Because now and then it seems like a coronavirus column is called for, I asked on Facebook if anyone was affected by the 10 p.m. curfew. It probably says something about the newspaper-reading demographic that of 49 replies, all 49 said no. But they said so amusingly. I write about their responses and my own early bedtime in Sunday’s well-rested column.
I gather together some odds and ends for a post-Thanksgiving column (written Monday, revised on Wednesday), mostly about Joan Baez, but with a couple of other topics too. I won’t call it a feast, but dig in anyway.
The Pilgrim Festival this month was canceled, but donations and an Etsy shop (!) have helped make up the shortfall for the nonprofit Pilgrim Place, a retirement village in Claremont for retired clergy and social activists. The village is on a voluntary lockdown to protect its seniors. I write about it for Wednesday’s pre-Thanksgiving column.
In one of my occasional change-of-pace columns, I drive to LA and walk around the UCLA campus, then break for lunch. That’s Sunday’s column.
“Set the Night on Fire: L.A. in the Sixties,” a new history, includes a 1968 riot in San Bernardino that started at a high school and spilled into the streets. I recount that and also pluck some local history from “Ecology of Fear,” a previous book by the same author, Mike Davis, while also saying farewell to a San Bernardino restaurateur. All this in Friday’s column.
Fresh attention from the National Trust for Historic Preservation gives a boost to efforts to save the Harada House, an important site in Riverside for Japanese Americans. It’s a remarkable story. I visit the crumbling house for a tour and write about it, with a photo gallery by Will Lester, in my Wednesday column.
Would you like to read a column about singer Joan Baez? If so, let me recommend mine.
In the middle of a pandemic, Lucky’s Coffee Roasters in downtown Upland tries its luck at a former Starbucks location in Claremont (665 E. Foothill Blvd.) that closed in March. The popular shop has done well in Upland despite coronavirus. I wrote about the Starbucks, now I write about Lucky’s in Friday’s column.
I picked up an issue of Alta magazine, and then a second, and was delighted both times by the contributors and subjects with an Inland Empire connection. Also, I belatedly follow up on my Janis Joplin column by explaining further the limits of memory in constructing a column based on what people remember about concerts from 50 years ago. Plus, short items on Sam Maloof and the Claremont sign lady, all in Wednesday’s column.
Books acquired: “Joan Baez: The Last Leaf,” Elizabeth Thomson
Books read: “Leaves of Grass,” Walt Whitman; “The Wind in the Willows,” Kenneth Grahame; “American Dirt,” Jeanine Cummins; “A Handful of Dust,” Evelyn Waugh; “Joan Baez: The Last Leaf,” Elizabeth Thomson
I promised my October reading would constitute “some earthy reading,” and as you can see by the titles above, that was no fib. Grass, dirt, dust, leaves, willows — everything but weeds and flowers.
I started “Leaves of Grass” back in May or June, reading four or so pages every night. The notion of reading “American Dirt” the same month I would finish “Grass” struck me, and “A Handful of Dust” as well. I had time for “Willows,” yet another long-lived unread book on my shelves. Just as the month was ending, the Joan Baez biography arrived in the mail from the publisher (a column is planned), and it was a delight to realize the title would fit the theme. I dove in and delayed the Reading Log a few days so I could finish the book, which I did on Nov. 5. And here we are.
My capsule thoughts on each:
“Leaves of Grass” (1892): Whitman’s poetry, clear, direct and democratic, exemplifies America as well as anything else you can name. His original, 1855 Leaves of Grass is concise; this sprawling deathbed edition, a compendium of every poem he wrote, is more than most of us need, although his Civil War and Lincoln poems, Crossing Brooklyn Ferry and a few more are essential. For 700-plus pages of poetry, though, this goes down easily, and I’m glad I read it.
“The Wind in the Willows” (1908): A gentle story of four English “chaps” who happen to be animals. The long, scholarly introduction and the copious asterisks in the text leading to endnotes tend to make the book more portentous than it really is. (You know you’re in deep water when even some of the chapter titles have asterisks.)
“American Dirt” (2020): A friend gave me this as a birthday gift, which was unfortunate given the controversy over cultural appropriation, exploitation and such. “I heard it’s good,” he said blandly. I could well have accepted the novel with tongs and personal protective gear, as if it were radium. I took off the dust jacket when I toted the book around last month in a bid to attract less attention, pro or con. But you know, I liked the book for what it was rather than for what the over-enthusiastic blurbs claimed, like the “Grapes of Wrath” comparison. It’s a little potboiler-y for that. But Cummins gives us a sense of the danger migrants go through, and there’s value in that.
“A Handful of Dust” (1934): A novel of bleakness and disillusionment, as well as scathing wit. I liked the movie adaptation and, three decades later, I liked the book too, about a marriage that falls apart for no good reason. The only other Waugh I’ve read is The Loved One, which was too absurd and sneering for my tastes. Dust, by contrast, reminds me of Paul Bowles’ austere The Sheltering Sky.
“Joan Baez: The Last Leaf” (2020): A noble attempt to give Joan Baez, nearing 80, her due, via a biography and discography; as Thomson notes, Baez’s career and life are far less documented than her compatriot Bob Dylan’s. Sexism no doubt plays a part, although the difference in talent and cultural influence is inescapable. I came away impressed by the extent of Baez’s activism, extending to Bernie Sanders and George Floyd. The text is sympathetic, but sometimes enthusiastic, and possibly protective; there’s almost nothing about Baez’s personal life of the past 50 years.
“Leaves of Grass” is the clear winner this month, with “Dust” and “Willows” next.
I mentioned how “Leaf” and “Dirt” arrived, both in 2020. “Leaves” was acquired, well, I can’t determine when; I read the short, 1855 version in 2013, and may already have owned this longer version, but at this point I can’t recall. I probably bought this longer one at Borders. “Dust” was bought used somewhere, possibly Glendale’s Brand Books, in the mid-’00s, and “Willows” was purchased in 2011 at a steep discount at Borders’ closing sale. I still have nearly a dozen unread books from that sale of nearly a decade ago, making the “savings” seem rather hollow. But buying them made me feel better, and I’ll get through them eventually.
How was your October, readers? Did the first month of fall treat you well, at least in your reading lives? Let us know in the comments.
Next month: the life cycle in book titles.