OVERNIGHT REVIEW: Grams, Porter make impressive debuts at Pasadena Symphony concert

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News

Andrew GramsOne of the advantages of the long interregnum between Pasadena Symphony music directors is that local audiences have heard a number of young conductors who are forging strong careers with orchestras in the United States and abroad. Saturday brought the last of those young maestros as Andrew Grams (right) took the podium at Ambassador Auditorium.

The 36-year-old Baltimore native was recently named music director of the Elgin Symphony Orchestra in suburban Chicago, an ensemble that is similar in size to the PSO. Grams reportedly was the unanimous choice of the ESO’s musicians and it’s easy to see why. He has an enthusiastic, energetic conducting style and, as he showed in the opening piece Saturday night, a cheeky sense of humor, as well.

For William Bolcom’s Commedia for (Almost) 18th Century Orchestra Grams tucked a trio of string soloists high on the back row of the orchestra, where percussionists would normally sit. Midway through their first solo lick, Grams turned to the audience and pointed to the soloists with a sly smile, as if to say, “Did you find them?” It was an appropriately light touch to Bolcom’s mashup of styles that range from Baroque to Mahler to slapstick.

Grams was all business in the final piece for the evening, Beethoven’s Symphony No. 5, although at the end of the first movement he peeked over his shoulder and smiled as if to say, “It’s okay to applaud.” Overall, Grams took things at a brisk pace, although he also found time to luxuriate in the woodwind solos that permeate the uber-familiar work. The orchestra was in top form throughout most of the performance.

In between those two pieces came Max Bruch’s Violin Concerto No. 1, with 17-year-old Simone Porter as the soloist. A native of Seattle, Porter studies with Robert Lipsett at The Colburn Conservatory of Music in downtown Los Angeles. She is also part of Colburn Artists, a program created in 2012 by The Colburn School to provide professional management services to its most-accomplished students, and Saturday night Porter validated her selection.

Playing a 1742 Camillus Camilli violin, Porter displayed a sweet, yet rich tone throughout the concerto, not just in the low notes but on the upper strings as well. She attacked this familiar work with exuberant, youthful gusto and seemed to thoroughly enjoy the moment, listening and bouncing along with the orchestral accompaniment when she wasn’t playing. It was an impressive performance; she is clearly someone to keep an eye and ear on.

Grams and the orchestra offered rich, luxuriant accompaniment, particularly during the broad, romantic moments of this familiar work. I hope that representatives of the Long Beach Symphony, which is searching for a new music director, were in the audience. Grams should be on their candidates list.

Hemidemisemiquavers:
• Porter’s PSO appearance is one of several important local concerts for her this year. On April 27 she will play Beethoven’s Romances 1 & 2 with the Pacific Symphony, led by Carl St.Clair, at the SOKA Performing Arts Center in Aliso Viejo. On Sept. 4 she will make her Hollywood Bowl debut as soloist in Samuel Barber’s Violin Concerto with the Los Angeles Philharmonic conducted by Seattle Symphony Music Director Ludovic Morlot.
• The final concert of the PSO’s 2013-2014 classics season will be held May 10. Jahja Lang, long-time music director of the San Diego Symphony, will lead a program of Shostakovich’s Symphony No. 5 and Tchaikovsky’s Piano Concerto No. 1, with Shai Posner as soloist. Information.
• Audience members got the first public look at the PSO’s 2014-02015 season. Music Director David Lockington and Principal Guest Conductor Nicholas McGegan will alternate leading the five classics series concerts, with Lockington conducting the first, third and final program and McGegan leading Nos. 2 and 4. Opening night is Nov. 1. I’ll have more on this tomorrow in a Blog post.
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Pasadena Symphony resumes youth movement

By Robert D. Thomas
Music Critic
Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily News
A shorter version of this story was printed today in the above newspapers.
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Pasadena Symphony; Andrew Grams, conductor, Simone Porter, violin
March 29 at 2 p.m. and 8 p.m. Preview one hour before each performance.
Ambassador Auditorium; 131 South St. John Ave., Pasadena
Tickets: $35-$105.
Information: www.pasadenasymphony-pops.org
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Simone_Porter_4_WebFor more than a quarter-century the Pasadena Symphony has distinguished itself by discovering young, talented soloists. Earlier this year 13-year-old pianist Umi Garrett soloed in Chopin’s Piano Concerto No. 1. For the PSO’s programs on March 29 at Ambassador Auditorium, a “grizzled veteran,” 17-year-old violinist Simone Porter (pictured right), will join the orchestra and guest conductor Andrew Grams for a performance of Max Bruch’s Violin Concerto No. 1. The concerts will open with William Bolcom’s Commedia for (Almost) 18th Century Orchestra and will conclude with Beethoven’s Symphony No. 5.

Porter’s PSO appearance is one of several important local concerts for her this year. On April 27 she will play Beethoven’s Romances 1 & 2 with the Pacific Symphony, led by Carl St.Clair, at the SOKA Performing Arts Center in Aliso Viejo. On Sept. 4 she will make her Hollywood Bowl debut as soloist in Samuel Barber’s Violin Concerto with the Los Angeles Philharmonic conducted by Seattle Symphony Music Director Ludovic Morlot.

A native of Seattle, Porter studies with Robert Lipsett at The Colburn Conservatory of Music in downtown Los Angeles. She is also part of Colburn Artists, a program created in 2012 by The Colburn School to provide professional management services to its most-accomplished students.

The PSO’s “youth movement” also includes its guest conductor. Grams, a 36-year-old Maryland native, last fall became music director of the Elgin Symphony just outside of Chicago, an ensemble that is similar in many respects to the Pasadena Symphony. In January he conducted the Baltimore Symphony in a concert that elicited from Tim Smith, music critic of The Baltimore Sun, the following: “The year is not even a week old, and there’s a contender for highlight of the 2014 music season in Baltimore.”

Meanwhile, two area choral groups resume their seasons this week.

• Jeffrey Bernstein leads the Pasadena Master Chorale in “The Voice of California” on Saturday at 7:30 p.m. and next Sunday at 4 p.m. at Altadena Community Church. The program features music by Eric Whitacre and Morten Lauridsen, along with premieres by Los Angeles-based composers Matt Brown and Reena Esmail. Information: www.pasadenamasterchorale.org

• Artistic Director John Sutton will lead his Angeles Chorale in “Romancing the Soul,” an evening of Brahms love songs on Saturday at 7:30 p.m. at Pasadena’s First United Methodist Church and March 30 at 4 p.m. at Northridge United Methodist Church. Information: www.angeleschorale.org

• This evening at 7 p.m. in Walt Disney Concert Hall, Grant Gershon leads 48 members of the Los Angeles Master Chorale in music by famed Southern California composer Morten Lauridsen. The program will include Mid-Winter Songs, Ave Dulcissima Maria, Canticle/O Vos Omnes, O Magnum Mysterium, , Madrigali, Nocturnes and Les Chansons des Roses (Lauridsen will accompany the last two pieces on the piano). Ironically, the only major piece the Chorale won’t be singing is Lux Aeterna, which has become a choral landmark since it was premiered and recorded by the Master Chorale in 1997. Information: www.lamc.org
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(c) Copyright 2014, Robert D. Thomas. All rights reserved. Portions may be quoted with attribution.