Paul Debevec inside his geodesic light box at the USC Institute for Creative Technologies in Playa Vista.
The motion-capture technology that made “Avatar” one of the most expensive films in history will, in the not too distant future, become the tools of independent film-makers on shoestring budgets.
As computer graphics algorithms improve and costs fall, shooting a film with lights, cameras and human actors may be considered a quaint and expensive luxury.
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