Ryan Riley: November 2008 Archives

By Ryan Riley, Contributor

The movie "Twilight", based on the novel by Stephanie Meyer, did very well for itself on its opening weekend, raking in almost 70 million dollars from legions of loyal fans. And, as my colleague Robert Meeks pointed out in an earlier column, "True Blood", a series based on the Sookie Stackhouse novels by Charlaine Harris, is gaining a large following of its own on HBO. Thanks largely to these new franchises, vampires are once again at the forefront of the collective imagination of the public.

Ever since the publication of Dracula by Bram Stoker, there have been many variations of how vampires have been portrayed in modern fiction. While comic books are by no means the first medium to dally with the bloodsucker set, there are a prodigious amount of vampire stories in comics. Despite misguided attempts at combining the vampire concept with barely-clothed female protagonists back in the 1990's (Vampirella being the most prominent), there have been some very well-conceived and superbly written vampire comics.

I'm going to open up by saying that I won't be highlighting the Anita Blake: Vampire Hunter comics in this article, not because I don't feel it's a good example of a vampire comic but because the stories are mainly adaptations of the Anita Blake novels by Laurell K. Hamilton. The characters I will be covering are either exclusively featured in comic books or (in the case of Dracula) original takes on existing characters.

*There are spoilers ahead in some of these examples. If you'd rather read the stories before reading these recaps, you might want to hold off on reading the rest of this story too closely.


Dracula, various comics

These stories are available in Essential Tomb of Dracula Vols. 1-4, Batman/Dracula: Red Rain, The League of Extraordinary Gentlemen Vols. 1 & 2 and Planetary: Leaving the 20th Century.

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There have been many different takes on the concept of the vampire since Bram Stoker introduced Dracula to the world. Not surprisingly, many of these stories have alternately retold and/or reinvented the origins of the old-school vampire himself.

The most enduring comic book version of Dracula was introduced in Marvel Comics in Tomb of Dracula by writer Gerry Conway. This iteration of the character had far-out powers outside of the normal enhanced strength & speed of a normal vampire, like the ability to generate electrical storms and control the minds of animals & other vampires. These powers served him well against foes like Blade, Spider-Man, Apocalypse and the X-Men.

Compared to Marvel, DC Comics has only briefly dabbled with the character. They used the vampire lord in an Elseworlds story that pitted him against Batman called Batman/Dracula: Red Rain, where Batman becomes a vampire and slays Dracula to take his place as the ruler of all vampires.

Alan Moore proved that the mere mention of Dracula evokes a certain presence through his portrayal of Mina Murray in The League of Extraordinary Gentlemen. Artist Kevin O'Neill's pencils blended effectively with Moore's writing to show how haunted Murray is by her encounter with the Count. Her very demeanor shows that dealing with the aftermath of Dracula's actions can be just as deadly as dealing with the man himself.

Warren Ellis, on the other hand, didn't mind using the Count to illustrate that there is always someone bigger & badder out there, as he did in Planetary. Elijah Snow discovered the existence of an "illuminati" type group consisting of Dracula, Sherlock Holmes, The Invisible Man and others. When he sought out Holmes to convince him to drop out of the conspiracy, Dracula appeared and attacked Snow, only to be flash-frozen and have his frozen crotch kicked out from under him.


Cassidy, Preacher

These stories are available in all 9 trade paperback volumes of Preacher.

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Although Cassidy is not the main character of this Vertigo title, he nonetheless teaches readers the lesson that long life does not always bring about greater wisdom. Born in the year 1900, Proinsias (yes, that's his first name) Cassidy joined the Irish Republican Brotherhood at age 16 as they engaged in an armed insurrection in Dublin in 1916. He and his older brother escaped the ensuing offensive by the British Army only to be attacked by a vampire. He survived the attack, became a vampire himself and emigrated to the United States, where he ditched his first name and spent roughly two decades drinking in the same pub. Eventually, he borrowed the novel "Dracula" from a friend and finally grasped exactly what he had become.

Cassidy doesn't exactly resemble what you'd expect from a typical vampire. He doesn't have fangs, loves the taste of garlic and isn't permanently harmed by stakes or even beheading. He does have a hunger for blood (which can be sated by a blood-rare steak for the most part), and if he is caught in direct sunlight he'll "...go up like six tons of Semtex."

In between meeting notables like William S. Burroughs and Dylan Thomas, Cassidy turned out to be a real jerkstore. He did enough drugs over his extended life to give an overdose to a dozen men, used his super-strength to permanently injure more than one girlfriend and betrayed more than his fair share of friends. Despite all of these sins & shortcomings, he managed to get his act together for at least a little when he befriended Jesse Custer and aided him in his quest to find an errant God.


Morbius, The Amazing Spider Man

These stories are available in various Marvel comics, including The Amazing Spider-Man, Ghost Rider & Blade.

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The character of Morbius differs slightly from most other vampires in that his origins are not supernatural. Scientist Michael Morbius had a rare blood disease that he was desperate to be rid of. He created what he thought would be a cure for his malady and used it on himself. It worked, but a side effect of the cure turned out to be much worse than the actual disease. His body underwent physical & chemical changes that gave him many of the attributes of a vampire, including pale skin, enlarged canine teeth, a need to avoid sunlight and a thirst for blood.

So what was the reason for having a character that had all of the characteristics of a typical vampire without the supernatural origins? Blame the now-defunct Comic Code Authority. Morbius was conceived before the CCA was relaxed enough to allow Marvel to use Dracula, and one of the stipulations of the original code limited the use of characters & stories with supernatural origins. So to get around this condition, Marvel simply created Morbius to be a vampire with biological origins instead of occult.


The Confessor, Astro City

This story is available in Astro City: Confession.

Astro City - Confessor.jpg

When young Brian Kinney moved to Astro City, he was looking for a more exciting life than living in a small town could afford him. He had no idea that his path would lead to him becoming the Altar Boy, sidekick to the mysterious Confessor. In true Batman-style, the Confessor schools Brian in martial arts, forensics & detective skills. Also like the Dark Knight, the Confessor manages feats like disappearing in an instant and scaring a confession out of a perp by simply staring into their eyes. But unlike Batman, these abilities are a fringe benefit of his being a vampire, a secret he has gone out of his way to conceal from the criminal underworld.

Having arrived in Astro City in 1869, the catholic priest that would become the Confessor was seduced by a woman that turned out to be a vampire. She fed on him and left him for dead, but he rose three days later. After living in isolation for a century, he took inspiration from the superheroes that were starting to make Astro City their home and took up his own crusade against crime. Despite the fact that he is a vampire, he has a cross emblem on his costume. The cross is painful for him to bear, but the pain serves as both a means of mortification for his original sin and as a focus to keep him from feeding on human blood. His vampiric nature was revealed during a covert alien invasion, and he sacrificed his life to reveal their ruse.


Alex Elder, Crimson

This story is available in Crimson: Loyalty & Loss.

Crimson.jpg

Crimson is possibly one of the most unique vampire stories in any medium. It not only revels in the supernatural lore of vampires, but manages to weave dragons, angels and the story of Adam & Eve into the origin of vampirekind.

Before the creation of mankind, God created another race called the Grigori to have dominion over the Earth. But the Grigori were soulless and unwilling to worship God, so he created humankind and gave stewardship of Earth to them instead. One of the Grigori, Ekimus, found a human woman named Lisseth, who was created to be Adam's mate but was ultimately rejected in favor of Eve. The two mated, and their offspring would become the basis for the vampire race.

The main character of the story, Alex Elder, was on a life path not unlike the one described in the Suicidal Tendencies song "Institutionalized" before he and his friends were attacked by vampires in Central Park. Ekimus saved Alex from being killed with his friends, but not before he would become a vampire himself. Sensing something special in the neophyte, Ekimus, with the help of the manic Vampiro Joe, takes it upon himself to train Alex in the use of his abilities. Some of the abilities Alex has are unique to him, such as flight and firecasting. With an adversary like a vampire lord that is also a powerful U.S. senator, he'll need all the advantages he can get.


Marlowe and his followers, 30 Days of Night

This story is available in the graphic novel of the same name.

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Anyone who has seen the movie "30 Days of Night" knows what the book is all about. For anyone that hasn't checked out either, it's about a group of vampires discovering that because of Alaska's proximity to the North Pole there is a time of year when the sun will set and not rise again for roughly a month. The vampires get wind of this and make a plan to cut off all escape routes & communications in the small town of Barrow, Alaska. They then proceed to go on a feeding frenzy that will be uninterrupted by having to seek shelter from the sun.

In this story, the vampires have been all but made extinct by centuries of conflict with humans. It is this fact that leads Vicente, the leader of the vampires, to go to Barrow and stop Marlowe's gang from their feeding. As with Cassidy from Preacher, none of the supernatural means of eliminating vamps will kill these vamps. Only a beheading, a beating from a fellow vampire or sunlight will take one out. One of the human protagonists, Eben, injects himself with a vial of vampire blood to become a vampire and manages to kill Vicente and save the remaining Barrow residents.


Let us know what you think!

Readers, you should know the drill by now. If there's any books or characters you think I left out of this article (and I know there are), leave us some feedback in the handy comment section below.

By Ryan Riley, Contributor

With the last few Required Reading columns I've written, I've made a conscious effort to point out aspects of comic books past & present that have at least a passing relevance to current social and/or political events. The presidential election earlier this month inspired quite a few of them, but now that a new president has been elected I knew that it was time to look elsewhere for inspiration.

Oddly enough, it is the rather glaring backlash from a state proposition in the recent election that served as a partial impetus for this column. Proposition 8 overturns a May state Supreme Court decision that makes it unconstitutional to limit the definition of marriage to a union between a man and a woman. The initiative passed by a narrow margin. Since the election, there has been an undercurrent of discontent among Prop 8 opponents that has manifested in a series of protests all across the state.

The second inspiration for this article came from an announcement made on this very blog regarding the development of a new TV series. "Hero", a book by Perry Moore that details the life of a gay superhero, was recently optioned for development by Showtime and will be produced by Stan Lee.

Here are some of the more memorable gay characters in comics. (Note: there are a few spoilers for the comics "Runaways," "Ultimate X-Men and "Watchmen.")


Starting at the top

The venerable Alan Moore has tackled the topic of homosexual superheroes on more than one occasion throughout his storied career. Here are a couple of examples:

Silhouette, Captain Metropolis & Hooded Justice, Watchmen

This graphic novel is available in just about every book store.

Watchmen - The Minutemen.jpg

There aren't any major players in this book that are homosexual, but if you read the supplemental materials after each chapter, some of them make reference to members of the Minutemen that were gay. The highest profile of these was the female hero known as Silhouette. After a short time with the group it became public knowledge that she was a lesbian. The other Minutemen were convinced by their publicist to expel her from the group to avoid a PR fiasco, and she was subsequently killed by one of her old enemies. When asked about this in an interview many years later, Sally expresses her shame in agreeing to the decision, given that two other Minutemen were closeted homosexuals. She doesn't mention them by name, but there is a note from Sally's manager that identifies them as Hooded Justice and Captain Metropolis (read carefully, as the reference is so veiled that you might just miss it if you blink).

By Ryan Riley, Contributor

The Haunted Caves - Promo image.jpg

We have a local comic book writer signing over at Pulp Fiction Bookstore near Long Beach City College. Sammy Montana, one of the creators of the horror comic The Haunted Caves by Devil's Due Publishing, will be signing copies of the book at the store starting at 1:00 p.m. on Saturday, November 8. Be sure to come on down and give one of our local comic creators some support. In case you missed my column spotlighting Pulp Fiction, here is the location map once again.

Pulp Fiction Map.jpg

I'll be at the signing to interview Sammy for the blog and will probably hang out for a while afterward, so if you're a regular reader of the blog don't be afraid to say hello. I'd love the chance to chat with you guys, and you might even catch Robert Meeks (the originator of the Modern Mythology blog) there filming the action as well.

By Ryan Riley, Correspondent

The presidential election has finally come and gone. Citizens turned out in record numbers to vote for their candidates and ballot initiatives of choice, and history was made at the polls with the election of Barack Obama. In the spirit of putting what seemed like an eternity of political commercials and discussions behind us, this will be my last attempt to connect politics and/or elections with the world of comic books. This column will recap the last attempt by a major comic book company to use fan voting to determine the outcome of a comic book storyline.

Dc-vs-marvel.jpg

Over ten years ago D.C. Comics & Marvel Comics came together to co-publish their most ambitious joint venture. This venture was titled D.C. vs. Marvel/Marvel vs. D.C. (currently available in the trade paperback of the same name), a four-issue miniseries that would, for the first time, combine the worlds of both comic book universes together. Of course, this meant that every fan-favorite character from both universes would meet for the first time (well, mostly anyway), and given the title of the series, you can guess what the ultimate premise of the story was.

It's not like D.C. & Marvel hadn't brought their characters together before. In the late 1970's they brought Superman & Spider-Man together in Superman vs. The Amazing Spider-Man, and followed up with Batman vs. The Incredible Hulk and The Uncanny X-Men and The New Teen Titans in the 1980's (all of which are available in the trade paperback Crossover Classics: The Marvel/D.C. Collection Vol. 1. A long, acrimonious hiatus followed before the partnership was renewed and both companies tested the comic book waters with two Batman/Punisher crossovers, a Silver Surfer/Green Lantern crossover and a particularly intriguing book called Darkseid vs. Galactus: The Hunger, which had Marvel's purple-planet-eater arrive on Apokolips for a buffet.

About this Archive

This page is a archive of recent entries written by Ryan Riley in November 2008.

Ryan Riley: October 2008 is the previous archive.

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