Robert Meeks: May 2009 Archives

Thumbnail image for light.jpgDERRIK J. LANG
AP Entertainment Writer

LOS ANGELES (AP) -- The MTV Movie Awards were a blood bath Sunday night with "Twilight" taking five trophies, including best movie. But it was Sacha Baron Cohen who gave the show it's trademark bizarro moment when he landed upside-down on the lap of Eminem, who may or may not have been deeply offended.

MTV Movie Awards Show_Meek.jpg"Twilight," the popular vampire drama starring Robert Pattinson and Kristen Stewart, sucked up golden popcorn trophies for best movie, best fight, best kiss, breakthrough male performance and breakthrough female performance during Sunday's freewheeling and often-bleeped ceremony at the Gibson Amphitheatre in Universal City, California.

"The fans are the ultimate driving force," Stewart said while accepting her best female performance trophy (which she promptly dropped on the floor, breaking off a chunk of the golden popcorn). Awards were decided by fan votes.

Other winners included "High School Musical 3: Senior Year" star Zac Efron for male performance and his co-star Ashley Tisdale for female breakthrough performance. Miley Cyrus accepted the best song from a movie prize for "The Climb" from "Hannah Montana: The Movie," preventing "Twilight" from sweeping all six nominated categories.

An award new to this year, the "WTF moment," went to Amy Poehler's scene in "Baby Mama" where she urinates in a sink.

But even that was upstaged by Baron Cohen, who flew in on a wire, hanging above the audience. Dressed as flamboyant character "Bruno" in a pair of feathery white wings and his rear end mostly exposed, the comedian crashed into an overhead obstacle and was lowered head-first into the lap of Eminem, his bare hindquarters in the rapper's face.

"Is the real Slim Shady about to stand up?" chirped Baron Cohen.

Eminem seemed visibly upset by the encounter, and members of his entourage roughly removed Baron Cohen as the rapper struggled to get out. But had the self-styled homophobic rapper been punked by Baron Cohen and MTV, or was he in on the elaborate stunt?

Free of the scene, Eminem stormed out with his entourage in tow -- and cameras rolling -- and hit the exits.

Baron Cohen's descent to the audience was included in rehearsals, but Eminem -- who performed Sunday night -- didn't take part in that piece of the run-through. As the rapper stormed off, it sounded as though he was wearing a microphone, and cameras were in position to record his fast exit, but he was not seen or heard from again.

Baron Cohen's publicist, Matthew Labov, had no comment when reached after the show. A spokeswoman for MTV would not confirm whether Eminem was caught by surprise, and representatives for the rapper did not immediately return requests for comment Sunday night.

It wasn't the first tantrum for Slim Shady at an MTV ceremony: Sparks flew when the rapper was interviewed by Triumph the Insult Comic Dog at 2002's MTV Video Music Awards.

Before this year's broadcast, Heath Ledger was awarded the best villain trophy for his twisted turn as the Joker in "The Dark Knight." Jim Carey later won for best comedic performance for "Yes Man." Ben Stiller received the MTV Generation Award, the show's highest honor.

In addition to handing out awards for movies from the past year, MTV debuted new footage from the upcoming films "Transformers: Revenge of the Fallen," ''Harry Potter and the Half Blood Prince" and "New Moon." The highlight of the "Twilight" sequel clip: A newly buff Taylor Lautner transformed instantly into a giant, menacing canine, fans' first look at one of the storyline's werewolves.

Samberg kicked off the show with a movie mash-up featuring cameos from Taylor Swift and Justin Timberlake before launching into an on-stage rap performance in which he attempted to woo a surly-looking Megan Fox in the audience. Samberg later crooned with Will Ferrell during a movie montage that poked fun at "cool guys" in movies who "don't look at explosions" -- and they had more than enough clips to work with, including shots of Duane Johnson, John Travolta, Will Smith, Denzel Washington and several others walking nonchalantly away from a bursting inferno.


On the Net:

http://movieawards.mtv.com
jesse1.jpgLong Beach-based West Coast Choppers owner Jesse James joins forces with Spike TV to take on the grim reaper in his new television series "Jesse James is A Dead Man."

Each episode, starting tonight (May 31) at 10 p.m. on Spike TV, James will prepare for and then engage in a different stunt, event or challenge that carries some significant risk.

As described by producers and coordinators, those risks are the deadly kind.

"If he can't die it's not appealing to Jesse James," executive producer John Brenkus says in a behind-the-scenes documentary. "Everything he does he does to the max and he will not compromise."

At one point in the series James heads to Ensenada to participate in the Baja 500; a 500-mile course over terrain rife with ditches, other crashed vehicles and in some cases, booby traps laid by the locals, say producers.

james2.jpgIn another challenge, he goes to Riverside, CA. to jump a monster truck into house.

Marvel Comics released a promotional one-shot comic book featuring James in a car race against the grim reaper on the streets of Long Beach. 

When it looks like old skull face has the upper hand, James sums up the Spike TV series in two words: He tells Death to "Bring it."


jessecomic.jpg
Jesse James is A Dead Man premieres tonight on Spike TV at 10 p.m.

Some copies of the promotional comic book may still be available at your local comic retailer. For a list of local stores in your area please visit http://www.comicshoplocator.com/


Movie Trailers - Movies Blog
What's tough enough and bad enough to merit an estimated $200 million movie budget and kick Autobot tail?

"The Fallen," of course. Shia LaBeouf and MTV News gives us a sneak peek in this video about the upcoming "Transformers: Revenge of the Fallen."

The movie opens June 20.
wolverinecreed.jpgLOU KESTEN
Associated Press Writer

WASHINGTON (AP) -- The video-game store looks more like a multiplex during the summer months, with just about every blockbuster action movie getting an interactive tie-in. More than half of the films on last week's U.S. box-office top 10 list have related games. Next weekend, you'll be able to watch Pixar's "Up" on the big screen, then grab the game on your way home.

Movie games, deservedly, have a bad reputation, one that hasn't been improved this year by the duds based on "Watchmen" and "Monsters vs. Aliens." And none of the offerings here delivers the kind of quality you get from a truly original production like Sony's "inFamous."

Since none of the movies here are Oscar-caliber, perhaps it's unfair to hold the related games to a higher standard. Then again, most of them cost a lot more than a movie ticket.

--"Terminator Salvation" (Warner Bros., for the Xbox 360, PlayStation 3, $59.99): As John Connor, humanity's future savior, you're on an ill-defined mission two years before the events of the film. With the help of a squad of resistance fighters, you move from one wasteland to another, blasting robots and ducking fire.

For most of the game, you're fighting three kinds of machines, and their patterns quickly become predictable. Occasionally you'll encounter a larger machine, but there's not much strategy involved in taking them down. And you aren't permitted to explore beyond a very restricted, linear path through the adventure, which abruptly ends after a mere five hours. "Terminator Salvation" feels like a classic rush job. Two stars out of four.

--"Night at the Museum: Battle of the Smithsonian" (Majesco, for the Xbox 360, Wii, $39.99): This may be the most laid-back movie tie-in I've ever played. It's essentially a series of puzzles, as museum guard Larry Daley uses his multipurpose flashlight to unlock hidden doors, repair broken artifacts or tame animals.

Besides working your way through the story (barely longer than the movie), you can collect a lot of junk and pick up some dubious history lessons. The gameplay feels flat, and the jokes are really tired. One star.

--"X-Men Origins: Wolverine" (Activision, for the Xbox 360, PlayStation 3, $59.99): Marvel's mutton-chopped man-beast makes a good video-game hero, with his acrobatic moves and built-in weaponry. And Activision has done a fine job of capturing him in this fast-paced hack-and-slash adventure.

Parents, beware: This game is unbelievably gory on the high-definition consoles. The Wii version is less bloody, but also a lot less entertaining. Three stars.

--"Star Trek D-A-C" (Paramount, for the Xbox 360, $10): In this top-down outer-space shoot-'em-up, you pick a side -- Federation or Romulan -- and then fly around blasting other spaceships. The "D-A-C" stands for death match, assault, conquest, the three modes you can play. It's more like multiplayer "Asteroids" than "Star Trek," and it won't hold your interest. One star.


On the Net:

http://www.terminatorsalvationthegame.com/

http://nightatthemuseumgame.com/

http://www.uncaged.com/

http://www.xbox.com/en-US/games/s/startrekdacxboxlivearcade/
    
archiewed.jpgThis is a preview to the cover of Archie #600.

It says it all right there... or does it?  This may not be a done deal -- see the post from Robot 6 about imaginary storylines.  The actual issue in question hits the stores in August.

While this cover is being shown to us, Betty blogs her feelings.  I'm serious... she has a blog.

I don't know what to think about this, but there was reaction from some of my friends.  I asked my homegirl RED about this situation and she says "He chose who? Why would he do that?"

I can't figure out why Archie would want to marry a hot, rich girl.  I have no idea.


Related Post: Is Archie getting married?


Comic Book Auction_Meek.jpgIn this Monday, April 13, 2009 photo, comics, including Batman #8 are shown at Heritage Auction Galleries, in Dallas. The comics, collected by Ralph Chicorel as a child in Detroit, has sold at auction for about $623,000. (AP Photo/Donna McWilliam)

DALLAS (AP) -- A Wisconsin man's collection of about 110 comics from the "Golden Age" -- the late 1930s through the 1940s -- has sold at auction for about $623,000.

Dallas-based Heritage Auction Galleries said Tuesday the comics were sold in an auction that ended over the weekend.

Ralph Chicorel's comics had remained in pristine condition over the years. Chicorel, who lives in Menomonee Falls, said that as a kid he treasured his comics so much that he even carefully turned the pages.

Heritage says one comic in the collection, "Marvel Mystery Comics" No. 9, noted for its cover battle between the Human Torch and the Sub-Mariner, sold for about $108,000.

See related story: Comic collector may earn up to $500,000 in auction
buffy.jpgOver at Entertainment Weekly the comments section on the blog post about the new "Buffy the Vampire Slayer" film is active and growing.  If you check out any of the (currently) four pages of response from the public you'll get the idea that a lot of fans of the Joss Whedon television series are not happy.

Is that putting it too lightly?

Reports are everywhere that Whedon will not participate in this version of the Buffy film, which won't have anything to do with the continuity established in the TV Buffyverse.  That means no Angel, no Spike and likely, no Willow and Xander. 

The clue that Whedon is not in on the story decisions?  His response about the movie via e-mail to EW: "I hope it's cool," he wrote.

Behind this latest remake venture is producer Fran Rubel Kuzui, a producer from the original Buffy feature film and credited executive producer for much of the Buffy series and its spin off "Angel."

The movie would be in association with Vertigo Entertainment ("Dark Water," "Quarantine").  In a Hollywood Reporter story, Kuzui says "Everything has its moment. Every movie takes on a life at some point, and this seems like the moment to do this."

And the time would be right since remakes and reboots are what's getting the clearance for take-off in Hollywood. This new Buffy film is not set up at a studio yet, so Kuzui and Vertigo have their work cut out for them. While It's difficult to get any film made, a movie concept with a track record (TV series, comic book, previous movie) can have a smoother path to the big screen. There's a good chance studio executives would give Buffy a green light -- especially since It may come equipped with a built-in fan base.(?)

However, if the EW comments are any indication, there may be a TV Buffyverse fan revolt in the making.  The lofty challenge for Kuzui and Vertigo is to make this a Buffy film with a new direction and attract enough new fans to offset traditional Whedon-Buffy fans. The gamble was taken and won by the J.J. Abrams "Star Trek" producers.  Can it happen again, I wonder?     
Travel Trip Night at _Meek.jpgIn this film still from the movie, Night at the Museum: Battle of the Smithsonian, released by Twentieth Century Fox Film Corporation, Larry Daley, played by Ben Stiller, left, has a heart-to-heart with Napoleon, played by Alain Chabat, about the latter's plans for world domination. (AP Photo/Twentieth Century Fox Film Corporation, Doane Gregory)

LOS ANGELES (AP) -- New movies "Night at the Museum: Battle of the Smithsonian" and "Terminator Salvation" topped the box office over the U.S. Memorial Day holiday weekend.

The sequel starring Ben Stiller took the No. 1 spot with $70 million over the long weekend while the fourth "Terminator" film came in second with $51.9 million. "Star Trek" held strong in its third week at No. 3 with $29.3 million.

On the whole, it was another strong weekend of business at movie theaters, which have been drawing large crowds throughout the recession. The top Memorial Day weekend at the box office remains 2007, which featured the third "Pirates of the Caribbean," ''Shrek" and "Spider-Man" films.

The top 20 movies at U.S. and Canadian theaters Friday through Monday, followed by distribution studio, gross, number of theater locations, average receipts per location, total gross and number of weeks in release, as compiled Tuesday by Hollywood.com:

1. "Night at the Museum: Battle of the Smithsonian," $70,052,004, 4,096 locations, $17,103 average, $70,052,004, one week.

2. "Terminator Salvation," Warner Bros., $51,943,726, 3,530 locations, $14,715 average, $65,316,217, one week.

3. "Star Trek," Paramount, $29,380,384, 4,053 locations, $7,249 average, $191,014,403, three weeks.

4. "Angels & Demons" Sony/Columbia, $27,413,992, 3,527 locations, $7,773 average, $87,524,618, two weeks.

5. "Dance Flick," Paramount, $12,622,450, 2,450 locations, $5,152 average, $12,622,450, one week.

6. "X-Men Origins: Wolverine," Fox, $9,910,686, 3,183 locations, $3,114 average, $165,164,423, four weeks.

7. "Ghosts of Girlfriends Past," Warner Bros. , $4,767,809, 2,255 locations, $2,114 average, $46,906,154, four weeks.

8. "Obsessed," Sony/Screen Gems, $2,424,470, 1,603 locations, $1,512 average, $66,332,824, five weeks.

9. "Monsters vs. Aliens," Paramount, $2,060,680, 1,434 locations, $1,437 average, $193,706,544, nine weeks.

10. "17 Again," Warner Bros. , $1,292,506, 1,107 locations, $1,168 average, $60,601,427, six weeks.

11. "The Soloist," Paramount, $1,112,075, 654 locations, $1,700 average, $29,507,907, five weeks.

12. "Next Day Air," Summit Entertainment, $780,280, 542 locations, $1,440 average, $9,092,382, three weeks.

13. "Earth," Disney, $656,239, 619 locations, $1,060 average, $30,602,070, five weeks.

14. "Hannah Montana the Movie," Disney, $616,109, 628 locations, $981 average, $77,002,329, seven weeks.

15. "The Brothers Bloom," Summit Entertainment, $495,527, 52 locations, $9,529 average, $618,915, two weeks.

16. "Fast & Furious," Universal, $419,585, 378 locations, $1,110 average, $153,616,625, eight weeks.

17. "State of Play," Universal, $382,285, 278 locations, $1,375 average, $36,284,540, six weeks.

18. "Race to Witch Mountain," Disney, $377,099, 310 locations, $1,216 average, $65,402,038, 11 weeks.

19. "Under the Sea 3-D," Warner Bros., $333,024, 40 locations, $8,326 average, $8,390,160, 15 weeks.

20. "Rudo y Cursi," Sony Pictures Classics, $320,865, 134 locations, $2,395 average, $1,216,084, three weeks.

Here's a nice video segment from The Rachel Maddow Show by Kent Jones about Archie and his upcoming choice to marry either Betty or Veronica.

Ah, the eternal question.


Clip via MSNBC and tip to the clip via Robot 6 by way of Comics Worth Reading.
SURROGATES trailer in HD



The imagery and concept of this film reminds me of movies like "The Running Man" and "Total Recall."  That's a good thing because I like my sci-fi with a little social commentary. 

"Surrogates," based on the comic from Top Shelf by writer Robert Venditti and artist Brett Weldele, depicts a world where people can live their lives through robotic versions of themselves. 

Everything is awesome until someone or something finds a way to kill people through their surrogates.  From the looks of this trailer, Bruce Willis is on the case.

The other cool part is that "Surrogates" is executive produced by actress Elizabeth Banks ("Zack and Miri Make a Porno").  
megashark.jpgThat's definitely Long Beach, oil islands and all.  I hope Deborah Gibson and Lorenzo Lamas can save us from the "Mega Shark and Giant Octopus!"

That's it, we're all jaded now.  See what you've done to us Hollywood?

The constant feed wagon of cookie-cutter films that are the same old same and cast with the usual suspects have driven us mad.  We're so crazy now that we'll celebrate almost anything that breaks from the norm.

Over the years a familiar style of filmmaking has emerged -- I like to call it cinema médiocre (pronounced all French and artsy). 

It's not as bad as it sounds. Unless you're one of the producers of these types of films then it sounds pretty bad.  Allow me to explain...

How much like a 'B' movie can you make your film look or sound like?  Can you make an action movie that channels the campy fun of "The Warriors?"  Can you cast several actors in roles that are blatantly stereotypical (angry police chief, hooker with a heart, dogged scientist determined to save us from Mothra)? Can you make the film (or HD video) you shot with look like it's been in the can since 1975 like the upcoming "Black Dynamite?"

And most important, can you get a few recognizable actors who don't take themselves too seriously?

Remember "Snakes on a Plane?"  I'll bet you do. Folks thought it was cool to see Samuel L. Jackson call snakes a bunch of mother%#@&&!  How many of us lined up to see any one of those "Saw" or "Hostel" movies?

I'm raising my hand. I paid money to see these movies on DVD or at the multiplex. 

Cinema médiocre is my description for films that don't shoot for the stars and don't mind underachieving a little bit if it makes you laugh or scream or... you get the picture.  

By now you've seen the trailer for "Mega Shark vs. Giant Octopus" starring Lorenzo Lamas and Deborah Gibson.  You probably squealed in delight at its so-bad-it's-gotta-be-intentional plot.  A GIANT shark and an even BIGGER octopus?  Who's good, who's bad... who cares?  I just want to see special effects that look like they were made on a Commodore 64.  I want to watch actors play it straight when they say lines like "we're dealing with a menace!"

So yes, I'll say it here and now; I'd rather see 'Mega Shark' on DVD twice than watch another romantic comedy on the big screen.  

Unless, of course, the wife drags me to another romantic comedy.  I'm still on the hook for making her watch "The Spirit."  

I suppose there are limits to the charms of cinema médiocre.

 




On Christmas Day 2009 I will have a chance to redeem myself for going to see "The Spirit" last year.

Sure, the idea of Guy Ritchie at the helm of "Sherlock Holmes" may give you pause, but watch this trailer and tell me you aren't the least bit intrigued. As a director, Ritchie has dropped the ball on some flicks ("Swept Away") and he's been really entertaining with others ("Snatch").  

Robert Downey Jr. as Sherlock Holmes and Jude Law as Dr. Watson?  What do you think?    



CHRISTY LEMIRE
AP Movie Critic

LOS ANGELES (AP) -- We have seen the future in "Terminator Salvation," and the future is noisy.

This fourth flick in the "Terminator" saga takes place in 2018, 14 years after Judgment Day. John Connor is a rising force in the resistance against Skynet, the artificial intelligence network that started thinking for itself and eradicating humanity. He has seen destruction and listened to the recordings left by his mother that foretell his future, but he has yet to send anyone back in time in hopes of stopping it, including the man who will become his father.

(You definitely need to have seen the first three movies to have a clue as to what's going on here. This is no time to play catch-up. Being a fan also helps.)

McG, director of the "Charlie's Angels" movies and "We Are Marshall," drops into this well-established lore and presents a post-apocalyptic world that is repetitively bleak and relentlessly loud. Yes, the machines have taken over, so of course there's going to be a healthy amount of clanging, crunching metal and automatic weapon fire -- but even things that shouldn't be noisy, like the lighting of a flare, sound like a rocket launch.

And Christian Bale steps into the role of John Connor, played previously by Edward Furlong and Nick Stahl, and he ... well, he does the same voice he uses when he dons the black suit for the "Batman" movies, a monotone, guttural growl regardless of the dialogue. Connor's function as Christ figure is clearer than ever in the script from John Brancato and Michael Ferris, who also wrote 2003's "Terminator 3: Rise of the Machines"; nearly everyone who managed to stay alive describes this "JC" as a messiah and a prophet, but not everyone believes it. The metaphor adds yet another layer of portentousness -- but the writers also threw in a couple of classic "Terminator" lines, ostensibly to lighten the suffocating mood. Instead, they're real groaners.

John must find and protect his future father, teenager Kyle Reese (the plucky Anton Yelchin), while also trying to determine whether to trust the mysterious stranger Marcus Wright (Sam Worthington) to help him with this quest. Worthington has the masculine good looks and formidable screen presence to stand strong opposite Bale -- but, naturally, he also has to scream a lot. This installation sorely needs more of the kind of liveliness Arnold Schwarzenegger brought to the franchise.

"Terminator Salvation" does feature some inventive camerawork, though -- McG is a commercial and music video veteran, after all -- and the intricate special effects we've come to expect from the series (the work of the late Stan Winston, who died before the film was finished). Several of the new villainous devices are extremely cool, including the Hydrobots, four-foot-long killer eels that attack under water.

But there's not much here in the way of way of humanity, even with the strong feminine presence of actresses including Bryce Dallas Howard, Moon Bloodgood and Jane Alexander. It seems the machines have already won.

"Terminator Salvation," a Warner Bros. Pictures release, is rated PG-13 for intense sequences of sci-fi violence and action, and language. Running time: 114 minutes. Two stars out of four.


"Terminator Salvation" opens Thursday starting with late showings tonight.
Thumbnail image for sarahconner.jpgFox released its lineup for next season and it will not include "Terminator: The Sarah Connor Chronicles." Meanwhile, fans of writer Joss Whedon and producer-actress Eliza Dushku's "Dollhouse" have reason to rejoice, as the series has been granted a stay of execution.

More than a few in the television media speculated that "Dollhouse" would not be back.  "Dollhouse" survived long odds and returned," wrote San Francisco Chronicle reporter Tim Goodman.  

Episodes of the Whedon sci-fi/action series were aired in a different order than the series creator intended. This made a difference to many who watched "Dollhouse" (like myself) who were confused as to its direction. 

The consensus of critics and fans online is that 'house got better after the fifth episode or so. 

Interestingly, "Dollhouse" seemed to be in a similar position to Sarah Connor after its first season a couple years ago. Despite shaky fan and viewer response, the "Terminator" spin-off series returned and won some supporters. Alas, this season there was not enough heat on the show to convince Fox to keep it for a third season.

I really liked Sarah Connor, but it pushed my trust to the limits in the second half of this season. About five episodes featured these bizarre, claustrophobic, main character studies. The series came back around again in the last four chapters and focused on Terminator mythology and robot action. I was riveted (forgive that) all the way up to the season finale -- an ending that would have changed the direction of the show brilliantly.

Sarah may be gone now, but these things can change if the network hears it from the viewing public.  Especially if the feature film "Terminator: Salvation," which is released Thursday, kicks box office tail.
goldenage.jpgIn this Monday, April 13, 2009 photo, comics, including Batman #1, left, and Marvel Mystery Comics #9 are shown at Heritage Auction Galleries, in Dallas. The comics, collected by Ralph Chicorel as a child in Detroit, will be up for auction this week and the collection is expected to bring $500,000. (AP Photo/Donna McWilliam)

DALLAS (AP) -- As a kid, Ralph Chicorel was careful with the comic books he faithfully bought for 10 cents at the drugstore in his Detroit neighborhood.

"I loved the artwork so much that I took real good care of them. I turned the pages very carefully," the 78-year-old said. "I relished, treasured them."

Chicorel's diligence will likely pay off when 110 or so of the comics he started collecting as an 8-year-old go up for auction soon at Heritage Auction Galleries, an offering that's expected to bring in about $500,000.

The sale will begin Thursday with the most important comics, followed by the rest over the weekend.

"These comic books are all very hard to find and if you do find them you're not going to find them in this kind of condition," said Maggie Thompson, senior editor of Iola, Wis.-based Comic Buyer's Guide.

"Some of these are key comics in the field," she said.

The collection boasts the likes of "Batman" No. 1 and "Marvel Comics" No. 1. The most expensive comic -- expected to clear $100,000 -- is the scarce "Marvel Mystery Comics" No. 9, noted for its cover battle between the Human Torch and the Sub-Mariner -- the first time two superheroes appeared in the same story, said Heritage's director of comics operations, Barry Sandoval.

Experts say most comics from the "Golden Age" -- the late 1930s through the 1940s -- were thrown away or fell victim to World War II era paper drives. And most of those saved were read until they were in tatters or stored in places where light, moisture or heat got to them.

"If a comic book was really good in the 1940s, chances are it got read to death," Thompson said.

In a world where a creased corner could take tens of thousands of dollars off the value, Chicorel's careful treatment of his collection over the years will make it especially coveted.

"They're high grade across the board," Sandoval said.

Chicorel, who now lives in the Milwaukee suburb of Menomonee Falls, said that by the time he turned 16 in the late 1940s, his attention had turned to movie magazines and records. The comic collection that had lined the shelves in his closet was boxed up and put away as life marched on.

He spent a year in the military serving in Korea, attended the American Academy of Dramatic Arts in New York City and eventually returned to Detroit in 1955, marrying and going into the restaurant business. By 1968, he and his wife decided to move their family to Wisconsin to open a Weight Watchers franchise.

Needing money for the move, Chicorel ended up parting with the first half of his comic collection for $3,500, he said. When he sold those 900 or so comics, he thought that was his entire collection.

"The comic book craze was just beginning that year and I didn't know it would skyrocket," said Chicorel, who said two guys ended up bidding on the comics.

Al Milgrom was 18 when his aunt told him that her friend, Chicorel, was selling his comics in 1968. That collection left him in awe, but he didn't end up raising enough money to bid.

"It was an amazing collection -- comics I'd never heard of before, and comics I'd heard of but hadn't seen in person," said Milgrom, now a freelance cartoonist who has worked for the likes of Marvel Comics.

In a matter of days, Chicorel found the rest of the collection, which had also been boxed up in the attic. With no time to do a second auction, he moved them with his family to Wisconsin.

Over the years, he heard that comics were increasing in value. Chicorel, who retired in 1992 and continues a lifelong passion for composing music and lyrics, said that with the downturn in the economy and his advancing years, he decided that it was time to sell the remainder of the collection.

Sandoval said collectors will appreciate that this collection has had only one owner all these years -- the kid who bought them off the newsstands.

For most Golden Age comics, he said, 20 to 200 on average exist today.

"Almost all they made of these were in trash cans long ago," Sandoval said.

On the Net:

Heritage Auction Galleries, www.ha.com
angels.jpgIn this film publicity image released by Columbia Pictures/Sony Entertainment, Tom Hanks and Ayelet Zurer, right, are shown in a scene from, "Angels & Demons." (AP Photo/Columbia Pictures/Sony, Zade Rosenthal)

JAKE COYLE
AP Entertainment Writer

NEW YORK (AP) -- "Angels & Demons" took the box office from "Star Trek" by earning $48 million in its first weekend of release.

The haul was far less than the earlier Dan Brown adaptation "The Da Vinci Code" -- which earned $77.1 million when in opened in 2006 -- but still enough to topple the popular "Star Trek," according to studio estimates Sunday.

In its second weekend, Paramount Pictures' "Star Trek" took in $43 million, a strong number after its $75.2 million opening last weekend, excluding its Thursday midnight screenings. The cumulative total for J.J. Abram's reboot of the sci-fi franchise is $147.6 million.

Sony's "Angels & Demons" reunites Tom Hanks and director Ron Howard for the sequel to "The Da Vinci Code." It opened without the benefit of the buzz and controversy that propelled "The Da Vinci Code" to a $753 million worldwide total.

Overseas business was again strong for "Angels & Demons," which earned $104.3 million internationally. Rory Bruer, president of worldwide distribution for Sony, said the studio expects the film will eventually take in half a billion altogether in theatrical release.

"That chemistry (of Hanks and Howard) worked incredibly well with 'Da Vinci' and it looks like it's absolutely headed in that same vein, certainly on a lesser scale," said Bruer. "We never expected anything to the phenomenon of 'Da Vinci.'"

Like "The Da Vinci Code," reviews were not illustrious for "Angels & Demons," but they were mostly better. Bruer called Brown's action-packed best-seller "a far more cinematic story" than "Da Vinci." In it, Hanks again plays Harvard symbolist Robert Langdon who's trying to prevent a series of murders at the Vatican.

"Sony positioned it well," said Paul Dergarabedian, box-office analyst for Hollywood.com. "They didn't try to say, 'This is going to be "The Da Vinci Code.'" It was actually quite the contrary. They tried to say this was not 'Da Vinci Code,' that it was a different kind of movie."

"Angels & Demons" was the only new wide-release film of the weekend. Coming in third was "X-Men Originals: Wolverine," which earned $14.8 million in its third week, bringing its total to $151.1 million. The prequel to the "X-Men" franchise, starring Hugh Jackman as the mutant with metal claws, had a step drop-off in its second week.

On the whole, it was another robust weekend of business at movie theaters, which have been drawing large crowds throughout the recession. Dergarabedian pegs the year-to-date box office at a 16 percent increase over last year.

"We're headed toward a record breaking summer," said Dergarabedian. "If you've got a blockbuster in the pipeline, you're very happy about all the strength of the box office right now. Momentum is key in this business."

That's good news for the two blockbusters opening next weekend: "Night at the Museum: Battle of the Smithsonian" and "Terminator Salvation."

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Monday.

1. "Angels & Demons," $48 million.

2. "Star Trek," $43 million.

3. "X-Men Origins: Wolverine," $14.8 million.

4. "Ghosts of Girlfriends Past," $6.9 million.

5. "Obsessed," $4.6 million.

6. "17 Again," $3.4 million.

7. "Monsters vs. Aliens," $3 million.

8. "The Soloist," $2.4 million.

9. "Next Day Air," $2.2 million.

10. "Earth," $1.7 million.

Previous entries:

'Star Trek' has galactic $76.5M opening weekend

Leak doesn't keep fans away from 'Wolverine'






lbcomiccon.jpg
The Long Beach Comic Con will make its debut at the Long Beach Convention Center Oct. 2-4, organizers announced Tuesday.

Event planners with Mad Event Management have already set up appearances by artists Amanda Conner ("Power Girl"), Dustin Nguyen ("Detective Comics") and Jimmy Palmiotti (Jonah Hex).  Early scheduled exhibitors are "Fathom" publisher Aspen Entertainment and Fourth Dimension Entertainment.

Along with appearances by well-known and up-and-coming comic book talent, organizers expect guests from the film, television and gaming industries. 

It's been a few years since there was a comic convention staged here in downtown Long Beach. The nearest comic event was Wizard World Los Angeles at the L.A. Convention Center.  The last one was in 2008 -- Wizard cancelled the L.A. show this year.

For more information on the Long Beach Comic Con visit http://longbeachcomiccon.com.


flash_allen.jpgTalk about being out of the loop. 

I've been around some comic stores recently but my April work schedule totally hindered my ability to make the last few Comic Book Club gatherings at Geoffrey's.

It's a shame too, because I missed our talk about writer Mark Waid's "FLASH: THE RETURN OF BARRY ALLEN."  Old school Mark Waid years before he became BOOM! Studios' Editor-in-Chief and and even longer before his recent step to the dark side as the writer of "Irredeemable."

This collection of "The Flash" issues #74-79 is a testament to the art of telling the monthly comic book story and carrying it into the next issue. This run not only illustrated Waid's ability to set up a world and character in a few sentences, it showed off his talent for starting a story at the best possible point. Once you're introduced to Wally West and know he's the fastest man alive (usually), it's time for some action.

Trade paperbacks of this kind run more than a hundred or so pages, so I usually expect to put it down and come back later.  Nope, didn't do that.  I read this in a single sitting because it's The Return of Barry Allen (the O.G. Flash before Wally West (Kid Flash) took over) and if you were traumatized like I was after Allen's death in Crisis on Infinite Earths, then you would also want to know what the deal was.

If something was on the stove let's just say your boy would've been calling the fire crews.

Obviously, this wasn't a story I read when it originally dropped in the early 1990s, so yeah, I missed out.

Note: Please don't confuse this work with the current return of Barry Allen to active DC Comics continuity. We'll discuss that another day.

Now, as per tradition... the casting of Flash: The Return of Barry Allen courtesy of the Comic Club M.C. Geoffrey Patterson Jr.:

Barry Allen - Guy Pearce

Jay Garrick - David Strathairn

Wally West - Ryan Reynolds (soon to play Deadpool again.)

Johnny Quick - Brad Pitt (Despite the expense, some believe if the role is good enough then Pitt would do it.)

Green Lantern - Adam Baldwin (alt. Matthew Fox "Lost")

Max Mercury - Christopher Lloyd ("Back to the Future")


Hold up... CHRISTOPHER LLOYD???

"You'll have to read a lot of 'Flash' comics to understand my answer to this," Patterson said. "He's exactly like Doc from 'Back to the Future' except he can run fast."

All right, I'm sold.


EXmachina.jpgNext: On Tuesday at Geoffrey's Comics, the Comic Club discusses "Ex Machina, Vol. 1: The First Hundred Days."







spockpope.jpgYoung Spock challenges a creature on the planet Vulcan in Paul Pope's "When Worlds Collide" for Wired magazine.  The May 2009 issue of Wired was guest edited by "Star Trek" director J.J. Abrams.  Read the comic online here.

What can I say about the new "Star Trek" film that hasn't already been said in print, over the interwebs or on the tube already?

You've heard it's good -- Well darn right it is. This picture is good enough to inspire at least one more viewing out of me.  Yeah me, the guy who is growing weary of the constant stream of big screen remakes.

Director J.J. Abrams and crew pulled this project off. "Star Trek" managed to be nostalgic and boldly new at the same time.

Comic writer and artist Paul Pope ("Heavy Liquid," "100%") created a six-page Star Trek comic prequel "When Worlds Collide: Spock confronts the ultimate challenge" for Wired magazine. Trek film fans who are also comic fans should peep it out for two big reasons:

1. It's work by Paul Pope, so why wouldn't you?
2. And yes, it should make you want to see "Star Trek."

Once again, read the comic online at Wired here.
Star Trek_open.jpgMoviegoers wait in line to see the first public showing of "Star Trek" in IMAX at Universal CityWalk in Los Angeles on Thursday, May 7, 2009. "Star Trek" opened in theaters Friday, May 8 but some theaters began showing the film as early as 7 PM Thursday. (AP Photo/Matt Sayles)

CHRISTY LEMIRE
AP Movie Writer

LOS ANGELES (AP) -- "Star Trek" beamed itself up to the top of the box office, earning $76.5 million in its opening weekend.

Paramount Pictures had estimated that the movie would make about $50 million for the weekend, but figured that strong reviews helped carry it to the bigger opening.

Director J.J. Abrams' reboot of the beloved sci-fi franchise made $72.5 million from Friday through Sunday, plus $4 million just in pre-midnight screenings Thursday, the studio said Saturday. That cumulative figure includes a record $8.2 million in IMAX showings.

"Star Trek," which reveals the back stories of Capt. Kirk, Mr. Spock and the rest of the crew of the U.S.S. Enterprise, is an unusual blockbuster that pleased critics, too, receiving 96 percent positive reviews on the Rotten Tomatoes Web site.

"Last year 'The Dark Knight' and 'Iron Man' both were embraced by critics as incredible filmmaking as well as big action-adventure movies. This one has been even better reviewed," said Paramount vice chairman Rob Moore. "You look at the level of critical response and the audience reaction, we definitely feel like the movie is set to play into Memorial Day and into the summer."

Moore said he expected the movie, which had a $140 million budget, should gross over $200 million total this summer, even with competition like "Terminator: Salvation" coming on May 21 and "Harry Potter and the Half-Blood Prince" arriving in theaters July 15.

Abrams got it right, he said, by appealing to both hardcore "Star Trek" fans as well as moviegoers who may not have been familiar with the 1960s television series and the many movies and TV spin-offs it spawned. It stars Chris Pine as Kirk and Zachary Quinto as Spock, and features an appearance by Leonard Nimoy as an older version of the half-Vulcan, half-human Spock.

"It just shows you how talented he is and what a great movie he made," Moore said.

"Star Trek" also beat the $6.3 million record "The Dark Knight" set in its opening weekend on IMAX screens last year.

"The DNA of this movie and the DNA of the 'Star Trek' franchise work perfectly together and are very much a complement to what IMAX has accomplished," said Greg Foster, chairman and president of IMAX Filmed Entertainment. "IMAX was a company that had a sort of older-school, older-fashioned approach to things and we hipped it up and reinvented ourselves, if you will. That's precisely what J.J. Abrams and Paramount did with 'Star Trek.'"

The fact that the "Star Trek" haul improved from $26.8 million on Friday to $27.4 million on Saturday is a good sign, said Paul Dergarabedian, box-office analyst for Hollywood.com.

"Sometimes you will see a movie drop big-time," Dergarabedian said. "What this 'Star Trek' is going to have is legs, a rare commodity in this world where every week there's a new blockbuster."

As expected, last week's top film, "X-Men Origins: Wolverine," came in at No. 2 with $27 million. The prequel to the "X-Men" franchise, starring Hugh Jackman as the mutant who slices and dices his enemies with his metal claws, has made nearly $129.6 million in two weeks.

"It's the same weekend drop as ('X-Men: The Last Stand'), the last one. That tends to be what fan-based movies do," said Chris Aronson, senior vice president of domestic distribution for 20th Century Fox. "To have $130 million in the first 10 days is sensational. We think we withstood the attack of 'Star Trek,' if you will, and will settle into a long, successful run."

The week's other new wide release, the stoner comedy "Next Day Air," came in at sixth place with $4 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Final figures will be released Monday.

1. "Star Trek," $72.5 million.

2. "X-Men Origins: Wolverine," $27 million.

3. "Ghosts of Girlfriends Past," $10.45 million.

4. "Obsessed," $6.6 million.

5. "17 Again," $4.4 million.

6. "Next Day Air," $4 million.

7. "The Soloist," $3.6 million.

8. "Monsters vs. Aliens," $3.4 million.

9. "Earth," $2.5 million.

10. "Hannah Montana: The Movie," $2.4 million.
randys.jpgIs Iron Man kickin' it at Randy's Donuts in Inglewood?

On a Twitter post by "Iron Man 2" director Jon Favreau there's a photo of the iconic giant donut on top of Randy's. That donut is particularly iconic to 405 Freeway drivers with intense sugar cravings. For me, It's a sign that I have arrived in the city of Inglewood.

Anyway, thanks to photos from People and some sleuthing by MTV Splashpage the theory is that one of the small figures resting in the big donut is Robert Downey Jr. in partial Iron Man attire (Pictured on the right).

In the Marvel Comics universe Tony Stark A.K.A. Iron Man doesn't spend much time in Southern California but in the movie-verse he does.  So it stands to reason there would be a scene at Randy's. (Quite aThumbnail image for 050709_ironman2.jpg few other flicks shoot there too.)

Marvel also released a shot of Downey Jr. to fire up fans for May 2010 when the sequel is released.

Check out the different sets of armor in the background of that image below.



ironman2new.jpg

TREK.jpgThis guy doesn't like anything.

At least that's what I heard about one notably churlish customer at Geoffrey's Comics who had seen an early screening of J.J. Abrams' rebooted "Star Trek."

Turns out he thought it was pretty darn good.

During comic day Wednesday this week I picked up some new titles and talked with customers and employees alike about the latest summer blockbusters; "X-Men Origins: Wolverine" and "Star Trek."

The love for "Wolverine" was dicey, but almost everyone was interested in seeing the new Enterprise crew in action this weekend.  This enthusiasm for the "Star Trek" film -- which intends to draw new fans while satisfying stalwart ones -- is shared by most of the critics I've read this week.

Kenneth Turan of the LA Times says:

"this 'Star Trek' has in general bridged the gap between the old and the new with alacrity and purpose."
The Los Angeles Times review.


Mick LaSalle at The San Francisco Chronicle says the flick can give you goosebumps:

"The emotions they (younger Kirk and Spock) incite are as strong as ones associated with the most beloved historical figures, and the great thing about the new 'Star Trek' movie is that the filmmakers know it."
The Chronicle review.
 

Associated Press film reviewer Christy Lemire admits there are some plot holes but gives the movie credit for jumping over them:

"It's a daring and exciting approach that's sure to tickle and provoke purists, while at the same time probably cause neophytes to feel a bit lost."
Read the entire AP story.


Roger Ebert called "Star Trek" fun but doesn't dig some of the science in this science fiction:

"like so many franchises, it's more concerned with repeating a successful formula than going boldly where no 'Star Trek' has gone before."
Get the skinny from Mr. Ebert here.

Not bad, huh?  I guess I'll have to see for myself.
trek10.jpgZachary Quinto as Spock, left, and Chis Pine as James T. Kirk are shown in a scene from, "Star Trek." (AP Photo/Paramount Pictures, Industrial Light & Magic)

CHRISTY LEMIRE
AP Movie Critic

LOS ANGELES (AP) -- J.J. Abrams' hugely anticipated summer extravaganza "Star Trek" boldly goes to the past within the distant future of the "Trek" universe, years ahead of the TV series and the myriad movies and spin-offs it spawned.

And in doing so, he and his longtime collaborators, writers Roberto Orci and Alex Kurtzman, change everything you know -- or obsess about, if you're into this kind of thing -- about the kitschy pop-culture phenomenon.

It's a daring and exciting approach that's sure to tickle and provoke purists, while at the same time probably cause neophytes to feel a bit lost.

A major plot twist pops up -- which includes the arrival of Leonard Nimoy -- about halfway through the film, a twist that doesn't exactly work and from which the film never completely recovers.

Having said that, Abrams clearly aimed to appeal to the broadest possible audience with this dazzling visual spectacle while also leaving plenty of Easter eggs for the hardcore fans to find. If there's any social or political subtext, as in the original series, it's difficult to determine; this "Star Trek" seems solely made to entertain. It's an absolutely gorgeous film with impeccable production design -- the lighting is wondrous, almost heavenly -- and lovely, tiny details frequently emerge from within the larger, grander images.


Ryan_Reynolds.jpgActor Ryan Reynolds portrays the "merc-with-the-mouth" Deadpool in "X-Men Origins: Wolverine."

I hope I'm not damaging anyone's "Wolverine" fun by telling you about a sequel idea that may be the worst-kept film secret ever.

More than a few folks were coming up to me at the office asking when there would be a "Deadpool" spinoff movie in the works starring Ryan Reynolds after "X-Men Origins: Wolverine."

The Hollywood Reporter has a story on it here. Hopefully, this information won't spoil anything for you X-movie movie fans but I would find it hard to believe you didn't know this already.


Photo By Getty Images -- edited for Robert's lack of grammatical agility.
 
Just thought I would drop everyone an update on Free Comic Book Day last Saturday and share some pics as well.

pulp sign.jpgAt Pulp Fiction in Long Beach the FCBD copies of Avengers and the Green Lantern offering Blackest Night went quickly, said owner Mike Lerner.  Also, visitors filled two large barrels with food donations for the Food Bank of Southern California.

"I started pulling out some long comic boxes and filled up those as well," Lerner said. "People were bringing bags of food. Everybody was really cool and went along with it."


Geoffsfcbd.jpg
Geoffrey's Comics over in Gardena had a bit of a line on Free Comic Book Day (see pictures) and store owner Geoffrey Patterson (In Captain Greedy attire) enlisted a little super-help to manage the flow of customers. 

As for superhero guests? It was cool to see Iron Man and Wolverine in the house.

By the way, are there any trade paperbacks left for me after the sale, guys?




comicbug1.jpgAt The Comic Bug in Manhattan Beach, inker Scott Koblish (Final Crisis: Legion of 3 Worlds) and artist Jamilyn were in the house doing sketches and signing along with a host of others (see last week's post).

Susan Weyl, a local ambassador from the Hero Initiative -- a non-profit organization that raises funds to support comic creators who are down on their luck -- was at the Bug on behalf of Hero.  She let me know that Ralphs shoppers and comic fans who wish to support the Hero Initiative can arrange to have donations contributed every time they use their Ralphs Rewards card. I understand it costs nothing to consumers to have the Hero Initiative set up as your charity of choice (Ralphs makes the contribution) when you use your cards.

"Every time they shop they can be a hero for supporting our organization," Weyl said.

Rewards cards will have to be re-set and instructions for interested parties can be found here

Writer Joshua Dysart (Unknown Soldier) couldn't make it to Bug due to scheduling conflicts. I hope to catch him next time he comes around to talk about his fine work on Unknown Soldier.

batmanandrobin.jpgWhile waiting in line outside of The Comic Bug it was nice to see Batman and Robin come out to greet the guests. Who knew Batman had such a sense of humor? (He asked me where my Green Lantern costume was -- I told him I wimped-out and left it at home.)

Maybe I'll get my Lantern on next year -- Ha! 













wolverinecreed.jpgI asked my friend last night "what's up with that Wolverine?" he said "nothing, I'm still waiting on the next issue of Wolverine:Old Man Logan ."  I meant to ask if he's seen the movie X-Men Origins: Wolverine,  and that would be his way of saying "heck no."

The reviews haven't been kind, but audiences have.  Box office estimates have X-Men Origins: Wolverine earning $85.1 million for its opening weekend. A monetary success by some standards. The currency of the X-Men movie franchise fares well due to the big take this weekend but not because Wolverine was particularly great. 

I watched it last night and while it is not fair to compare every film in the superhero genre to each other it has to be said that this film would have been completely acceptable two years ago, but today?  Just when I think more comic-based movies were turning the corner in quality of storytelling, we take a few steps back.  Don't get me wrong -- I have no illusions about who X-Men Origins: Wolverine is made for, but a scene that ends with a slow motion walk away from an explosion? 

Even music videos don't do that anymore.

All in all It was OK. The character cameos from other parts of the Marvel mutant universe were fun.  The performance standouts for me were Hugh Jackman in the title role of course, and the criminally under-utilized Liev Schreiber as Victor Creed.


Terminatorsalv.jpgSlashfilm visits the Terminator: Salvation set

Peter Sciretta of Slashfilm invites readers along for his visit to the set of Terminator: Salvation and offers story background along with behind-the-scenes designs and pictures.

This primer is sorely needed by myself and fans alike who either did not see the last film or haven't seen anything Terminator in so long they have forgotten what the big deal with John Connor is anyway.

You know he's the savior of humankind and the leader of the resistance against the machines, but not at the point we catch him in this film.  All that stuff is going to happen, but the story behind it is the one I'm interested in seeing and I suspect you are too.  Especially we few fans of Terminator: The Sarah Connor Chronicles.

Some may just see this flick because Christian Bale is in it and I guess that's a good enough reason for most.

Sciretta will have posts over the next several days with video interviews from Salvation cast and crew.  

  
Film Summer Action_Meek.jpgDERRIK J. LANG
AP Entertainment Writer

LOS ANGELES (AP) -- Not even pirates can stop Wolverine.

Audiences weren't deterred from watching "X-Men Origins: Wolverine" on the big screen despite a full-length version of the superhero prequel clawing its way online last month.

The 20th Century Fox movie grabbed the No. 1 spot at the weekend box office with an estimated $87 million opening, toppling the first two "X-Men" films -- but not the third, according to studio estimates Sunday.

While copies of the work print, which Fox said was "without many effects, had missing and unedited scenes and temporary sound and music," continue to appear on several file-sharing Web sites, movie-goers still lined up to see how the feral "X-Men" bad boy played by Hugh Jackman was first outfitted with his razor-sharp paws.

"I started watching it online but didn't finish because it didn't have any of the special effects," Jason Nguyen said outside of the AMC Burbank 16 before a Friday show. "It seemed like something you would just watch on the DVD after seeing the real movie. I just didn't think watching that would compare to watching the finished one with all the special effects."

Another movie-goer, Christina Ruiz, said outside the Pacific Theatres Glendale 18, that she didn't think watching a movie on the Internet "really compares to watching it in a movie theater, and just because you watch something online doesn't mean you're not going to go to the movies. It's different."

"I really liked the first 'X-Men' movies and went to see them with all of my friends," Ruiz said.

FoxNews.com chief entertainment columnist Roger Friedman and the Fox News organization "mutually agreed to part ways immediately" after Friedman boasted about watching the movie's leaked version at his desk.

"It took really less than seconds to start playing it all right onto my computer," Friedman wrote in his Fox 411 column on FoxNews.com last month. "I could have downloaded all of it but really, who has the time or the room? Later tonight I may finally catch up with Paul Rudd in 'I Love You, Man.' It's so much easier than going out in the rain!"

After the work print was leaked, studio co-chairman Tom Rothman told Entertainment Weekly the pirated version was "about 10 minutes shorter" than the complete theatrical version. But the running time for the theatrical version -- 107 minutes -- was exactly the same.

"If they watch (the leaked work print), will they get the story? Sure, but there are 400 visual-effects shots that aren't complete and Harry Gregson-Williams' score isn't in the movie," director Gavin Hood said. "So I almost want to say, 'Why did you do this to yourself? You're such a fan of Wolverine, why do you want to see something that isn't ready?'"

Other than the completed effects and sound, possibly the biggest difference between the two versions are secret endings. Hood said two different post-credit "Easter egg" scenes play on separate prints. The leaked work print's final scene stars Wolverine, but another ending exists that features the film's villain.


AP Entertainment Writer Sandy Cohen contributed to this story.

On the Net:

http://www.x-menorigins.com/
avengers.jpgFree Comic Book Day is a national event in which participating national and international comics retailers give away select comics (while supplies last) on the first Saturday in May every year.

And that is only a day away.

Some local comic stores will have special guests and offer special gifts for customers. But the important thing is that most will offer free titles from Marvel (Avengers and Wolverine), DC Comics (Green Lantern Blackest Night #0 and the DC Kids Mega Sampler), Top Cow (Cyberforce/Hunter-Killer preview) and others.

This list is not a comprehensive roundup of every retailer in the Long Beach or South Bay area who are participating but these are the ones I visit: 


Pulp Fiction (4501 E. Carson St. Long Beach, CA., 562-496-3343)

Comic book lovers and those in need of food will benefit this Saturday.

Along with giving away a bunch of comics Pulp Fiction owner Mike Lerner will be collecting donations for the Food Bank of Southern California from 10 a.m. to 6 p.m.

Lerner said customers who make Food Bank donations will get additional free merchandise, including comics, movie passes, coffee and cup cake vouchers and other surprises. Monetary and non-perishable food donations will be accepted.

fcbd09.jpgI should mention that the movie passes Pulp Fiction will give out to Food Bank donors is for a midnight showing of "Battle Royale" at the Art Theater (2025 E. 4th St. Long Beach CA. 90814, 562-438-5435).  This film is not for the kids. However, for adult fans of "Battle Royale" who may want a chance to see it on a bigger screen than the one in their living rooms these tickets would be cool indeed.

Visit www.pulpfictiononline.com for more information.


Geoffrey's Comics (15900 Crenshaw Blvd. Suite B Gardena, CA., 310-538-3198)

For Geoffrey's Comics  FCBD starts from noon and goes to 8 p.m. In honor of "X-Men Origins: Wolverine" opening this weekend they will have an appearance by Wolverine and he'll have Iron Man there just in case things get rough.

Don't worry If the free stuff goes fast (Geoff Jr. says that's not likely) Geoffrey's is selling everything except new books for 30 percent off. So if you missed any trades that you want (I know I have) then Geoffrey's is the place for you.  DVDs will be 50 percent off and there will be an additional 30 percent off already discounted trades.

Enough from me, the flier can be found here.


Metropolis Comics (16509 Bellflower Blvd., Bellflower, CA., 562-263-0277)

Metropolis Comics will have free comics as well as signings, sketches and appearances from Joshua Fialkov (writer, "Rampaging Wolverine" and "Cyblade"), artist Brett Nance ("S.P.a.Z." and "Man-Boys") and some creators from The Antidote Trust entertainment collective and "The Wicked." The fun starts at 11 a.m.

Check out the press release for signing times.


The Comic Bug (1807 Manhattan Beach Blvd., Manhattan Beach, CA., 310-372-6704)

I spoke with The Comic Bug co-owner Mike Wellman yesterday and he mentioned so many special guests doing sketches and signings on Free Comic Book Day I could barely keep up.

I may not be able to list them all, but here are some: Writers Joshua Fialkov ("Cyblade" and "Rampaging Wolverine") and Joshua Dysart ("Unknown Soldier"), artists Scott Koblish ("Final Crisis: Legion of Three Worlds"), Chris Moreno ("Toy Story") and Rafael Navarro ("Gumby").

Wellman says artists Rafael Gonzalez and Jamilyn will be doing sketches for customers as well.

I am told that Joshua Dysart may have some copies of Unknown Soldier #7 to give away to certain guests.  If I have not said enough about that series yet let me tell you it's darn good.

www.thecomicbug.com/index.php


Amazing Comics & Cards (5555 Stearns St. Long Beach, CA., 562-493-4427)

This is my usual haunt and I will likely drop by. Amazing will be participating in FCBD and I hear there may be a superhero or two in the house.


Comic Cult (12329 Imperial Highway, Norwalk CA., 562-868-2772)

Comic Cult will be involved in FCBD again this year and will be open their regular Saturday hours from 12 p.m. to 6 p.m.

About this Archive

This page is a archive of recent entries written by Robert Meeks in May 2009.

Robert Meeks: April 2009 is the previous archive.

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