Five-Spot: What caught my eye on Dec. 1, 2011

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily



Sorry this post is late. We’ve been without power all day
due to the fierce winds in Southern California (I’m posting this from my local


Each Thursday morning, I list five events (six this week)
that peak my interest, including (ideally) at least one with free admission
(or, at a minimum, inexpensive tickets). Here’s today’s grouping:



Tomorrow and Saturday
at 8 p.m.;  Sunday at 2 p.m. at
Walt Disney Concert Hall

Los Angeles
Philharmonic: Esa-Pekka Salonen conducts Shostakovich

Frankly, it’s a little hard to assess what this concert will
bring — that’s one of the joys of live performances. The headline event on the
program is the world premiere of the Prologue to Orango by Shostakovich but how significant that will be is up in
the air. Asking one composer (in this case, Gerard McBurney) to complete another’s
work is always problematical (Mahler’s 10th symphony is one famous
example) but that’s what has happened here.


The Phil describes this work thusly: “Orango is an unfinished satirical opera
by Shostakovich, sketched [in 1932] while he was writing Lady Macbeth of the Mtsensk District.
He and his librettists conceived ‘a political lampoon against the bourgeois
press,’ concerning a human-ape hybrid. Of the projected Prologue and three
acts, only the 40-minute Prologue was completed, in piano vocal score, which
was just discovered in 2006.”  Read
the complete program note HERE.


The Prologue includes parts for 10 soloists and the Los
Angeles Master Chorale. It is being staged by Peter Sellars with lighting by
Ben Zamora. McBurney will offer a preconcert lecture an hour before each
program.  A Los Angeles Times article
on the piece is HERE.


The second half of the program will be Shostakovich’s
Symphony No. 4, which was composed just a few years after Orango. This was the symphony that was not played for 25 years
after it was written, a consequence of the composer’s run-in with Soviet
authorities over Lady Macbeth of the
Mtsensk District.
Laurel E. Fay’s program note says that one of the two
conductors who were eager to conduct the symphony was Otto Klemperer, who at
the time was the L.A. Phil’s music director. Whether the symphony would have
been played in L.A. isn’t spelled out; ultimately the LAPO premiere would not
take place until 1989 under the baton of Andr Previn. (Read the full program
note HERE).


By the way, expect this program to last a bit longer than a
normal concert. The Prologue to Orango
is 40 minutes long and the symphony, one of Shostakovich’s longest, takes an
hour. The orchestration for the symphony (2 piccolos, 4 flutes, 4 oboes (4th =
English horn), 4 clarinets, E-flat clarinet, bass clarinet, 8 horns, 4
trumpets, 3 trombones, 2 tubas, 2 timpani, percussion (bass drum, castanets,
cymbals, orchestra bells, snare drum, tam-tam, triangle, xylophone), 2 harps,
celesta, and strings) is the largest of Shostakovich’s 15 symphonies. Information:


Saturday at 2 p.m.
at Walt Disney Concert Hall

Los Angeles Master
Chorale’s “Holiday Wonders: Festival of Carols”

Grant Gershon leads 62 members of the Master Chorale in a
program of carols and John Rutter’s Gloria
accompanied by John West on the Disney Hall Organ. The program repeats Dec. 10
at 2 p.m. Information:


Saturday at 7:30
p.m. at All Saints Church, Pasadena

Pasadena Symphony
Holiday Program

Grant Cooper, artistic director and conductor of the West
Virginia Symphony, will conduct the PSO, vocalist Lisa Vroman, the Los Angeles
Children’s Chorus, Donald Brinegar Singers and L.A. Bronze (a handbell
ensemble) in an eclectic program of holiday music. Information:


Saturday at 8 p.m.
at First Presbyterian Church, Santa Monica

Jacaranda presents
Anonymous 4

This world-renowned female vocal ensemble, celebrating its
25th anniversary, specializes in Medieval and Renaissance music but
this program features the first section of an evening-length work, The Wood and the Vine, by David Lang,
who won a Pulitzer Prize in 2008 for his composition, The Little Match Girl Passion. The evening will also include
selections from the ensemble’s CDs. Brian
in “Out West Arts” has one of his informative “Ten Questions” posts with the
ensemble’s Susan Hellauer HERE. Concert


And the weekend’s “free admission” programs …

Saturday at 7:30
p.m. at Ambassador Auditorium

The Colburn Orchestra
plays Mahler’s Symphony No. 5

Be forewarned: the free tickets are listed as “add to wait
list” on the school’s Web site and the VIP tickets are sold out. Nonetheless,
the concert is worth mentioning because whenever a student orchestra — even one
as good as Colburn — tackles Mahler’s Symphony No. 5, it counts as both an
event and a challenge.


Guest Conductor Gerard Schwarz leads the ensemble in
Mahler’s fifth and Takemitsu’s From Me
Flows What You Call Time,
with a local percussion ensemble, Smoke and
Mirrors, as soloists in the Takemitsu piece. For Schwarz, it’s something of a
homecoming. Prior to becoming music director of the Seattle Symphony (from
which he retired earlier this year), Schwarz held a similar position with the
Los Angeles Chamber Orchestra, which used to perform in Ambassador during
Schwarz’s tenure. Information:


Monday at 7:45 p.m.
at Pasadena Neighborhood Church

Los Angeles Chapter
of American Guild of Organists Holiday program

Organists Andrea Anderson and Nancy Ruczynski perform on the
church’s historic Bozeman organ, while Dr. Timothy Howard leads The Pasadena
Singers in holiday music from around the world (full disclosure: I sing with
The Pasadena Singers, so — as the late, great Molly Ivins was wont to say, take
the recommendation with a grain of salt or a pound of salt). Information:



(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

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