NEWS: Domingo, Koelsch ink long-term extensions with LA Opera

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Barring unforeseen circumstances (e.g., illness, death or artist pique), Los Angeles Opera has solidified its senior management core for the next five years by announcing long-term contract extensions for General Director Plácido Domingo and Chief Executive Officer Christopher Koelsch.

Domingo, who has been in his present position since 2003 but whose tenure traces to the company’s founding in 1986 when he sang the title role in LAO’s inaugural production of Verdi’s Otello, has extended his contract through the 2018-2019 season. Koelsch, who joined the LAO staff in 1997 and was named CEO in 2012, has extended through 2018.

They join Music Director James Conlon, who has a contract through June 2018, and Resident Conductor Grant Gershon, who recently extended his contract through June 2017. In today’s announcement, the company also named John Nuckols, who has been with LAO since 2002, to the new position of Executive Vice President through June 2018.

The executive staff includes Faith Raiguel, who has been Vice President and Chief Financial Officer since 2008, and Diane Rhodes Bergman, who has been Vice President of Marketing and Communications since 2011.

Domingo, now 73, continues to be a workhorse. This month he will appear as Giorgio Germont in Verdi’s La Traviata, his 26th different role with LAO. He has also conducted 15 operas to date with the company and continues to appear as singer and conductor all over the world. During his role as LAO General Director, he founded what is now the Domingo-Colburn-Stern Young Artist Program and recently oversaw the 22nd Operalia vocal competition (for good measure, he conducted the LAO Orchestra in the final round). LINK

Koelsch oversees all aspects of artistic planning for the company, including repertoire development, music administration, the casting of artists, and the selection of guest conductors. He has overseen the creation of more than 32 new productions, including five world premieres, and seven television recordings for LA Opera, including Rise and Fall of the City of Mahagonny, which won two Grammy Awards upon its DVD release. He is also in charge of every aspect of the company’s strategic resources, including board development, fundraising, branding, marketing, public relations and educational administration.

My qualifiers in the first paragraph are worth noting. I’m sure the Vienna State Opera thought it was in fine administrative shape until its General Music Director, Franz Welser-Möst, resigned abruptly today LINK. Nothing is for sure in the music world.

Read the complete LAO media release HERE.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Indoor, outdoor concerts clash in first weekend of June

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Style: "p25+-Ipro"
Michael Feinstein will open his second season as the Pasadena Pops’ principal conductor on June 7 at the Los Angeles County Arboretum.
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We’re at that odd time of the year for classical music when seasons collide. In June we’re wrapping up indoor seasons and beginning the outdoor concerts that are so much a part of Southern California life and, unfortunately, they all collide next weekend.

On the indoor scene:
• The Pasadena-based Angeles Chorale will conclude its 2013-2014 season at UCLA’s Royce Hall on June 7 at 8 p.m. when long-time artistic director and now resident guest conductor Donald Neuen makes his final appearance with the Angeles Chorale. The ensemble will be joined by the UCLA Chorale, UCLA Philharmonia and piano soloist Neal Stulberg in an all-Beethoven program: Mass in C Major, Choral Fantasy and the “Hallelujah” chorus from Christ on the Mount of Olives. Soloists for the mass will be soprano Sarah Grandpre, alto Sarah Anderson, tenor Daniel Suk, and bass Michael Dean. Information: www.angeleschorale.org

• The Pasadena Master Chorale’s final concert this year will feature Carl Orff’s ever-popular Carmina Burana on June 7 at 7:30 p.m. at First Congregational Church, Pasadena. Artistic Director Jeffrey Bernstein will conduct the work’s two-piano chamber version. Soprano Krystle Casey and Baritone Ryan Thorn will be the soloists. Information: www.pasadenamasterchorale.org

• On June 8, Pasadena Pro Musica concludes its 50th season at 4 p.m. at Pasadena’s Neighborhood Church as Artistic Director Stephen Grimm leads a program of music by Mozart. Soloists include soprano Paula Rasmussen, who sang with PPM as a young chorister and has since gone on to an international opera career. Information: www.pasadenapromusica.org

• The Los Angeles Master Chorale wraps up its 50th season on June 8 at 7 p.m. at Walt Disney Concert Hall as Artistic Director Grant Gershon leads world premieres of pieces by the Los Angeles Philharmonic’s Conductor Laurate Esa-Pekka Salonen, David Lang, and the Chorale’s composer-in-residence, Shawn Kirschner, along with music by Gabriela Lena Frank and Francisco Nuñez. Gershon’s new title came with welcome news that he is extending his contract with LAMC through 2019-2020. Information: www.lamc.org

On the outdoor front, Michael Feinstein returns for his second season as the Pasadena Pops’ principal conductor, leading the group’s opening concert on June 7 at 7:30 p.m. at the Los Angeles County Arboretum. The program will include a treasure trove of lost works that Feinstein has unearthed in places ranging from libraries to garages as he continues to build “The Great American Songbook.” Feinstein will conduct three of this summer’s concerts and sing in a fourth. Information: www.pasadenasymphony-pops.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: L.A. Phil and others fire up the “Minimalist Jukebox”

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this article was first published today in the above papers.

Eight years ago the Los Angeles Philharmonic curated a landmark, multiweek festival entitled “Minimalist Jukebox,” devoted to the era of minimalism, the compositional genre that began in the 1960s and was led by composers including Terry Riley and John Adams.

“Over the past 40 years,” says Adams, “Minimalism has brought about a revolution in aesthetic sensibilities, changing the way we experience the flow of musical time and the feel of its rhythm. It has not only revitalized harmony and enabled composers to once again think big thoughts, but it has seen its influence felt in genres as far afield as rock, electronic, and film scoring.”

Whether you believe that to be the case or are among those who see Minimalism as a quarter-century-long genre now consigned thankfully to the history books, for the second incarnation of this festival concept the Phil and other local organizations will join forces for 14 programs (20 performances) from April 5 through May 4 at locations from the west side to downtown Los Angeles and into Pasadena.

Adams — the Phil’s creative chair and composer of operas such as “Dr. Atomic” and numerous other works — will be very much at the forefront of the entire month both as curator and conductor. Everyone will have their favorite concerts but here are two of my must-see events:

• April 6 at Walt Disney Concert Hall:
Grant Gershon conducts 32 singers of his Los Angeles Master Chorale and an instrumental ensemble in David Lang’s Pulitzer-Prize winning the little match girl passion and Steve Reich’s You Are (variations), which the Master Chorale premiered in 2004. Information: www.lamc.org

• April 11, 12 and 13 at Disney Hall:
Adams will conduct the Philharmonic in his own Naïve and Sentimental Music, Michael Gordon’s Sunshine of Your Love, and the world premiere of At the Royal Majestic, Riley’s new concerto with organist Cameron Carpenter as soloist.

Riley’s In C, written in 1964, is often considered the beginning of the minimalist movement. It was played during the 1986 “Minimalist Jukebox” festival and will be performed this time around on April 5 and 12 at The Hammer Museum in Westwood.

Naïve and Sentimental Music, a 45-minute symphony in all-but-name, was written by Adams on a L.A. Phil co-commission in 1999 and premiered by the Phil conducted by Esa-Pekka Salonen. Ironically, it was the major work with which Adams liberated himself from the minimalist style that he had used in much of the music he had written before then. It remains one of most important and beautiful compositions.

Information: www.laphil.com

Several of the “Minimalist Jukebox” programs will involve portions of The CIVIL warS, an opera created by director Robert Wilson using music by Philip Glass, David Byrnes and others. The concept was for a daylong piece of music theatre. Six composers were to write sections and the entire work was to have been performed during the Los Angeles Olympic Arts Festival in 1984. Funding woes derailed the complete presentation and only four sections ultimately were completed.

Details, schedules and other information on the entire “Minimalist Jukebox” series can be found HERE.
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• Michael Feinstein will participate in four of the five Pasadena Pops concerts this summer, beginning on June 7 at the Los Angeles County Arboretum. Feinstein, beginning his second season as the Pops principal conductor, will lead that concert along with programs on August 16 and September 6, and will be the featured vocalist in an all-Gershwin program on July 19. Details are HERE.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

OVERNIGHT REVIEW: L.A. Master Chorale offers weekend-long tribute to composer Morten Lauridsen

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

mortenDuring its 50th anniversary season, the Los Angeles Master Chorale is looking back over some of the group’s high points during its first half-century. This past weekend the Chorale focused on its long relationship with composer Morten Lauridsen (right). Friday night the Chorale hosted a screening of Michael Stillwater’s 2012 award-winning documentary, Shining Light: A Portrait of Composer Morten Lauridsen, at the Alex Theatre in Glendale. Last night before a sold-out house at Walt Disney Concert Hall the Chorale presented a moving musical tribute to Lauridsen that was expertly crafted by Music Director Grant Gershon and beautifully sung by 48 members of the chorus.

William Hall, a well-known and long-time choral conductor, once said that the hardest program to conduct is a collection of short pieces; by comparison, he said, conducting Verdi’s Requiem is far easier. That last night’s program — which included two dozen pieces, sung in five languages — didn’t validate Hall’s opinion was due, in large measure, to the fact that “the Master Chorale has the music of Lauridsen in its DNA,” as Gershon noted in a post-screening discussion Friday night.

Predictably the weekend turned into a love fest. Gershon called Lauridsen “the greatest American choral composer of our time, all of all time.” Lauridsen later described the Master Chorale as “a jewel of our nation.” Fortunately the speeches were mercifully brief; the singing took the spotlight.

Lauridsen accompanied two of the works — Nocturnes and Les Chansons des Roses — on the piano. It’s interesting that most composers rarely perform music that they write for other groups or individuals. John Adams, for example, occasionally conducts his own works but almost never has the chance to play them. Choral and vocal composers are the exception to the rule, so it was both poignant and memorable that Lauridsen was able to accompany two of his best-known works last night, quite well, I might add.

Moreover, just to show that he’s not riding off into the sunset at the age of 71, Lauridsen has taken a 1991 poem, Prayer, by poet Dana Gioia, former chairman of the National Endwoment for the Arts and now Lauridsen’s colleague at USC, and set it into an evocative, six-minute anthem that was stunningly performed by the Master Chorale as the penultimate work last night. For good measure Gioia was on hand to recite the program before the Master Chorale sang Lauridsen’s setting.

Lauridsen’s history with the Master Chorale began in 1964, when the Pacific Northwest native came to Los Angeles to study at USC. A year later, when the LAMC was founded, Lauridsen began attending concerts in the Dorothy Chandler Pavilion, “from the cheap seats, high up,” he noted with a chuckle last night. In 1972, Lauridsen — now age 71 — joined the faculty of the USC School of Music where he still teaches. He served as LAMC’s Composer-in-Residence from 1994-2001.

For Gershon, Lauridsen’s music is truly in his DNA. Midwinter Songs on Poems by Robert Graves, which opened last night’s concert, was commissioned for the centennial of USC’s founding in 1980. It was premiered by the USC Chamber Singers, which included not only Gershon among the singers but also current LAMC members Elissa Johnston and Nancy Sulahian.

Midwinter Songs was one of many pieces that reflect the composer’s life-long love of poetry (he begins each class at USC by reading a poem). Stylistically, however, it’s quite different from the lush Lauridsen music for which he is now most famous (including Lux Aeterna, which didn’t appear on the program). The Chorale sang the icy music of Midwinter Songs expertly, accompanied by pianist Lisa Edwards (Lauridsen originally wrote the treacherous piano part for Mack Wilberg, now music director of the Mormon Tabernacle Choir).

Gershon had his singers performing in different locations throughout the evening: men in the center, women in the center and then all women left and all men right. He also programmed one piece, Ave Dulcissima Maria, for men alone and another, Canticle/O Vos Omnes, with the women accompanying Gary Bovyer who played a hauntingly evocative clarinet. Theresa Dimond played finger cymbals on the former piece and chimes on Canticle.

For choral singers in the audience, Gershon — now in his 13th season at the fourth music director of the Master Chorale — continues to be a pleasure to watch, his hands sculpting phrases elegantly and his cutoffs nearly imperceptible but nonetheless precise. The choir nearly always sings as a flexible, unified ensemble and they were particularly elegant in Sure on This Shining Night from Nocturnes, which was premiered by the Donald Brinegar Singers in 2005.

The second half began with Madrigali: Six “Fire Songs” on Italian Renaissance Poems and continued with Les Chansons des Roses. After its performance of Prayer, the Chorale concluded the program by singing one of Lauridsen’s best-known works, O Magnum Mysterium, which Gershon dedicated to Paul Salamunovich, the ensemble’s Music Director Emeritus, who is gravely ill.

Hemidemisemiquavers:
• CK Dexter Haven has a very long, but fascinating interview with Lauridsen posted on his Web site “All is Yar” HERE. If you’re a hardcore Lauridsen fan, you’ve heard much (but not all) of this before but it’s still worth reading.

• The documentary Shining Night is available through many brick-and-mortar stores, as well as on amazon.com
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Pasadena Symphony resumes youth movement

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this story was printed today in the above newspapers.
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Pasadena Symphony; Andrew Grams, conductor, Simone Porter, violin
March 29 at 2 p.m. and 8 p.m. Preview one hour before each performance.
Ambassador Auditorium; 131 South St. John Ave., Pasadena
Tickets: $35-$105.
Information: www.pasadenasymphony-pops.org
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Simone_Porter_4_WebFor more than a quarter-century the Pasadena Symphony has distinguished itself by discovering young, talented soloists. Earlier this year 13-year-old pianist Umi Garrett soloed in Chopin’s Piano Concerto No. 1. For the PSO’s programs on March 29 at Ambassador Auditorium, a “grizzled veteran,” 17-year-old violinist Simone Porter (pictured right), will join the orchestra and guest conductor Andrew Grams for a performance of Max Bruch’s Violin Concerto No. 1. The concerts will open with William Bolcom’s Commedia for (Almost) 18th Century Orchestra and will conclude with Beethoven’s Symphony No. 5.

Porter’s PSO appearance is one of several important local concerts for her this year. On April 27 she will play Beethoven’s Romances 1 & 2 with the Pacific Symphony, led by Carl St.Clair, at the SOKA Performing Arts Center in Aliso Viejo. On Sept. 4 she will make her Hollywood Bowl debut as soloist in Samuel Barber’s Violin Concerto with the Los Angeles Philharmonic conducted by Seattle Symphony Music Director Ludovic Morlot.

A native of Seattle, Porter studies with Robert Lipsett at The Colburn Conservatory of Music in downtown Los Angeles. She is also part of Colburn Artists, a program created in 2012 by The Colburn School to provide professional management services to its most-accomplished students.

The PSO’s “youth movement” also includes its guest conductor. Grams, a 36-year-old Maryland native, last fall became music director of the Elgin Symphony just outside of Chicago, an ensemble that is similar in many respects to the Pasadena Symphony. In January he conducted the Baltimore Symphony in a concert that elicited from Tim Smith, music critic of The Baltimore Sun, the following: “The year is not even a week old, and there’s a contender for highlight of the 2014 music season in Baltimore.”

Meanwhile, two area choral groups resume their seasons this week.

• Jeffrey Bernstein leads the Pasadena Master Chorale in “The Voice of California” on Saturday at 7:30 p.m. and next Sunday at 4 p.m. at Altadena Community Church. The program features music by Eric Whitacre and Morten Lauridsen, along with premieres by Los Angeles-based composers Matt Brown and Reena Esmail. Information: www.pasadenamasterchorale.org

• Artistic Director John Sutton will lead his Angeles Chorale in “Romancing the Soul,” an evening of Brahms love songs on Saturday at 7:30 p.m. at Pasadena’s First United Methodist Church and March 30 at 4 p.m. at Northridge United Methodist Church. Information: www.angeleschorale.org

• This evening at 7 p.m. in Walt Disney Concert Hall, Grant Gershon leads 48 members of the Los Angeles Master Chorale in music by famed Southern California composer Morten Lauridsen. The program will include Mid-Winter Songs, Ave Dulcissima Maria, Canticle/O Vos Omnes, O Magnum Mysterium, , Madrigali, Nocturnes and Les Chansons des Roses (Lauridsen will accompany the last two pieces on the piano). Ironically, the only major piece the Chorale won’t be singing is Lux Aeterna, which has become a choral landmark since it was premiered and recorded by the Master Chorale in 1997. Information: www.lamc.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Hollywood Bowl, L.A. Master Chorale announce upcoming seasons

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Schedules for 2014-2015 continue to flow in:

• Three different versions of hair are among the highlights of the 93rd Hollywood Bowl season, which was announced Tuesday. The 2014 season begins June 14 and 15 with the 36th annual Playboy Jazz Festivals and spans 15 weeks through September.

Amid a dizzying number of pops, jazz, world music and movie nights, the Los Angeles Philharmonic will have its 10-week-long classical season, which begins July 8 and concludes September 11. Music Director Gustavo Dudamel, he of the curly hair, will lead four programs over five evenings, including another segment of his “Americas & Americans” series, an evening entitled “Noche de Cine” that will include a suite from Dudamel’s score to the movie Libertador on July 31.

The other hair-related programs will be a 50th anniversary re-creation of The Beatles appearance at Hollywood Bowl that will take place August 22, 23 and 24, and a production of the 1968 Broadway musical, Hair, on August 1, 2 and 3. Since the listing for Hair includes the words “contains mature subject matter and brief nudity,” one can assumed this will be a virtually complete production.

Esa-Pekka Salonen, the Phil’s Conductor Laureate, is among the conductors who will lead the Phil. He has programs scheduled on July 15 and 17.

Read the complete schedule HERE.
The entire Hollywood Bowl press kit is HERE.

The Los Angeles Master Chorale’s 51st season will have Music Director Grant Gershon leading 10 concerts (14 performances) in Walt Disney Concert Hall that feature world premieres by Shawn Kirchner and Nack-Kum Paik. Nearly half of the 20 composers represented in the schedule are alive.

One who isn’t alive (literally, at any rate) is Johann Sebastian Bach whose St. Matthew Passion will be featured twice: the Chorale, along with the Musica Angelica Baroque Orchestra and Los Angeles Children’s Chorus, will offer Bach’s version on Jan. 31 and Feb. 1, while Tan Dun’s Water Passion after St. Matthew will be sung April 11 and 12, 2015. Dun’s piece was commissioned by Helmuth Rilling for the 250th anniversary of Bach’s death in 2000.

Another “Passion” oriented work will open the season on Oct. 19 when the Chorale presents Richard Einhorn’s Voices of Light/The Passion of Joan of Arc. Written for chorus, soloists and orchestra, the piece accompanies Carl Dreyer’s 1928 silent film The Passion of Joan of Arc.

The season announcement also reveals a bit about the upcoming Los Angeles Philharmonic season as the Chorale will sing in performances of Beethoven’s Choral Fantasy and John Adams’ Harmonium led by Gustavo Dudamel October 9-12; for performances of Berlioz’ Romeo and Juliet under the baton of Esa-Pekka Salonen November 7-9; and in Beethoven’s Missa Solemnis to be led by Michael Tilson Thomas January 9-11, 2015.

Details on the Master Chorale season are HERE.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Los Angeles Master Chorale celebrates 50th anniversary season with Bach’s B Minor Mass

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
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Los Angeles Master Chorale; Grant Gershon, conductor
Bach: Mass in B Minor, BWV 232
Saturday at 2 p.m. (note the unusual start time)
Jan. 26 at 7 p.m. Preconcert lecture with Grant Gershon and Alan Chapman one hour before each performance
Walt Disney Concert Hall, 1st St. and Grand Ave., Los Angeles
Tickets: $29-$129 (student rush seats may be available at the box office two hours before performance)
Information: www.lamc.org

MC4Web
Forty-nine years almost to the day (Jan. 27, 1965) from when Roger Wagner stepped onto a podium in the newly minted Dorothy Chandler Pavilion to conduct Los Angeles Master Chorale in its inaugural concert, a performance of Bach’s B Minor Mass, the Chorale will celebrate that first concert with a performance of Bach’s masterpiece on Saturday afternoon and next Sunday evening in Walt Disney Concert Hall.

Grant Gershon, who became the Chorale’s fourth music director in 2001, will lead 115 singers including 12 soloists (all Chorale members) plus a symphonic orchestra in what turned out to be one of the final pieces that Bach completed, a work considered to be a pinnacle of choral music. The Mass contains music that Bach had composed over a quarter-century, although most of it was revised for the final work. The B-Minor Mass was never performed in totality during Bach’s lifetime; the first documented complete performance took place in 1859.

The performance marks the Chorale coming full circle from when famed conductor Roger Wagner founded the chorus in 1964. Wagner — who had created his own small group, the Roger Wagner Chorale, in 1945 — formed the Los Angeles Master Chorale as one of three resident groups of the Music Center of Los Angeles. For the first 39 years, it performed at the Dorothy Chandler Pavilion. Since the completion of Walt Disney Concert Hall 11 years ago, the LAMC has joined the Los Angeles Philharmonic as resident groups at that iconic hall.

In addition to presenting history’s major choral works, the Master Chorale has commissioned 39 and premiered 88 new works, of which 57 were world premieres. The Master Chorale has half-dozen of its own CDs, most notably the first CD of Morten Lauridsen’s Lux Aeterna. The group will be featured on an upcoming CD of John Adams’ oratorio, The Gospel According to the Other Mary, scheduled to be released March 10 by Deutsche Grammophon. Gustavo Dudamel conducts the Los Angeles Philharmonic, the Master Chorale and soloists in this live recording at Disney Hall.

Next weekend’s concerts are among the 14 programs on the Master Chorale’s 50th anniversary season, along with its extensive work with the Los Angeles Philharmonic. The weekend will include a gala celebration entitled “Golden on Grand,” which will take place at 6 p.m. in the Eva and Marc Stern Grand Hall of the Pavilion. Tickets for that event are $650 per person. Information: www.lamc.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

PREVIEW: L.A. Master Chorale celebrates 50th season with Sunday concert

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
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Conductors4Web

The four conductors who have led the Los Angeles Master Chorale are (l-r) Roger Wagner, John Currie, Paul Salamunovich and John Currie.
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Los Angeles Master Chorale; Grant Gershon, conductor
50th Anniversary Celebration Concert
Sunday, Sept. 22, 7:00 p.m. • Walt Disney Concert Hall
Information: www.lamasterchorale.org
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Arts organizations love numbers ending with zero (or, to a lesser extent, five) or anything that divides evenly into the number 100 because it gives them ready-made opportunities for a celebration. This year, for example, the music world is celebrating the 200th birthday of Giuseppe Verdi and Richard Wagner and the centennial of Benjamin Britten’s birth. Locally, the Los Angeles Philharmonic is using its 10th season at Walt Disney Concert Hall as a focal point for its upcoming season — more on that next week.

So it’s no surprise that the Los Angeles Master Chorale’s 50th season — which opens Sunday night at Disney Hall — is a very big deal for one of the world’s foremost choral organizations. Sir Simon Rattle, chief conductor and artistic director of the Berlin Philharmonic, calls the Master Chorale “one of the finest choruses in the world without a doubt.” In his review of John Adams’ The Gospel According to the Other Mary at this summer’s Ravinia Festival, Chicago Tribune Music Critic John von Rhein described the Master Chorale as “marvelous” and continued “these inspired choral sections are prime Adams and were beautifully rendered by [LAMC Music Director Grant}Gershon’s choristers, who sang magnificently throughout.”

In Sunday’s concert, Gershon, who has headed LAMC since 2001, will lead a program that highlights works sung during his 12-year-tenure and those of his three predecessors as music director: Roger Wagner (1964-1986), John Currie (1986-1991) and Paul Salamunovich (1991-2001). KUSC radio personality Alan Chapman will host the event. A historical exhibition of Chorale memorabilia and photos will be on display in the Disney Hall gallery before the concert. (Click HERE for the media release, which contains the complete program).

Wagner-w-singers4web

Roger Wagner leads singers in a circa 1965 performance in the home of businessman Louis D. Statham, who helped found the Chorale. (Of Note: Statham’s home was later bought by Hugh Heffner and became the Playboy Mansion).
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The upcoming season will include 14 performances of 10 programs plus appearances on four Los Angeles Philharmonic programs. Included are world premieres of pieces by Esa-Pekka Salonen, David Lang, Francisco Nuñez and LAMC Composer-in-Residence Shawn Kirchner, all composed in honor of the 50th anniversary season. All will be performed on the season-ending concert on June 8, 2014. The Chorale has an extensive history of commissioning new works, particularly during Gershon’s tenure.

The 2013-2014 season will include two performances of Bach’s Mass in B Minor, the piece performed at the group’s inaugural concert in 1965; this program will be sung on Jan. 25 and 26, 2014 at the Dorothy Chandler Pavilion, (the Chorale’s home before moving to Disney Hall 10 years ago). The Chorale’s first concert came just 123 days after the Pavilion was opened.

Another major event will be a tribute to acclaimed composer Morten Lauridsen on March 16. Lauridsen, a Hollywood resident and professor of music at the USC Thornton School of Music, was formerly the Chorale’s composer-in-residence. During that tenure, he wrote Lux Aeterna, one of the most significant choral works of the 20th century. The Chorale was nominated for a Grammy for its recording of the piece.

Other works to be sung during the season will be Orff’s Carmina Burana and Verdi’s Te Deum on Nov. 2 and 3; Respighi’s Laud to the Nativity, Britten’s A Ceremony of Carols and Stephen Paulus’ Christmas Dances on Sept. 8; Steve Reich’s You Are and David Lang’s The Little Match Girl Passion on April 6. There will also be two performances of Handel’s Messiah along with the annual Messiah Sing-A-Long in December.

• To read the season-announcement release with program details, click HERE.
• More information, including ticker-purchase details, is HERE.
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(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Three indoor music seasons begin next weekend

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of his article was first published today in the above papers.

With summer seasons for the most part in our rear-view mirror, three major arts organizations will open their 2013-2014 classical music seasons next weekend.

• The Los Angeles Chamber Orchestra begins its 45th season Saturday night at 8 in Pasadena’s Ambassador Auditorium and next Sunday at 7 p.m. in UCLA’s Royce Hall. Preconcert lectures will take place an hour before each performance.

The program will feature 24-year-old violinist Benjamin Beilman as soloist in Mozart’s “Turkish” Violin Concerto. Jeffrey Kahane, beginning his 17th season as LACO’s music director, will also lead the orchestra in music by Beethoven, Kodaly and Lutoslawski. INFO: 213/622-7001; www.laco.org

Due to a renovation of Glendale’s Alex Theatre, this will be the first of two LACO orchestra series concerts that will be held at Ambassador, which LACO called home during the 1980s and 1990s. The orchestra will also play its annual “Discover Beethoven” concert at Ambassador on Feb. 22, 2014.

• Los Angeles Opera opens its 28th season Saturday night at 7:30 p.m. in the Dorothy Chandler Pavilion with the first of seven performances of Bizet’s Carmen. Other performances are Sept. 26 and 28 and Oct. 1 and 4 at 7:30 p.m. and Sept. 29 and Oct. 6 at 2 p.m.

Irish mezzo-soprano Patricia Bardon will perform the title role in all but one of the performances (Belgrade-born Milena Kitic appears on Sept. 28). The opening-night cast includes José Brandon Jovanovich as Don Jose, Ildebrando D’Arcangelo as Escamillo, and Pretty Yende in her company debut as Micáela. Some performances intersperse other singers so check carefully before you decide on when to attend.

Plácido Domingo, the company’s general director, will conduct four of the performances, including opening night, while Grant Gershon, LAO’s resident conductor will lead the other three. The production originated at Teatro Real in Madrid and has previously been used by LAO in 2004 and 2009. Opening night will be broadcast live on KUSC (91.5-FM). INFO: 213/972-8001; www.laopera.com

LA Opera has announced that it will present three semi-staged productions of André Previn’s opera, A Streetcar Named Desire, May 18, 21 and 24 in the Pavilion. Soprano Renée Flemming will sing the title role; she will be joined by some members of the cast that performed during the work’s debut in San Francisco in 1998. Patrick Summers, now principal conductor at San Francisco Opera, will conduct the three performances here. INFO

Previn, now 84, first made his name composing and arranging in Hollywood, winning Academy Awards in 1958 for scoring Gigi and 1959 for Porgy and Bess and then winning in 1963 for adapting Irma La Douce and 1964 for My Fair Lady. He has also written hundreds of classical and jazz compositions and other works. A Streetcar Named Desire ,based on Tennessee Williams’ Pulitzer-Prize winning play from 1947, was Previn’s first opera (he also wrote Brief Encounters in 2007).

Previn eventually scratched a long-standing itch when he turned to conducting orchestras, including the Houston Symphony and Pittsburgh Symphony. In 1985, he succeeded Carlo Maria Giulini as music director of the Los Angeles Philharmonic, a position he held until 1989. He also worked extensively with the London Symphony Orchestra and made a number of recordings with the LSO. Although Previn has rarely conducted in Los Angeles since his acrimonious departure as LAPO music director, one could only hope that the Phil would find a way to have him conduct during the May opera cycle, perhaps a concert of his own music.

The semi-staged production of A Streetcar Named Desire played earlier this year at Carnegie Hall and Lyric Opera of Chicago. LAO has an interesting article with Previn and Flemming commenting on the work on its Web site HERE.

A Streetcar Named Desire becomes the third 20th century opera that LAO will present this season. Einstein on the Beach, a landmark 1976 collaboration between director Robert Wilson and composer Philip Glass, will play Oct. 11, 12 and 13 in the Pavilion. INFO

Benjamin Britten’s Billy Budd will be presented six times, beginning Feb. 22, 2014. INFO Billy Budd is LAO’s major offering in the celebration of the centennial of Britten’s birth (he was born Nov. 22, 1913).

• Los Angeles Master Chorale opens its 50th anniversary season and its 10th as a resident ensemble at Walt Disney Concert Hall next Sunday at 7 p.m. when Grant Gershon leads 115 singers in an eclectic program featuring highlights from the Chorale’s four music directors during its first half-century: Roger Wagner (1964-1986), John Currie (1986-1991), Paul Salamunovich (1991-2001) and Gershon, who took over in 2001. The finale will be a performance of Randall Thompson’s a cappella anthem Alleluia performed by current and former LAMC members. INFO: 213/972-7282; www.lamc.org

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(c) Copyright 2013, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Major concerts on calendar during next fortnight

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

This article was first
published today in the above papers.

 

Four major concerts occur in our region during the next
fortnight — and that doesn’t count the final two events of the Piatigorsky
International Cello Festival at Walt Disney Concert Hall: a 2 p.m. concert by
the Los Angeles Philharmonic, featuring cellist Alisa Weilerstein (LINK), and a
7:30 p.m. recital by 110 (!) cellists that will wind up the nine-day-long
festivities (LINK).

 

Also on today’s agenda is the final “LA Phil Live” movie
theater telecast: the season-opening all-Gershwin concert with Gustavo Dudamel
conducting and legendary jazz pianist Herbie Hancock as soloist in Rhapsody in Blue. (LINK)

 

And then comes:

 

MUSE-IQUE ON MARCH
19 AT PASADENA CIVIC AUDITORIUM

Rachael Worby begins this group’s second season with a
typically cheeky program entitled “Ebony Meets Ivory.” Six pianists, including
the Los Angeles Philharmonic’s Joanne Pearce Martin, will perform on three
Steinway pianos in a program that ranges from Baroque to jazz, rap to classical
(Moonlight Sonata), and the spoken
word. The program takes place on stage — literally — as both performers and the
audience will be on the stage and a loading bay of the Pasadena Civic
Auditorium. This is the first of seven performances on Muse-ique’s 2012 season.
Information: muse-ique.com

 

LOS ANGELES CHAMBER
ORCHESTRA ON MARCH 24 (Alex Theatre, Glendale) AND MARCH 25 (Royce Hall, UCLA)

Music Director Jeffrey Kahane leads his ensemble and
pianist-composer Timothy Andres in the world premiere of Old Keys, the latest installment in LACO’s “Sound Investment”
commissioning program. Also on the concert is the West Coast premiere of
Andres’ “reconstruction” of Mozart’s Piano Concerto No. 26, K. 531 (Coronation). Mozart wrote only a few
measures for the left hand of this work although the first published edition
was complete, possibly from Mozart’s publisher. In this new version, Andres has
replaced those left-hand sketches with his own creation; how this “mash-up”
works will be part of the concert’s intrigue. Information: www.laco.org

 

PASADENA SYMPHONY
ON MARCH 31 AT AMBASSADOR AUDITORIUM

Nicholas McGegan, known worldwide as one of the premiere
interpreters of Baroque music, takes on a larger task as he leads concerts at 2
p.m. and 8 p.m. in Ambassador Auditorium that conclude with Beethoven’s
Symphony No. 3 (Eroica). Prior to
intermission, Armenian pianist Nareh Arghamanyan will be the soloist in
Mozart’s Piano Concerto No. 20, K. 466. Information:
www.pasadenasymphony-pops.org

 

LOS ANGELES MASTER
CHORALE AND MUSICA ANGELICA ON MARCH 31 AND APRIL 1 AT WALT DISNEY CONCERT HALL

LAMC Music Director Grant Gershon conducts 40 singers of his
Chorale, soloists and one of the nation’s premiere period-instrument ensembles
in the first performances of Bach’s St.
John Passion
to be played at Walt Disney Concert Hall. Information: www.lamc.org

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(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.