Andy Serkis, who despite being under layers of makeup, managed to make us weep for King Kong and freaked us out as Gollum. Now he has scored again as Caesar, the intelligent chimpanzee who leads the simian colony in the superb sequel “Dawn of the Planet of the Apes.”
Rick Jaffa and Amanda Silver, who wrote the screenplay for the reboot “Rise of the Planet of the Apes,” are joined by Mark Bomback (“Wolverine”) in picking up the story, which ended with the ominous possibility of a lethal virus being spread worldwide while Caesar, the super intelligent chimp, is leading his simian group, immune to the virus, to set up residence in the woods outside of San Francisco.
“Dawn” opens with a montage of grim images covering about 10 years as the ALZ-113 virus, originally developed to battle Alzheimer’s, has decimated the human population to possible extinction.
Caesar is now married to Cornelia (Judy Greer) and they have a son, Blue Eyes (Nick Thurston) who is likely a teenager in chimp years, and a new son is soon born. Caesar is the undisputed leader of the simian colony and uses sign language to communicate with most of the colony. He and his lieutenant, Koba (Toby Kebbell), also can speak.
One day Blue Eyes and his friend Ash (Doc Shaw) stumble upon a human, Carver (Kirk Acevedo), who in a panic shoots and wounds Ash. The gunfire draws not only Caesar, Koba and others but a group of humans of which Carver is a member. Malcolm (Jason Clarke from “Lawless”) is the leader of the humans and is fortunately a cool head, who along with Caesar, manages to extinguish a tense situation. But Caesar demands that the humans leave.
The humans, however, need to get through the woods to a nearby dam where a dormant generator can be reactivated to provide much needed energy to a colony of people in the city.
Now aware that humans still exist and needing to keep his colony from panicking, Caesar leads a huge group of simians to the city in a show of power and tells the humans that although they want no war, they will fight if the humans try to come into their territory. As a gesture of faith, Caesar returns a satchel dropped by Malcolm’s teen son Alexander (Kodi Smit-McPhee) while fleeing the forest.
The human colony is led by Dreyfus (Gary Oldman), who also would prefer not to go to war but realizes they must get the power plant operational. Malcolm pleads with Dreyfus to give him three days to go back and negotiate with Caesar. Dreyfus OKs this but as a backup plan has some of his men go to an armory where weapons are stored and to prepare for possible armed fighting.
Caesar and Malcolm work out a fragile peace that allows the humans on the power plant detail a chance to work on the power plant, on the condition they surrender their weapons.
But as happens there are loose cannons among the cool heads. Carver is discovered to have an additional gun stored away. And among the simians, Koba, carrying scars and distrust of humans after being subjected to their cruelty, takes a couple of apes with him on a reconnaissance mission to the city, where he sees two men testing weapons outside an armory full of weaponry and ammunition.
Koba reports his findings to Caesar, who is concerned but still believes allowing the humans to work on the plant is the best option to assure peace. Koba concedes but with reluctance.
Malcolm banishes Carver from the power plant project, but this enables Koba to manipulate things to trigger animosities. When Caesar is shot and apparently killed, Koba is easily able to rally the simians to attack the human colony.
Director Mark Reeves, whose previous works includes “Cloverfield,” is skilled in creating action scenes loaded with chaos, violence, panic and heroism, and the trio of writers have created a story that highlights the conflict within each faction. Caesar has seen the best and worst in mankind, and in Malcolm he slowly develops a trust akin to that of which he had with Will Rodman (James Franco), who raised him. Koba is a destructive force but he has legitimate reasons to hate the humans. Blue Eyes is at the stage of life where he questions his father but ultimately realizes Caesar’s wisdom and compassion.
Malcolm is supported by Ellie (Keri Russell), a woman he met after losing his wife to the virus and who becomes his lover. Her medical expertise comes in handy when she is able to treat the ill Cornelia, an action that seals the trust between Caesar and Malcolm. Another touching development is the friendship between the orangutan Maurice (Karin Konoval), who is steadfastly loyal to Caesar, and Malcom’s son Alexander.
Even Drefus is given a moment to reflect the tragedy he suffered and why he is driven by his obligations to protect the people he now leads. This creates an effective drama amid the action. For all the trouble they cause, Koba and Dreyfus are worthy of sympathy.
“Dawn of the Planet of the Apes” ends with a sobering realization that despite some real bonding between key members of the simian and human colonies, conflict is inevitable. But the movie also sprinkles a little hope among the grim realities.