The VGA show on Spike has come and gone, dishing out trophies and face time with a number of stars. With a big gaming show, you can also expect it to stage a few surprises of its own and it didn’t disappoint by revealing several trailers promoting new titles slated to appear next year.
One interesting thing about each of these announcements is how they’re all sequels, or spin-offs to already existing series. Not that it’s necessarily a bad thing. After all, I’m definitely looking forward to another Batman game. And it’s not like there aren’t any new ideas out there, either, but it would have been nice to see a few of them featured during the VGAs as well (such as id’s Rage, Funcom’s upcoming MMO, The Secret World, or Quantic Dream’s Heavy Rain)
So sit back, relax, and take a look at what else is coming out next year right after the jump.
Not the most eloquent thought, but there it was in all its unshakable glory as it kept racing through my head while I was playing Batman: Arkham Asylum. Rocksteady’s take on the Caped Crusader not only faithfully emulates and represents its subject matter — it practically bleeds it. Many hero games promise to “immerse” you in a character’s world, but this is one of the few that actually pulls it off.
One of the reasons Batman stands apart from so many other superheroes is because we think he is one of us. He wasn’t blessed with the ability to fly, or with claws coming out of his hands — his defining trait is a tragic memory which he has used as the driving force behind everything he does. He’s trained his body and his mind to their absolute peak, and the result is, really, our very own American ninja.
Devout fans of the comic mythos already know this, but for the masses who know Batman though mostly movies, games and television shows over the years, you can find more than a few mixed signals. That’s led to confusion, and the result is a range of work that paints Batman with various brushes: He was a campy detective (the early ’60s show), a brooding, silent crimefighter fighting a circus of crime (the Tim Burton movies) and in the best examples, the ultimate badass with a brain. He would be noble enough to support wholeheartedly, but also have enough edge to satisfy any darker needs we have for our heroes. In other words, Batman has way of making us feel that a simple beatdown of a serial rapist and killer is enough.
To me, the bodies of work that best emulate the ideal are Batman: The Animated Series, Batman Begins and The Dark Knight. And now, I want to add Batman: Arkham Asylum to the list.