Five-Spot: What caught my eye on March 15, 2012

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

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Each Thursday, I list five events (six this week — it’s a
very busy weekend) that pique my interest, including (ideally) at least one
with free admission (or, at a minimum, inexpensive tickets). Here’s today’s grouping:

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Today and Saturday
at 8 p.m., Sunday at 2 p.m. at Walt Disney Concert Hall

Los Angeles Philharmonic:
Piatigorsky International Cello Festival concludes

This nine-day celebration of the cello (named in honor the
legendary cellist and teacher Gregor Piatigorsky) concludes this weekend as
Neemi Jrvi conducts the Phil in programs with three different cellists.
Tonight it’s Ralph Kirshbaum, who will solo in the Dvorak Cello Concerto
(LINK). Saturday night Misha Maisky plays Shostakovich’s Cello Concerto No. 1
and a transcription of Lenski’s Aria from
Eugene Onegin (LINK). On Sunday,
Alisa Weilerstein takes center stage in Tchaikovsky’s Variations on a Rococo Theme and Respighi’s Adagio con variazioni (LINK).
Each program begins with Dvorak’s Carnival
Overture
and concludes with Shostakovich’s Symphony No. 5. Piatigorsky Festival Information: www.piatigorskyfestival.com

 

Saturday at 4 p.m.
at Whittier College

Chorale Bel Canto
sings Bach’s Mass in B Minor

Stephen Gothold directs his chorale (which is celebrating
its 30th anniversary this season), soloists and orchestra as it
concludes the 75th annual Whittier Bach Festival with a performance
of this monument of choral literature. Information:
www.choralebelcanto.org

 

Saturday at 8 p.m.
at Zipper Hall (The Colburn School)

Vox Femina

Iris Levine conducts her women’s chorale as it continues its
15th season and celebrates St. Patrick’s Day with a concert of music
from the British Isles and Ireland. Singer-composer Moira Smiley will be the
guest artist. Information: www.voxfeminala.org

Sunday at 2 p.m. at
local movie theatres

Los Angeles
Philharmonic; Gustavo Dudamel, conductor; Herbie Hancock, piano

No, the Phil has not mastered the trick of bifurcation. The
final event in this season’s “LA Phil LIVE” telecasts into movie theatres isn’t
live. Instead, it a recording of the all-Gershwin concert that opened the
2011-2012 season last October. This isn’t the truncated version that played on
PBS in December; it’s the entire concert. Gustavo Dudamel conducts the Phil in
rousing performances of Gershwin’s Cuban
Overture
and An American in Paris. Jazz
legend Herbie Hancock joins the orchestra as soloist in Rhapsody in Blue and also plays improvisations on two Gershwin
songs, Embraceable You and Someone to Watch Over Me. There will
also be an interview with Hancock in his home and the usual sort of rehearsal
footage shots that makes these telecasts must viewing, even if you saw the
original concert. Information: www.laphil.com

 

Monday at 7 p.m. at
Pasadena Civic Auditorum

Muse-ique: “Ebony
Meets Ivory”

Rachael Worby begins Muse-ique’s second season with the
first of four “Uncorked Events” featuring six pianists in music that’s all over
the lot. My preview story is HERE. Information:
muse-que.com

 

And the weekend’s
“free admission” program …

 

Saturday at 7:30
p.m. at First United Methodist Church, Pasadena

Pipe Organs Inspire
Inaugural Concert

Three Pasadena churches — First United Methodist, First
Church of Christ, Scientist, and Pasadena Presbyterian — are combining on this
series of three free concerts. The churches’ organists — Ae-Kyong Kim (FUMC),
David Wolfe (FCCS) and Timothy Howard (PPC) — will perform on all three
programs with music selected specifically for the instrument. Saturday’s
inaugural program will be played on FUMC’s E.M. Skinner Organ. Information: www.pipeorganlsinspire.org

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(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

Five-Spot: What caught my eye on March 8, 2012

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

______________________

 

Each Thursday, I list five events that pique my interest,
including (ideally) at least one with free admission (or, at a minimum, inexpensive
tickets). Here’s today’s grouping:

NOTE: Daylight
Saving Time begins Sunday morning at 2 a.m. Don’t be late for the Sunday
performances!

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Friday at 7:30 p.m. and Sunday at 4 p.m. at The Broad Stage, Santa
Monica

Brian Stokes Mitchell in recital

This great Broadway musical star
appears in the intimate confines of The Broad Stage in Santa Monica. My preview
story is HERE. Information: www.thebroadstage.com

 

Friday at 7:30 p.m. at Bovard Auditorium (University of Southern
California), Los Angeles

Sunday at 7 p.m. at Zipper Hall (The Colburn School), Los Angeles

Piatigorsky International Cello Festival

This multi-faceted series from
March 9-18 is cosponsored by the USC Thornton School of Music, the Los Angeles
Philharmonic, The Colburn School and Los Angeles Chamber Orchestra. It brings
more than two-dozen artists from 12 countries to Los Angeles. The events
include concerts, recitals and master classes at USC, Zipper Hall and Walt
Disney Concert Hall.

 

The opening concert Friday night
features the “Festival Orchestra,” which is comprised of the LACO principal
players and students from the USC Thornton School of Music led by conductor
Hugh Wolf playing cello concertos and double concertos. Among the soloists is
Narek Hakhnazaryan, who won the gold medal in last summer’s Tchaikovsky
International Competition; he will be soloist in Saint-Sans’ Cello Concerto
No. 1 in A Minor.

 

Sunday evening’s recital in Zipper Hall features the six
Bach solo cello suites played by six different cellists. The L.A. Phil plays
concerts on March 15, 17 and 18 (we’ll cover them in next week’s post).

 

The festival honors Gregor Piatigorsky, one of history’s
greatest cellists and pedagogues, who taught at USC from 1962 to 1974. As a
basically clueless sophomore at USC in 1965, I listened to Piatigorsky and the
equally legendary violinist Jascha Heifetz play recitals in Hancock Auditorium,
not realizing how significant that was (to be honest, I went because my date –
who would later become my wife — was studying piano. She appreciated who
Heifetz and Piatigorsky were far more than I did at that point).

 

Among the 24 cellists performing are the three living
holders of the Piatigorsky Chair in Violoncello at the USC Thornton School of
Music: Lynn Harrell, Ronald Leonard and Ralph Kirshbaum. USC established the chair
in 1974, two years before the death of its namesake. Harrell held the position
from 1986-1993, and Leonard succeeded him, serving from 1993-2003 (formerly the
L.A. Phil’s Principal Concertmaster, Leonard now teaches at The Colburn School).
From 2004-2007, the late Eleonore Schoenfeld taught as the Piatigorsky Chair
holder and the Festival’s artistic director, Ralph Kirshbaum, succeeded her in
2008.

 

The Los Angeles Times has
a cute article on the festival HERE.

 

Information: piatigorskyfestival.com

 

Saturday night at 8
p.m. at Terrace Theatre, Long Beach

Long Beach Symphony;
Enrique Arturo Diemecke, conductor

The LBSO continues its season with performances of Dvorak’s Slavonic Dances Nos. 1 + 4; Schubert’s
Symphony No. 9, D 944, the “Great C Major” symphony; and Mendelssohn’s
evergreen Violin Concerto with the orchestra’s principal second violinist,
Katia Popov, as soloist. Information: www.lbso.org

 

Sunday at 7 p.m. at
Westminster Presbyterian Church, Pasadena

performances la
carte: “Winter’s Thaw”

This new group debuts with what’s described as a “multimedia
concert weaving the literary, musical and visual arts.” The musical selections
will include pieces by Eric Whitacre, David Downs, Carole Bayer-Sager and Ennio
Morricone. Performers will include the group’s founder, Jamie Perez, soloists,
instrumentalists, and choristers from five area churches.

 

If you’ve never seen Westminster Presbyterian Church (which
is located on North Lake Avenue), its sanctuary’s gothic look and feel,
inspired by several French cathedrals, is worth the trip (because Daylight
Savings Time starts Sunday, the stained glass windows will really sparkle).
This is a benefit concert; net proceeds will go to Elizabeth House. Information: 626/710-8639; performancesalacarte.org

 

And the weekend’s
“free admission” program …

 

Sunday at 6 p.m. at
St. James Church, Los Angeles

John Scott, organist

John Scott is Organist and Director of Music at St. Thomas
Church, NYC; before that he was in the same capacity at London’s St. Paul’s
Cathedral. His program will be music by Handel, Bach, Vierne, Locklair, Bolcom,
Fagiani and Sweelinck. The recital follows an Evensong service at 4:30 p.m.,
which — in a nice touch — will include music by Gerre Hancock, whom Scott
succeeded at St. Thomas Church in 2004 (Hancock died earlier this year).

 

Sunday’s recital will be played on St. James’ historic David
John Falconer Memorial Organ, one of the only remaining organs built by the
Murray Harris Company (the instrument dates from 1911 — read about its history
is HERE).

 

The church is located on Wilshire Blvd. in the mid-Wilshire
area and is within walking distance of Metro Rail Purple Line’s
Wilshire/Western station. Information: www.stjamesla.org

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(c) Copyright 2012, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

Five-Spot: What caught my eye on December 8, 2011

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

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Each Thursday morning, I list five events that pique my
interest, including (ideally) at least one with free admission (or, at a minimum,
inexpensive tickets). This weekend offers a plethora of opportunities, so
there’s more than five listed.

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Tonight and
tomorrow at 8 p.m. Sunday at 2 p.m. at Walt Disney Concert Hall

Los Angeles
Philharmonic; Thomas Wilkins, conductor

The Getty Museum has spearheaded a major collection of
events under the umbrella of “Pacific Standard Time” and these concerts are the L.A. Phil’s contribution. Wilkins, who
is principal conductor of the Hollywood Bowl Orchestra, leads a program of
music ranging from Eric Wolfgang Korngold to John Williams. Zull Bailey will be
the soloist in Korngold’s Cello Concerto (which was featured in the Bette Davis
film, Deception). This is a rare
opportunity to hear movie music played in the wonderful Disney Hall acoustics. Info:
www.laphil.com

 

Friday at 8 p.m.
Saturday at 2 p.m. and 8 p.m. Sunday at 2 p.m. and 7 p.m. at Pasadena Playhouse

Opera Posse: Amahl and the Night Visitors

Opera Posse picks up from the now-shuttered Intimate Opera
Pasadena in presenting this familiar one-act opera, written by Gian Carlo
Menotti in 1951 for NBC television. Last year’s presentation was one of the
season’s highlights and this year’s production features most of the artists who
brought it to life, including Director Stephanie Vlahos and set designer John
Iacovelli. The cast includes noted mezzo-soprano Suzanna Guzmn as the mother
and Caleb Glickman in the title role. As was the case last year, actor Malcolm
McDowell will intro the opera by reading Dylan Thomas’ A Child’s Christmas in Wales. Michelle J. Mills’ article in last
week’s Star-News is HERE. Concert Info: www.operaposse.com

 

Saturday at 8 p.m.
at Alex Theater (Glendale); Sunday at 7 p.m. at Royce Hall (UCLA)

Los Angeles Chamber
Orchestra; Jeffrey Kahane, conductor

Kahane returns to the LACO podium to lead a program that
includes music by Ravel, Respighi and Thomas Ades. Cellist Ralph Kirshbaum will
be the soloist in Tchaikovsky’s Variations
on a Rococo Theme.
This is the first of two major appearances by Kirshbaum
this season; he will also be on a Los Angeles Philharmonic program March 15
playing the Dvorak Cello Concerto as part of the Piatagorsky International
Cello Festival (LINK). LACO info: www.laco.org

 

Saturday at 8 p.m. at
Walt Disney Concert Hall

Boston Symphony
Orchestra; Ludovic Morlot, conductor

The famed BSO makes its first Los Angeles appearance in 20
years bringing a program of music by John Harbison, Ravel and Brahms. Gil
Shaham will be the soloist in Brahms’ Violin Concerto. It’s also a chance to
take the measure of Morlot, who took over the season as music director of the
Seattle Symphony from retiring Gerard Schwarz and may be a candidate to succeed
James Levine as the BSO’s music director. Info:
www.laphil.com

 

Handel’s Messiah

There are several opportunities this season to partake of
this ultra-familiar but still beloved oratorio that tells the story of the life
of Jesus Christ. A (not complete) list includes:

 

Saturday at 7:30
p.m. at First United Methodist Church, Pasadena

Angeles Chorale and Da Capo Players Chamber Orchestra,
conducted by Donald Neuen. Info: www.angeleschorale.org

 

Sunday at 3 p.m. at
Segerstrom Concert Hall, Costa Mesa

Pacific Symphony and Pacific Chorale; Christian Knapp,
conducting. Info: www.pacificsymphony.org

 

Monday at 7:30 p.m.
at Walt Disney Concert Hall

Los Angeles Master Chorale “Messiah Sing-Along.” If you’ve never done one of these, it’s a
fantastic way to experience this famous work. The audience joins with the
Master Chorale in the choruses — or you can just listen and be surrounded by
sound. Bring your own score or buy one for $10. Info: www.lamc.org

 

Tuesday and
Wednesday at 8 p.m. at Walt Disney Concert Hall

Philharmonia Baroque and Philharmonia Chorale; Nicholas
McGegan, conductor. Info: www.laphil.com

 

And the weekend’s “free admission” program …

 

Saturday at 7:30
p.m. at Pasadena Presbyterian Church

66th
annual Candlelight and Carols Concert

All of the church’s choirs participate in this annual event,
which also features plenty of audience caroling. The featured work on the
program is Veni Emmanuel by local
composer Elizabeth Ann Sellers, with the Kirk Choir and Friends of Music
Orchestra conducted by Timothy Howard. (Full disclosure: I sing in two of the
choirs participating.) Information: www.ppc.net

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(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.

AROUND TOWN/MUSIC: Orchestras in the holiday season

By Robert D. Thomas

Music Critic

Pasadena Star-News/San Gabriel Valley Tribune/Whittier Daily
News

A shorter version of
this column published today in the above papers.

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Because the holiday season is dominated by choral music,
orchestras have, in the past, tended to shy away from programs in December
unless they were holiday-theme oriented (e.g., Handel’s Messiah). This year, things are different.

 

Esa-Pekka Salonen, who music director of the Los Angeles
Philharmonic for 17 years, is in town for two weeks of concerts with his old
band (his L.A. Phil title is now Conductor Laureate). Today he’s leading
Beethoven’s Leonore Overture No. 2 and Piano Concerto No. 2, with an old
friend, Emmanuel Ax, soloing in the concerto (which, despite its number, was
actually the first piano concerto that Beethoven wrote).

 

The second half of the program is Sirens by Swedish composer Anders Hillborg. Soprano Hila Plitmann
and mezzo-soprano Anne Sofie von Otter join the orchestra and Los Angeles
Master Chorale in the work, which is based on The Siren Song from Homer’s The
Odyssey
and is receiving its world premiere this weekend. (Read my review
of Friday’s performance HERE.)

 

Salonen is leading another world premiere Friday, Saturday
and next Sunday: the Prologue to Shostakovich’s Orango, an unfinished satirical opera that the composer sketched in
1932 while he was writing his opera Lady
Macbeth of the Mtsensk District
. Only the 40-minute Prologue was
completed in piano vocal score, which was discovered in 2006. The Phil, a large
group of soloists, and the Master Chorale will present the work, orchestrated
by English composer Gerard McBurney and staged by Peter Sellars. The program
concludes with Shostakovich’s Symphony No. 4.  I have more on this concert at the bottom of the review
posted above and I’ll add more details on my “Five-Spot” post on Thursday.

 

On Dec. 8, 9 and 10, Thomas Wilkins — principal conductor of
the Hollywood Bowl Orchestra — leads the Phil in a program of movie music as
the orchestra’s contribution to the “Pacific Standard Time” series under the
auspices of the Getty Museum. Information: www.laphil.com

 

Elsewhere on the orchestral front:

The Pasadena
Symphony
will get into the holiday spirit with a candlelight program
Saturday at 7 p.m. at All Saints Church, Pasadena. Grant Cooper, artistic
director and conductor of the West Virginia Symphony, will conduct the PSO,
vocalist Lisa Vroman, the Los Angeles Children’s Chorus, Donald Brinegar
Singers and L.A. Bronze (a handbell ensemble) in an eclectic program of holiday
music. Information:
www.pasadenasymphony-pops.org

 

The Colburn
Orchestra
continues its season next Saturday at 7:30 p.m. at Ambassador
Auditorium as guest conductor Gerard Schwarz leads the ensemble in Mahler’s
Symphony No. 5 and Takemitsu’s From Me
Flows What You Call Time,
with a local percussion ensemble, Smoke and
Mirrors, as soloists in the Takemitsu piece. For Schwarz, it’s something of a
homecoming. Prior to becoming music director of the Seattle Symphony, Schwarz
held a similar position with the Los Angeles Chamber Orchestra, which used to
perform in Ambassador. Information: www.colburnschool.edu

 

Music Director Jeffrey Kahane will lead his Los Angeles Chamber Orchestra on Dec.
10 at the Alex Theater in Glendale and 11 at Royce Hall, UCLA. Cellist Ralph
Kirshbaum will be the soloist in Tchaikovsky’s Variations on a Rococo Theme for cello and orchestra. The program
also includes music by Ravel, Respighi and Thomas Ads. Information: www.laco.org

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(c) Copyright 2011, Robert D. Thomas. All rights reserved.
Portions may be quoted with attribution.