AROUND TOWN/MUSIC: Winding down, ramping up as classical music seasons collide

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this article was first published today in the above papers.

We’ve arrived at that odd time of the classical music year when outdoor concerts are winding down while at the same time indoor seasons are beginning to ramp up.

• Michael Feinstein and the Pasadena Pops Orchestra wrap up their 2014 summer season Saturday night at the Los Angeles County Arboretum with a program entitled, “New York! New York!” The evening will include music by Leonard Bernstein (Candide Overture, West Side Story, On the Town and Wonderful Town), several songs by Duke Ellington, and works by Stephen Sondheim and Cole Porter. As is usually the case with a Feinstein concert, there will be several revivals among the offerings. Vocalists Patti Austin, Liz Callaway and Aaron Tveit will join the fun.

Information: 626/793-7172; www.pasadenasymphony-pops.org

• Hollywood Bowl wraps up its classical season during the next couple of weeks. Ludovic Morlot, music director of the Seattle Symphony since 2011, returns to the Cahuenga Pass amphiteatre this week. Tuesday’s concert combines Mendelssohn with Mozart. Thursday’s performance features Colburn Conservatory student Simone Porter, who made an impressive debut with the Pasadena Symphony earlier this year, soloing in Samuel Barber’s Violin Concerto. Jessica Gelt has a profile of Porter in the Los Angeles Times HERE.

The final Tuesday concert (Sept. 9) will be led by Vancouver Symphony Music Director Bramwell Tovey. The program will open with the world premiere of Erskine, a concerto for drum set and orchestra, written by English composer Mark-Anthony Turnage for percussionist Peter Erskine, who will appear as soloist. Holst’s The Planets will conclude the evening, accompanied — as is now almost “de rigueur” — by imagery from NASA and JPL rovers and satellites, despite the fact that Holst’s musical depiction was astrological rather than astronomical.

On Sept. 11, Spanish conductor Juanjo Mena will lead Bernstein’s Symphonic Dances from West Side Story and Beethoven’s Symphony No. 9, with soloists and the Los Angeles Master Chorale joining the Phil to conclude the season.

Information: 323/850-2000; www.hollywoodbowl.com

• Meanwhile, the Angeles Chorale begins in 40th anniversary season on Sept. 13 at First United Methodist Church in Pasadena. Artistic Director John Sutton will lead his chorale in “Unbridled Joy: an Evening of Gospel, Spirituals and More,” which will feature a performance of Robert Ray’s Gospel Mass. Two vocal soloists and several instrumentalists will join the chorale in the concert.

The concert will spotlight the “Justin Carr Wants World Peace” Memorial Foundation, established in memory of the then-16-year-old Altadena resident who died of cardiac arrest during a swimming workout in 2013.

Information: 818/591-1735; www.angeleschorale.org

• First Congregational Church of Los Angeles kicks off its 46th annual organ concert series with a weekend devoted to its multiple organs, which together total 346 ranks, 265 stops, and 18 divisions — more than 20,000 pipes in several locations around the massive gothic sanctuary (modeled after Chartres Cathedral in France).

Fred Swann, former organist at First Congo and former president of the American Guild of Organists, will give a master class on Sept. 13 at 10 a.m. That evening at 8 p.m., three notable college grad students — Jaebon Hwang, Minh Ngyuen and Qi Zhang — will play a free recital. The following afternoon will be an “organ crawl,” a chance to get an up-close look at the workings of this massive instrument. Advance tickets at $25 are required for the organ crawl; the other events are free.

Information: fccla.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Rachael Worby and Muse/ique offer the “keys” to music

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

A shorter version of this article was first published today in the above papers.

• Pianos and summertime concerts are about as ubiquitous as picnics and concerts. So leave it to Rachael Worby to find a way to shake up the norm with her next Muse/ique concert Saturday night beginning at 7:30 p.m. on Caltech’s Beckman Hall lawn (where picnicking is encouraged).

For those not in the know, Muse/ique is the ensemble Worby formed after she parted ways with the Pasadena Pops several years ago. The new group has allowed Worby to indulge the madcap nature of her programming mind and Saturday night’s concert is merely the latest example.

Rather than have just one piano soloist, Worby has invited five of the Southland’s best-known keyboard artists: Joanne Pearce Martin (the Los Angeles Philharmonic’s principal keyboard player); her husband, Gavin Martin; Bryan Pezzone, Alan Steinberger and 12-year-old Ray Ushikubo. They will join the orchestra in music ranging from Gershwin’s Rhapsody in Blue and Bach’s Goldberg Variations to Bugs Bunny on Film, Elton John and Chico Marx.

Information: 626/539-7085; www.muse-ique.org

Michael Feinberg and the Pasadena Pops resume their summer season on August 16 at 7:30 p.m. at the Los Angeles County Arboretum when they celebrate the music of motion pictures and the 100th anniversary of the American Society of Composers, Authors and Publishers (ASCAP).

In typical Feinstein fashion, most of the music will be non-standard summer concert fare. The orchestra will be joined by composers Alan Bergman, perhaps best known for Windmills of Your Mind from the 1968 version of The Thomas Crown Affair; Michael Giacchino (Up), Bruce Broughton (Silverado) and Paul Williams (A Star is Born).

Vocalists Maureen McGovern, Debby Boone and Kevin Earley will appear on the program and Feinstein will introduce a symphonic arrange of Pharrell Williams’ Happy created for the Pasadena Pops. The complete playlist is near the bottom of the link below.

Information: 626/793-7172; www.pasadenasymphony-pops.org

The Pops’ Web site has dates, program titles and principal performers for next season’s concerts. As is the case this year, Michael Feinstein will appear on four of the five concerts, once as vocalist and the other three times as Principal Conductor. LINK

• Among the upcoming Hollywood Bowl concerts worth noting are next Thursday’s program of Mahler’s Symphony No. 1 and Brahms’ Double Concerto, with violinist Alina Pogostkina and LAPO Principal Cellist Robert deMaine as soloists. What makes the program particularly intriguing is that the conductor, 28-year-old Lithuanian Mirga Gražinytė-Tyla, has just been named the Phil’s assistant conductor for the next two years.

Gražinytė-Tyla, who was a Dudamel Fellow with the orchestra in 2012 and 2013, won the 2012 Nestle and Salzburg Festival Young Conductors Award and has been named music director of Salzburg Landestheater beginning with the 2015/16 season. See more info on her HERE.

Information: 323/850-2000; www.hollywoodbowl.com

The following week two celebrated soloists grace the Hollywood Bowl stage. On Oct. 12, violinist Gil Shaham will join the Phil in Prokofiev’s second violin concerto, while on August 14 cellist Yo-Yo Ma will be the soloist in Elgar’s Cello Concerto. Leonard Slatkin leading the LAPO in both programs. Tuesday concludes with Rimsky-Korsakov’s Scheherazade,; Thursday ends with Debussy’s La Mer.

Information: www.hollywoodbowl.com

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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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OVERNIGHT REVIEW: Tovey conducts Bernstein, Gershwin at the Bowl

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
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Los Angeles Philharmonic: Bernstein and Gershwin
Branwell Tovey, pianist and conductor; Dee Dee Bridgewater, vocalist
Thursday, July 10 • Hollywood Bowl
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Leonard Bernstein, Gershwin, Bramwell Tovey and the Los Angeles Philharmonic — four names inextricably linked with Hollywood Bowl — combined for an occasionally quirky but ultimately satisfying concert last night at the Cahuenga Pass amphitheatre. The pairing was certainly popular: 11,875 people showed up, 4,155 more than attended Tuesday night’s classical-season opener of this, the 93rd season at the famed outdoor venue.

The Phil apparently can’t decide how to describe its relationship with Tovey, the British-born composer-conductor-pianist who turns 61 today (which also happens to be the 77th anniversary of Gershwin’s untimely death). Although none of the preconcert media releases list any local title for Tovey (since 2000 he has been music director of the Vancouver Symphony), the printed program continues to list him as Principal Conductor at the Hollywood Bowl. Whatever; he’s a welcome presence. With his conducting skills and erudite comedy that last night played to and off of the audience, various orchestra members and vocalist Dee Dee Bridgewater, Tovey remains the pinnacle of outdoor maestros both for his musical and raconteur skills.

Last night he showed off another of his many facets by doubling as pianist and conductor in Gershwin’s Rhapsody in Blue. Most people who attempt this dual role remove the piano lid and shove the piano into the middle of the orchestra (over the conductor’s podium, in effect). Tovey, instead, placed the piano in its usual concert position with the lid raised to its full extension, which meant that a goodly number of players couldn’t see Tovey while he was playing.

Tovey solved this problem (sort of) by beginning the introduction — with Michele Zukovsky’s slinky, sumptuous clarinet solo — on the podium and then sitting down to play. The orchestra had a tendency to bog down a bit until Tovey would get off the bench and whip the tempo back to what he considered acceptable. It was all a bit disconcerting. Considering that Tovey doesn’t make his living as a pianist, he was remarkably dexterous in the solo portions, although the performance certainly wasn’t note-perfect. The audience had a good time; they gave Tovey and the orchestra a thunderous ovation at the end.

Prior to Rhapsody in Blue, Tovey and Co. offered a fiery rendition of Bernstein’s Candide Overture and four pieces from the 1944 musical On the Town. The three-movement orchestral suite from the musical was notable for, among other things, melancholy solos by James Wilt on trumpet and Carolyn Hove on English horn in the second movement and the car-horn effect in the first movement, appropriate since Gershwin’s An American in Paris was the concert finale.

Following the suite, Alysha Umphress and Jay Armstrong Johnson raced onstage to perform the saucy I Can Cook, Too as a plug for a Broadway revival this fall at New York City’s Lyric Theatre. Of a review of the 2013 production in Vermont, New York Times critic Ben Brantlee wrote: “John Rando’s production of On The Town … is one of those rare revivals that remind us what a hit show from long was originally all about. The joy of Mr. Rando’s production is in its air of erotic effortlessness.” It would be hard to term last night’s “tease” as “effortless” but “erotic” it certainly was; this number (for which Bernstein wrote the lyrics) must have ruffled more than a few feathers in 1944.

After intermission, Bridgewater joined Tovey (at the piano) and the orchestra for arrangements of four Gershwin songs that Tovey orchestrated in 2000. Whether she genuinely had a brain cramp that left her totally clueless as how to begin A Foggy Day in London Town or was grinding through a grossly overdone shtick between her and Tovey, Bridgewater’s breathy renditions of Foggy Day, The Man I Love, They Can’t Take That Away From Me and Fascinating Rhythm gave little, if any, sense of Gershwin’s genius in this genre.

There’s no programming genius required to conclude this kind of concert with An American in Paris, but Tovey’s humorous introduction (one wonders how a felt hat draped over a trumpet bell really affects the sound) led to a solid, forthright performance of this Bowl and L.A. Phil staple, which sent everyone home happy.

Bernstein, Gershwin, Tovey and the L.A. Phil under a full moon and basking in delightfully cool evening temperatures — this is why people keep coming back year after year.

Hemidemisemiquavers:
• The brightest sign of the $2.8 million renovations to the Bowl this year this is the addition of new Alaskan cedar benches, which replaced ones that had been in use since 1982. “Over time,” writes Ross Guiney, LA County Department of Parks and Recreation Director, “the wood will naturally weather in the beautiful silvery-gray color with which Bowl-goers are familiar.”
• C+ to the camera operators, who weren’t always on cue with which orchestra player was being featured in a solo lick. On the other hand, the color quality was superb and the sound system has become first-rate.
• On Tuesday, conductor James Gaffigan leads the Phil in Prokofiev’s Romeo and Juliet Suite and Tchaikovsky’s Piano Concerto No. 1, with Behzod Abduraimov, who is making both his Los Angeles Philharmonic and Hollywood Bowl debuts, as soloist in the concert. They replace Esa-Pekka Salonen and Yefim Bronfman, who were originally scheduled to perform. Salonen, former LA Phil music director and now conductor laureate, cancelled “due to unforeseen personal reasons,” says the Phil announcement, while Bronfman is bowing out “due to the unavoidable scheduling of a minor medical procedure.” (LINK)
• Next Thursday, Salonen will return to the Bowl for the first time since 2009, conducting first piano concertos and first symphonies of Prokofiev and Shostakovich. Yuja Wang will be the piano soloist in both concertos; joining her for the Shostakovich will be LAPO Principal Trumpet Thomas Hooten.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: A big opening classical-music month for Hollywood Bowl

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this article was first published today in the above papers.

Although classical concerts fill only about a third of the increasingly busy Hollywood Bowl season, for us old codgers summer at the Bowl doesn’t really begin until the classical season opens July 8 with Tuesday and Thursday night concerts continuing until Sept. 11.

There’s an unusually interesting mix of programs and conductors in this, the 93rd season at the venerable Cahuenga Pass amphitheatre. Any season where we can see Gustavo Dudamel and Esa-Pekka Salonen in consecutive weeks rates as noteworthy.

Bramwell Tovey, who for several years held the title of Principal Conductor at the Bowl but now is just a frequent albeit welcome guest, leads the July 8 program, which is definitely not your typical classical-season opener. Instead it’s a delightful hodge-podge featuring violinists Joshua Bell and Phillippe Quint, the ensemble Time for Three, vocalist Frankie Moreno and actress Glenn Close, performing music ranging from Franz Waxman to Edgar Meyer and Igor Stravinsky (the 1919 Firebird Suite).

Tovey will be both conductor and pianist on July 10 in music by Leonard Bernstein and George Gershwin, including Rhapsody in Blue. Jazz singer Dee Dee Bridgewater will sing Gershwin songs during the concert.

Things shift into hard-core classical programming after that. In the second week Salonen — the Phil’s former music director and now conductor laureate — makes rare Bowl appearances. The July 15 program pairs a suite from Prokofiev’s ballet Romeo and Juliet with Tchaikovsky’s Piano Concerto; one of Salonen’s favorite collaborators, Yefim Bronfman, will be soloist.

The July 17 program is subtitled “Russian First” with good reason. It pairs the first symphonies of Prokofiev and Shostakovich with both composers’ first piano concertos. One of our era’s most exciting pianists, Yuja Wang, will return to the Bowl as soloist in the concertos and LAPO Principal Trumpet Thomas Hooten will do the honors in the Shostakovich (indeed, hearing Yang and Hooten in the Shostakovich should be worth the price admission by itself).

LAPO Music Director Gustavo Dudamel takes the Bowl podium for the next two weeks. The July 22 and 24 programs are duplicate performances of Beethoven’s Symphony No. 5 and his rarely performed Triple Concerto, featuring Renaud Capuçon, violin, Gautier Capuçon, cello and Jean-Yves Thibaudet, piano.

The duplication gives the Phil extra time to rehearse for what has become the now-annual opera night, which this year features the traditional pairing of Pagliacci and Cavalleria Rusticana on July 27.

Dudamel and the Phil continue the summer’s crossover programming on July 29 with Marquez’s Danzóns Nos. 4 and 8 and Kauderer’s Symphonic Tangos joined by Latin-jazz songs of from Rubén Blades.

The final July concert will conclude this summer’s edition of Dudamel’s “Americas and Americans” theme as the orchestra screens film clips accompanied by music from a number of composers including Gustavo Santaolalla (e.g., The Motorcycle Diaries) and concluding with a suite from Dudamel’s score to Libertador, a Simón Bolivár biopic that is scheduled to open in the U.S. Aug. 22.

That, my friends, counts as quite a month of music making!

INFORMATION: www.laphil.com
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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AROUND TOWN/MUSIC: Hollywood Bowl, L.A. Master Chorale announce upcoming seasons

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Schedules for 2014-2015 continue to flow in:

• Three different versions of hair are among the highlights of the 93rd Hollywood Bowl season, which was announced Tuesday. The 2014 season begins June 14 and 15 with the 36th annual Playboy Jazz Festivals and spans 15 weeks through September.

Amid a dizzying number of pops, jazz, world music and movie nights, the Los Angeles Philharmonic will have its 10-week-long classical season, which begins July 8 and concludes September 11. Music Director Gustavo Dudamel, he of the curly hair, will lead four programs over five evenings, including another segment of his “Americas & Americans” series, an evening entitled “Noche de Cine” that will include a suite from Dudamel’s score to the movie Libertador on July 31.

The other hair-related programs will be a 50th anniversary re-creation of The Beatles appearance at Hollywood Bowl that will take place August 22, 23 and 24, and a production of the 1968 Broadway musical, Hair, on August 1, 2 and 3. Since the listing for Hair includes the words “contains mature subject matter and brief nudity,” one can assumed this will be a virtually complete production.

Esa-Pekka Salonen, the Phil’s Conductor Laureate, is among the conductors who will lead the Phil. He has programs scheduled on July 15 and 17.

Read the complete schedule HERE.
The entire Hollywood Bowl press kit is HERE.

The Los Angeles Master Chorale’s 51st season will have Music Director Grant Gershon leading 10 concerts (14 performances) in Walt Disney Concert Hall that feature world premieres by Shawn Kirchner and Nack-Kum Paik. Nearly half of the 20 composers represented in the schedule are alive.

One who isn’t alive (literally, at any rate) is Johann Sebastian Bach whose St. Matthew Passion will be featured twice: the Chorale, along with the Musica Angelica Baroque Orchestra and Los Angeles Children’s Chorus, will offer Bach’s version on Jan. 31 and Feb. 1, while Tan Dun’s Water Passion after St. Matthew will be sung April 11 and 12, 2015. Dun’s piece was commissioned by Helmuth Rilling for the 250th anniversary of Bach’s death in 2000.

Another “Passion” oriented work will open the season on Oct. 19 when the Chorale presents Richard Einhorn’s Voices of Light/The Passion of Joan of Arc. Written for chorus, soloists and orchestra, the piece accompanies Carl Dreyer’s 1928 silent film The Passion of Joan of Arc.

The season announcement also reveals a bit about the upcoming Los Angeles Philharmonic season as the Chorale will sing in performances of Beethoven’s Choral Fantasy and John Adams’ Harmonium led by Gustavo Dudamel October 9-12; for performances of Berlioz’ Romeo and Juliet under the baton of Esa-Pekka Salonen November 7-9; and in Beethoven’s Missa Solemnis to be led by Michael Tilson Thomas January 9-11, 2015.

Details on the Master Chorale season are HERE.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

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