really liked me so it went form there. I shot about a week on the film and it was really a great experience and everybody involved were just super cool and it's fun making a movie with just all geeks who really love the process and are really excited about the project.  And it wasn't at all tied down by any kind of studio, it was completely independently done and they turned it around so lightning quick.  We had this event last night in Hollywood that was kind of a promotional thing. And it was really crazy. And all of us getting together for the first time since the wrap party just saying 'isn't it insane how quickly they turned this around?'

Hopkins: Because most movies, you know, you shoot a movie you may not see it for a year, you may not see it for two years, you may not see it for three years. And to actually have it being released less than a year after they shot it is incredible.

MM: Just last December you read and now the movie is in the can.

Hopkins: They shot it in February and finished in March and that was it. And now it's November. Not even Thanksgiving and they're already releasing on 4,000 screens. And that never ever happens. So it's a very unusual, in a good way, experience. Especially since as an actor you usually don't get to see your work for a long time to know if it's any good or not. It's really cool. Last night they showed some clips for the film to a pretty  big audience and people were really psyched about it.  We're all very excited and feel very lucky to have been a part of the project.

MM: Now, I hear the budget was really contained. Did they really shoot a lot of this in one of the creator's homes?

Hopkins: Yeah, they shot practically the whole thing.  Not in a house, but a high rise. So it was in Marina Del Rey and not very far from where I live. So I was shooting like, ten minutes away from where I live. It was really funny. It was just like 'oh, I'm going to work' and I would drive ten minutes away and we'd shoot in this guy's apartment. It's a gorgeous apartment. It's not like a dumpy, old waste. I mean, it was really his place. So we all had to wear like these little booties over our shoes when we were walking in and out of his place (laughs). We had to be quiet for some of the neighbors. You know, it was crazy. And I guess, in retrospect, Greg Strause, whose place it was -- Colin and Greg (Strause) are the two directors, they're brothers -- he's like, 'I would never do this again' because I think ,it rubbed a lot of his neighbors the wrong way. Because, you know, when he said he was shooting a little movie I don't think they had any idea that we were shooting a full movie.

(laughs)

Hopkins: I think he alienated a lot of people, no pun intended. But, I think they'll be pretty amazed when they see it come out.

MM: You said it was a lot of fun to be on a project where there a lot of geeks into the process. Have you done a lot of indie films that are smaller?

Hopkins: Yeah. You know, you do a lot of indie films and especially now. Kind of since the economic crisis -- and everybody tells you and it's true -- there are either big tent pole productions, $100-$200 million movies or they're low, low budget indie films that are being made. There's no market anymore really for what the independent branches of the studios used to do before they closed down. Which was like $5 million to $15 million pictures. And so everything is independent. They were always around before but even more so now.  And there's a lot of great stuff being made on a very small budget. I just shot a feature over the summer that we shot for ... I think we shot it for... it was definitely under a $100,000. Probably closer to like $75,000. And it's this great movie called "Detour" and I think it should be coming out in the next year. It's forcing people to be very creative the fact that there's very little financing available for movies anymore. It's forcing people to be creative within the constraints that they've been given.

Hopkins: I think it's going to turn out a lot interesting work in the next few years.

MM: Now, I've heard about the budget and then I saw the trailer. That's a lot of really detailed special effects for that kind of budget. Did you know about the work of the Strause Brothers before?  I knew they did a lot of special effects.

Hopkins: I don't know that world necessarily in terms of who does the behind-the-scenes stuff, but when I went in to read for the role it was at one of their two effects houses in Santa Monica, they're called Hydraulx. And just, the operation that they run there was huge. And I was just kind of blown away not just at the design of the pace but at the sheer number of people they have working for them. And all these different editing bays. Any movie in the last five or six years that you can name that has heavy special effects they've done it.

Hopkins: And the reason they were able to do it for such a low budget is because they did it all in house obviously. So, they did it completely in house and literally they shot it in their house! So it was really a home-grown production as slick as it looks and as amazed as I think people are going to be when they see it. I can't stress enough what a small kind of a production it was. there was basically like, 11 people in the crew. You know, there couldn't be a big crew because they were all in this guy's apartment. There wasn't any room for anybody (laughs).
And it's crazy. I think it's going to blow people away when they find out the story behind the movie which is as impressive as the movie will be, I think.


Skyline now playing.


Rare Superman, Batman covers heading for auction

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Comic Book Auction_Meek(2).jpgIn this undated photo released Monday, Nov. 8, 2010 by ComicConnect.com, Jerry Robinson, who created the Joker, stands with the two framed covers, Superman #14 and Detective Comics #69, that will be offered for auction on ComicConnect.com. (AP Photo/ComicConnect.com)

ULA ILNYTZKY
Associated Press


NEW YORK (AP) -- Jerry Robinson was 18 when he created the Joker, Batman's villainous psychopathic nemesis. He was among the pioneers of a new American art form that included Fred Ray, whose iconic 1942 comic book cover known as Superman Patriotic Shield sealed the superhero's status as the defender of "Truth, Justice and the American Way."

The two men worked side by side at DC Comics. But it was Robinson who had the wherewithal to save the original Superman 14 cover art depicting "The Man of Steel" with a bold eagle perched on his shoulder in front of a U.S. shield -- as well as his own "Double Guns" Detective Comics No. 69 prototype showing the maniacal Joker rising out of an Aladdin lamp pointing guns at Batman and Robin.

Nearly 70 years later, Robinson is reluctantly parting with the two original artworks through the online auctioneer ComicConnect.com, from Nov. 10 through Dec. 1. The Superman cover is expected to bring $500,000 to $1 million, the Joker more than $400,000.

In the days before the comic book became accepted as a legitimate American art form, the original artworks -- executed in black and white India ink on thick drawing boards -- had no intrinsic value.

"It was a new genre, a new art form," Robinson told The Associated Press in a telephone interview from his Manhattan apartment. "Nobody thought of the original art work as having any value. It wasn't valued until it was published."

"I just had the sense that it should be saved," said Robinson, who was a member of the original Batman team at DC Comics, working alongside Superman's other big-name creators, Jerry Siegel and Joe Shuster, and Captain America illustrator Jack Kirby, at DC's New York headquarters.

To Robinson, the Superman "just was perfect."

"'Truth, Justice and the American Way' really came from that cover," said Stephen Fishler, owner of ComicConnect.com.

DC Comics co-publisher Jim Lee described it as "an important part of comic book history ... pure Americana."

Comic Book Auction_Meek2.jpgRobinson explained that the Patriotic Shield "became the iconic cover of World War II."

"Americans needed heroes and Superman became our hero," he said. "Superman would fight the Nazis and Hitler. He became a symbol of America."

"As soon as I finished a cover and I wanted to save it I'd have to call the engraver and say, 'Please don't destroy that, send it back when you come to pick up the next delivery,'" he said.

"When he forgot to call, as he often did, they were destroyed," added Robinson, whose work was featured last year in a Los Angeles exhibition "ZAP! POW! BAM! The Superhero: The Golden Age of Comic Books, 1938-1950."

Robinson, who is the subject of a new biography, "Jerry Robinson: Ambassador of Comics," is the only creator of the golden age of comics from the 1940s still alive, said Fishler. "Ninety-nine point nine percent of the art ... doesn't exist any longer. Publishers were there to make money, so to warehouse the hand-drawn black and white art was a waste of money."

Robinson's Joker cover -- one of his first -- is the only image to depict the supervillain using guns.

The firearm was nixed because "we wanted the Joker to be resourceful, to use other means of his own. All other common villains of the time used guns. The Joker was different. ... I wanted to create a villain worthy of Batman," said Robinson, who spent much of his later career as a political cartoonist.

A student of literature who attended Columbia University, he said he wanted the Joker "more in the line of literary Shakespearean villains."

So he created a villain with no super powers but one with maniacal tendencies who schemes to destroy his archenemy Batman and delights in his own warped sense of humor.

The idea of the Joker's image came from the joker found in a deck of cards, which were always around the house, he said, because his brother and mother were champion bridge players.

While both covers have been in his life for a while, Robinson said he was selling them because "now I'm 88 and I reluctantly have to make that decision."

The record for a piece of original comic art, attained this year, is $380,000 for a 1955 Weird Science cover by Frank Frazetta. The record for a comic book is $1.5 million, set last year, for a 1938 issue of a Superman Action Comics No. 1 issue.

Copyright 2010 The Associated Press.

'Megamind' No. 1 at the box office earning $47.7M

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Premiere Megamind NY_Meek.jpgFrom left, actor Brad Pitt, actress Tina Fey and executive producer Ben Stller pose with Metro Man and Megamind characters at the 'Megamind' film premiere at on Wednesday, Nov. 3, 2010 in New York. (AP Photo/Evan Agostini)

If there was any doubt the latest animated flick with a superhero theme was going to be No. 1 at the box-office, forget about it.

"Megamind" topped all films in its opening weekend earning an estimated $47.7 million.  The 3-D digital animated comedy featuring the voice talents of Will Ferrell, Tina Fey and Brad Pitt managed the top spot against some high-profile competition.

Robert Downey Jr. and Zack Galifinakis in "Due Date" came in second with $33.5 million while Tyler Perry's drama "For Colored Girls" scored about $20.1 million.

Final results will be released Monday afternoon.


*Estimates from Box Office Mojo.


Trailer: Zack Snyder's 'Sucker Punch'

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The newly-named director of the next Superman film "The Man of Steel," Zack Snyder, has a project set to debut March 2011 called "Sucker Punch."

There was a teaser trailer that made the rounds at Comic-Con International in July.  We featured it here in our list of big news from that show. And just like the teaser, the trailer visuals are detailed, kinetic and still dividing fans who accept or shun films with heavy CGI.

Comments around the horn have been good and bad. Mostly good. The bad parts involve some sharp comments directed at the stiff dialogue snippets from actor Scott Glenn. 
 

Superhero stars at Long Beach Comic Con

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20101031__C_PN01-COMICCON2+PC5FX9M_500.JPGDanny Miki, left, shares a laugh with Stan Lee, the creator of Spider-Man, the Fantastic Four, X-Men, and other characters from Marvel on Sunday at the second annual Long Beach Comic Con. (Jeff Gritchen / Press-telegram)

The weekend leading up to and after Halloween was doozy.

We had massive zombie attacks, costume parties and election coverage for dessert. Speaking of treats, the Press-Telegram crew were at the Long Beach Comic Con throughout the weekend. Reporter Greg Mellen covered the show on Halloween. --Robert


By Greg Mellen
Long Beach Press-Telegram


LONG BEACH -- "POOF!" Where'd he go?

Apparently comics legend Stan Lee has the power to disappear.

When the iconic creator of Spider-Man, the Fantastic Four, X-Men and other characters from Marvel appeared Sunday at the second annual Long Beach Comic Con, a young fan spotted him and sprinted to a railing to get a better look. But then, in true comic fashion, Lee vanished.

"He was right there," the dejected girl said, pointing to an empty escalator.

Minutes later, Lee alighted at a nondescript table to sign autographs in the large exhibit hall at the Long Beach Convention Center. Within moments, a line of several hundred fans snaked across the back wall. But within 20 minutes, Lee was again nowhere to be found.

Even one of Lee's handlers couldn't find the elusive 87-year-old.

However, when it was time for $40 photos to be taken with Lee, he magically popped up on-site. That session, held behind closed curtains, lasted mere minutes and once again the sprite was on the move.

He did stop long enough to chat with actor Bruce Boxleitner, who was on hand to promote his appearance in the new "Tron: Legacy" movie.

Although Boxleitner, who also starred as the title character in the original Tron movie, is a regular at comic and science fiction conventions, he and Lee had never met.

"Would you sign for me?" Boxleitner asked, handing a case containing a Spider-Man figurine belonging to his son, Michael.

"He's a big Spider-Man fan," Boxleitner said.

"As he should be," Lee said as he signed.

"The son of Tron flips for Spider-Man," Boxleitner joked.

Boxleitner and Lee also exchanged autographed photos of themselves together. Lee's contained a comic text bubble that said "To Bruce, Tron himself," while Boxleitner inscribed his "Stan, you're my hero."

As Lee picked up his photo from Boxleitner he said, "He not only looks better than me, he has better handwriting. I look like the villain, and you look like the hero."

"That's the twist," Boxleitner said.

Before leaving, Lee told Boxleitner he wanted to make a cameo appearance in Tron, as he famously has done in movies based on his Marvel characters.

Lee also appeared at a ribbon-cutting for last year's Long Beach Comic Con and was clearly the superhero of this year's event as well.

"Stan's a big get for anyone," said Phil Lawrence, one of the organizers of the event. "I think he liked last year so much he came back."

Fans mingle with stars

The local Comic Con is not just about stars like Lee and Boxleitner, or even former pro wrestler the Honky Tonk Man, who sat alone for long stretches at his table. It is also about retailers, publishers and working comic artists - there were more than 170 in the Artists Alley. And it is about the fans, many of whom on this Halloween day were decked out in all manner of superhero, super villain, graphic novel and science fiction garb.

They were people like Uzziel Pinzon, who was dressed in a Super Mario costume and stood in line to meet Lee. He came with his little brother, 5-year-old Kyle, who was dressed, fittingly, as Mario's brother, Luigi.

"To me, Stan Lee is crazy. I just want to get him to sign my "`Carnage' #1 comic," Pinzon said, referring to a recently released Marvel supervillain, who battles Spidey and Iron Man.

Kyle shook his head when asked if he knew who Lee was.

Pinzon said, he was trying to get his brother interested in comics and said the meeting with Lee would be something he could share and remind his brother about in the future.

Among attendees there was mixed reaction to the Halloween date.

Last year, the event was held in the first weekend in October, but it was changed this year so it would not conflict with the New York Comic Con, Oct. 8-10, which would have pulled away many exhibitors.

Lawrence said the Long Beach event has to compete with a crowded national field now in comic book and other similarly themed events. Last year, the Long Beach convention drew about 6,300 fans. Lawrence was unsure where this year's attendance would fall, although he said on Sunday afternoon people were still registering online.

Future plans

So far, the Long Beach event is geared more toward the comic and artist crowd, rather than film and other genres, and Lawrence said he hoped to continue that focus while expanding the event each year.

"We want to grow, but we want to try not to lose our core of comic book audience," Lawrence said.

Although he admitted he'd like to reach the status of the San Diego Comic-Con one day, he added, "I like the fact that anyone can walk up and buy a ticket."

Artists said the numbers seemed a little less this year. However, the event was in a larger space, which may have made the crowds seem thinner.

Jerrell Conner, an artist and writer from North Long Beach who created the "Revelations" series, was on hand selling not only his comic series, but artwork and even T-shirts with some of his signature art. He is a regular at similar events in San Diego and San Francisco and is thinking of attending those in Seattle and Phoenix to "get exposure in different markets."

Conner said his business was down this year but hoped it might pick up later in the day.

The artist said he saw more families at this year's event. Children 10 and younger were admitted free, and candy was passed out by many vendors.

Conner guessed this year's event might have conflicted with people's regular Halloween schedules.

Pinzon, however, liked the vibe.

"It's cool that it's on Halloween. I think a lot of people had their costumes ready, anyway," he said. "The people are great."

As Lee was preparing to exit, Lee and Boxleitner shared a couple of parting words.

"I'm still a fanboy after 60 years," Boxleitner said.

"As it should be, as it should be," Lee replied.

Suddenly Boxleitner remembered he should get an autograph for his wife, Melissa Gilbert.

He looked up, but POOF! Lee was gone without so much as an "excelsior!"

greg.mellen@presstelegram.com, 562-499-1291





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