Ugh, yet another World War II game. That was the sentiment a lot of people had when The Saboteur first made its way into our gaming consciousness.
“That’s what we thought when we first sat down to talk about it,” said Tom French, the game’s lead developer. “Do we REALLY want another World War II game?”
It’s not that killin’ Nazis got old — it’s that we kept essentially killing them the same way. Storm the beaches. Blow up a bunker. Disable enemy armor. Pause for dramatic music that makes you think of Saving Private Ryan. All in first-person.
Even the attempts to infuse WWII with traces of the occult or scientific fantasy (like Wolfenstein) generally boiled down to picking up weapons and shooting a lot of Nazis (some demonic, some not) through the eyes of the hero. Like any good soldier, you were asked to steadily march forward, engage the enemy and persevere.
Enter The Saboteur, a sandbox of historical fantasy that functions as the fun and slightly cantankerous antithesis of any other WWII game I’ve run into. Featuring pieces of some Assassin’s Creed and the wildly diverse nature of the GTA games, we finally got a different way to tell a war story.